Ācārakkōvai
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Acharakkovai ( ta, ஆசாரக்கோவை) is a poetic work of
didactic Didacticism is a philosophy that emphasizes instructional and informative qualities in literature, art, and design. In art, design, architecture, and landscape, didacticism is an emerging conceptual approach that is driven by the urgent need t ...
nature belonging to the
Eighteen Lesser Texts The Eighteen Lesser Texts, known as the Patiṉeṇkīḻkaṇakku ( ta, பதினெண்கீழ்கணக்கு) in the literature, is a collection of eighteen poetic works mostly created during the 'post Sangam period' (between 100 ...
(''Pathinenkilkanakku'') anthology of
Tamil literature Tamil literature has a rich and long literary tradition spanning more than two thousand years. The oldest extant works show signs of maturity indicating an even longer period of evolution. Contributors to the Tamil literature are mainly from T ...
. This belongs to the 'post Sangam period' corresponding to between 600 and 900 CE. ''Acharakkovai'' contains 100 poems written by the poet Peruvaayin Mulliyaar. The poems of ''Acharakkovai'' are written in the Venpa meter.


Literature

''Acharakkovai'' literally translates to "the garland of right conduct" of a
Saiva ''Saiva'' is a genus of Asian planthoppers, family Fulgoridae. They are colourful insects, marked boldly in red, blue, white and black, with a prominent slender stalk like structure arising on the head that points upwards or forward. The known ...
author, Kayatturp Peruvayil Mulliyar. ''Acharakkovai'' shows influences of
Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion ...
literature and hence believed to be of a later period than the other poems in the ''Pathinenkilkanakku'' anthology. The instructions in ''Acharakkovai'' are concerned with personal ritual and the correct method to follow. The work has 100 stanzas in ''venpa'' meter and is a collection of moral exhortations, ritual observances and customs that are considered proper and correct.Zvelebil 1974, p. 124 8 poems (1, 10, 27, 36, 46, 55, 56, 100) follow ''patrodai venpa'' (''venpa'' having lines of five), 52 poems (3, 5, 6, 7, 8, 9, 12, 15, 19, 21, 22, 23, 24, 25, 28, 29, 30, 31, 39, 40, 41, 42, 45, 48, 49, 51, 52, 54, 59, 60, 61, 62, 63, 65, 70, 71, 72, 73, 75, 77, 78, 81, 86, 87, 88, 89, 90, 91, 93, 97, 98, 99) follow ''innisai chithial venpa'' (''venpa'' with 3 lines), 33 poems (2, 4, 11, 13, 14, 17, 18, 20, 26, 32, 34, 35, 38, 43, 44, 47, 50, 53, 57, 58, 64, 66, 67, 68, 69, 74, 76, 82, 83, 84, 94, 95, 96) follow ''innisai venpa'' (''venpa'' with 4 lines), 1 poem (33) follows ''kural venpa'' (''venpa'' with lines of 2), 1 poem (16) follows ''cavalai venpa'' (''venpa'' with lines of four) and remaining 5 poems (37, 79, 80, 85, 92) follow ''nerisai venpa'' (''venpa'' with lines of four).Mulliyar, p. 2-15


Morals

The book is rich in etiquette and taboos, which are classificatory of any literature teaching morals.


Etiquette

The general importance of character elements of an individual namely blessings of parents (4), respect of five elements namely ''brahmins'', cows, the Sun, the moon, the king and teachers (15,16, 74) and importance of speech (1) is stressed. Eating rules of eating like eating after feeding elderly, cows, birds and children (21, 26, 86) and direction of eating (24). Invite and prostrate before elders (62, 72, 40), carry umbrella for elders (60), not calling elders by name (80), not treating them arrogantly by words or body language (91), speaking by covering mouth (97), be attentive (94, 41), using the same nice tone with elders and inferiors (80), never despise food offered and self-boast about rituals performed(88) and not use prolonged abuse of wife (80). One should feed everyone during marriages, festivals and parental rituals (48); greet everyone heartily (31), never walk between Brahmins or deities, or between lamps and persons (31, 36). The way of dressing, speaking and reprimanding reveals the nature of a person (49) and the necessity of being modest is highlighted in 71.Derrett 1978, pp. 381-383


Taboos

Twenty nine stanzas detail various taboos that throw superstition of the time. Verses 5-8 deal with ''eccil'' (pollution) that arises from urination, excretion, sexual contact, saliva, looking at an untouchable, but broadly misses the birth and death time pollutions. While bathing one must now swim, spit into water (14, 35, 36) and one should not see his reflection in water, scratch ground (13), not wear others' soiled slippers or clothes (12, 36), wear two garments while coming out of bath with one garment (11), not sleep opposite to door step (22, 45), nor facing north or midway point (30), use of both hands while providing drinks to elders (28), extinguish fire with water during the day (33), bow towards one sneezes (31), spitting or passing motion in various places (32), not to excrete facing south during the day or north during night (33), not pass motions imagining one is facing all ten directions (34).


Caste Treatise

The notion of untouchability seems to have emerged in the Sangam period itself with references from the work indicating water touched by ''pulaiyar'' being considered unfit for consumption of higher caste.Singh 2008, p. 508 ''Pulaiyars'' are referred as meat eaters (since "pulai" means "meat").T.K. 1986,p. 53


Criticism

The presence of this work in the
Sangam literature The Sangam literature (Tamil: சங்க இலக்கியம், ''caṅka ilakkiyam'';) historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், ''Cāṉṟōr ceyyuḷ'') connotes ...
is debated as the period of compilation is found to be in the late 8th century. There is heavy dosage of ''
Brahmin Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests ( purohit, pandit, or pujari) and religious teachers ( ...
ical'' influence in verses 2, 5, 15, 31, 34, 41, 47, 48, 61, 64 and 92. There is heavy influence of Sanskrit literature in the style of the work.Derrett 1978, p. 380


Notes


References

* * Mudaliyar, Singaravelu A., Apithana Cintamani, An encyclopaedia of Tamil Literature, (1931) - Reprinted by Asian Educational Services, New Delhi (1983) * . * . *


External links

* {{Tamil language Tamil language Sangam literature Tamil Hindu literature Ancient Indian poems