Étude Op. 25, No. 10, in

B minor B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes need ...

is a solo

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keybo ...

study composed by Frédéric Chopin in 1835.

Structure

''Étude Op. 25, No. 10'' features many unique aspects not typically present in Chopin's ''études'', including a significant and distinctive

ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples inclu ...

. The first

theme Theme or themes may refer to: * Theme (arts), the unifying subject or idea of the type of visual work * Theme (Byzantine district), an administrative district in the Byzantine Empire governed by a Strategos * Theme (computing), a custom graphical ...

is presented as a series of

eighth note 180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver ( British) is a musical note pla ...

tuplet In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat ...

s in

cut time ''Alla breve'' also known as cut time or cut common timeis a musical meter notated by the time signature symbol (a C with a vertical line through it), which is the equivalent of . The term is Italian for "on the breve", originally meaning th ...

, but not in time, played at a very fast tempo of '' Allegro''. The second theme is in

's parallel major, B major, and in

triple metre Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 ( compound) in the upper figure of the time signature, with , , ...

. The second theme is repeated four times, and develops into a variation of the first theme, returning to cut time and B minor. Copious

pedal point In music, a pedal point (also pedal note, organ point, pedal tone, or pedal) is a sustained tone, typically in the bass, during which at least one foreign (i.e. dissonant) harmony is sounded in the other parts. A pedal point sometimes function ...

notes and

phrase In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consi ...

markings are present in the second theme, but the entire étude lacks any pedal indications. Similar to the Op. 10, No. 4 étude, Chopin emphasizes ''

legato In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly and connected. That is, the player makes a transition from note to note wit ...

'' playing through the phrasing and (lack of) pedal marking. Throughout the entire work, Chopin marks only five

dynamic Dynamics (from Greek δυναμικός ''dynamikos'' "powerful", from δύναμις ''dynamis'' "power") or dynamic may refer to: Physics and engineering * Dynamics (mechanics) ** Aerodynamics, the study of the motion of air ** Analytical dyna ...

markings; the entire first theme is to be played ''forte'' to ''fortissimo'', and the whole second theme is ''piano''.Palmer, W: Chopin Etudes for the Piano, page 108. Alfred Publishing Co., Inc., 1992

Notes

External links

*
''Op. 25, No. 10''
played by

Josef Lhévinne Josef Lhévinne (13 December 18742 December 1944) was a Russian pianist and piano teacher. Lhévinne wrote a short book in 1924 that is considered a classic: ''Basic Principles in Pianoforte Playing''. Asked how to say his name, he told ''The ...

''Op. 25, No. 10''
played by Alfred Cortot
''Op. 25, No. 10''
played by

Claudio Arrau Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and B ...

''Op. 25, No. 10''
played by

Vladimir Ashkenazy Vladimir Davidovich Ashkenazy (russian: Влади́мир Дави́дович Ашкена́зи, ''Vladimir Davidovich Ashkenazi''; born 6 July 1937) is an internationally recognized solo pianist, chamber music performer, and conductor. He ...

''Op. 25, No. 10''
played by Maurizio Pollini
''Op. 25, No. 10''
played by

Andrei Gavrilov Andrei Gavrilov (in Russian Андрей Гаврилов; born September 21, 1955) is a Swiss pianist of Russian background. Early life and music career Andrei Gavrilov was born into a family of artists in Moscow. His father was Vladimir Gav ...

{{DEFAULTSORT:Etude Op. 25, No. 10 (Chopin) 25 10 1835 compositions Compositions in B minor