Éva Farkas
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Éva Farkas (born 15 March 1960 in
Nagykanizsa Nagykanizsa (; hr, Velika Kaniža/Velika Kanjiža, or just ''Kaniža/Kanjiža''; german: Großkirchen, Groß-Kanizsa; it, Canissa; sl, Velika Kaniža; tr, Kanije), known colloquially as Kanizsa, is a medium-sized city in Zala County in southw ...
) is a Hungarian tapestry artist.


Biography

Éva Farkas was born 15 March 1960, in
Nagykanizsa Nagykanizsa (; hr, Velika Kaniža/Velika Kanjiža, or just ''Kaniža/Kanjiža''; german: Großkirchen, Groß-Kanizsa; it, Canissa; sl, Velika Kaniža; tr, Kanije), known colloquially as Kanizsa, is a medium-sized city in Zala County in southw ...
. She graduated from the Technical College of Art in Pécs in 1978, where her Arts teacher was the painter Valkó László, her Textile teacher was Bizséné Kovács Diana. She graduated from the Hungarian University of Applied Arts as a
tapestry Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads ma ...
artist in 1984. Her Masters: Kádár János Miklós, Szabó János, Plesnivy Károly, Szilvitzky Margit and Polgár Csaba. Since 1984 she is a member of the National Association of Hungarian Creative Artists (Magyar Alkotóművészek Országos Egyesülete-MAOE) and also has a membership in the Association of Hungarian Fine and Applied Artists (Magyar Képző- és Iparművészek Szövetsége) since 1991 and the Association of Hungarian Tapestry Artists (Magyar Kárpitművészek Egyesülete) since 1996 /She was one of the designers and weavers of the gobelins "Tapestry Without Limits" and "Saint Stephen And His Work"/. Since its establishment (1998) she is a charter member of the Applied Arts Workshop in Gödöllő, which is the descendant of the famous Gödöllõ Colony of Artists (founded by
Aladár Körösfői-Kriesch Aladár Körösfői-Kriesch (29 October 1863 – 16 June 1920) was a Hungarian Art Nouveau painter. He was born in Buda Buda (; german: Ofen, sh-Latn-Cyrl, separator=" / ", Budim, Будим, Czech and sk, Budín, tr, Budin) was the ...
). The artist often exhibit with other members of the workshop both in Hungary and abroad. She ran a drawing course until 2005 in the Creative House. She give account of her independent artistic activity at individual and grouped exhibitions.


Personal life

She has two children: Nóra (born in 1987) and Zsolt (born in 1990).


Ars poetica

"Throughout the first 16 years of my career, nature was the primary theme of my artwork. My tapestries were prepared with the techniques of classical French
gobelin Gobelin was the name of a family of dyers, who in all probability came originally from Reims, France, and who in the middle of the 15th century established themselves in the Faubourg Saint Marcel, Paris, on the banks of the Bièvre. The firs ...
s, with dense spacing of the wrap, applying hachure, and delicate transitions of subtle colors. "Castle-Resonance", an exhibition in
Gödöllő Gödöllő (; german: Getterle; sk, Jedľovo) is a town in Pest County, Budapest metropolitan area, Hungary, about northeast from the outskirts of Budapest. Its population is 34,396 according to the 2010 census and is growing rapidly. It can b ...
, inspired me to turn my work to a different artistic direction. The compelling themes of Castle Resonance encouraged me to experiment with unconventional materials providing a new dimension to my artwork. During this period, I completed "Find 2000", a work that inspired a chain of ideas that continued to dominate my future designs. Since then, I remain captivated by the idea of contrasts, particularly, the contrasts between various textures, rustic and fine surfaces, and various materials; the fine and detailed goblin in opposition to sackcloth together on tapestry; silk versus linen; weaving hemp-yarn against gold threads or wool and silk threads simultaneously to create a drastic, yet astonishing effect within each individual piece. While working on this new stylistic effect, I also became interested in thematic elements associated with Eastern cultures and religions, and these novel themes became apparent in my work. Presently, I am mainly focusing on the design of praying-rugs which I named the "Sacred Tapestries". So far, six individual pieces have been completed. They were woven with an interesting and difficult technical approach using wool, linen or silk on every second weft. In my artwork I combine the Eastern and Western culture by incorporating the motives from the oriental rugs. With my "Sacred Tapestries" I would like to send a message that transcends cultural, racial and religious barriers."


References

* Keserű Katalin: Women at the Gödöllô Artists'Colony. The Home. Women at the Gödöllô Artists'Colony. London,Hungarian Cultural Centre, 2004. 6–10., 18–23.
Applied Arts Workshop in Gödöllő

www.mkisz.hu

Profile on artportal.hu
* SZÉCHENYI L.: ~ (kat. előszó, Savaria Múzeum, Szombathely, 1990) * Kortárs Magyar Művészeti Lexikon I-III. Enciklopédia Kiadó, 2001, főszerk. Fitz Péter
Kunst erleben-Galerie grenzArt, Hollabrunn, Austria video

www.art-nouveau.hu
* Torday Alíz: Farkas Éva; Fürge Ujjak; 2002. 2.szám, február; 66-67. * Jankovich Júlia: Az újjászületett GOBELIN; Balassi Kiadó, Budapest; 2001; 26-28.; * A gödöllői szőnyeg 100 éve. Főszerk.: Őriné Nagy Cecília. Gödöllői Városi Múzeum, Gödöllő; 2007; 61-62. * Wehner Tibor: A jelenkori gödöllői textil. In: A gödöllői szőnyeg 100 éve - Tanulmányok a 20. századi magyar textilművészet történetéhez. Főszerk.: Őriné Nagy Cecília. Gödöllői Városi Múzeum, Gödöllő; 2009; 102-105. * Handbook of Pest County. Ceba Kiadó; 1998; 299.


External links



{{DEFAULTSORT:Farkas, Eva 1960 births Living people People from Nagykanizsa Hungarian weavers 20th-century women textile artists 20th-century textile artists 21st-century women textile artists 21st-century textile artists 20th-century Hungarian women artists 21st-century Hungarian women artists