Álex de la Iglesia

Alejandro "Álex" de la Iglesia Mendoza (born 4 December 1965) is a Spanish film director, screenwriter, producer and former comic book artist.

De la Iglesia's films combine grotesque and very dark elements such as death and murder: most of his works are considered dark comedies, but are also often considered to have horror and/or drama elements. All his films, with the notable exceptions of '' The Last Circus'' (2010) and '' As Luck Would Have It'' (2011), were written together with Jorge Guerricaechevarría.

Biography

Alejandro de la Iglesia Mendoza was born on 4 December 1965 in Bilbao, son to a professor of Sociology (father) and a realist painter (mother) and the youngest of five siblings. He received his primary and secondary education in Jesuitic centres, later earning a licentiate degree in Philosophy from the University of Deusto, likewise a Jesuitic centre.

A comic book artist since young, he had a brief stint in television before finding work as production designer on Pablo Berger's ''Mamá''. This little seen short film focuses on a family forced to live in a basement after a nuclear war and features a little boy who wears a Batman costume.

He shared an apartment in the Calle Ledesma with Jorge Guerricaechevarría, ''Guerrica'', who would end up becoming the co-writer of most of his screenplays. He also associated since very early in his film beginnings with other future longstanding collaborators such as art directors Arturo García, ' (whom he met at the Bilbao's Artistic Reproductions Museum) and José Luis Arrizabalaga, ''Arri''. Together with Guerricaechevarría, de la Iglesia made the short film ''Mirindas Asesinas'' (1991), in which a boring man, whose mind is gradually degenerating, is on the verge of becoming a psychotic killer.

Enrique Urbizu came calling for his production designer services in 1991 for '' Todo por la pasta'' (Anything for money), a Basque crime thriller which was nominated for 4 Goya Awards, and won 1 (best supporting actress).

In 1993, de la Iglesia received a big break when Spain's most famous director, Pedro Almodóvar, produced his debut feature '' Acción mutante'' (''Mutant Action''). This tale of a group of crippled and handicapped outcasts in the future taking arms against handsome oppressors, became an independent success globally.

The next step he took was '' El día de la Bestia'' (''The Day Of The Beast'') (1995). It won 6 Goyas, the Best Director award amongst them. It also marked his first collaboration with producer Andrés Vicente Gómez.

Wanting to build on the success of ''The Day Of The Beast'', Gómez hired Iglesia to direct '' Perdita Durango'' based on novelist Barry Gifford's ''59 Degrees and Raining; The Story of Perdita Durango''. Barry Gifford helped out on the script also. Isabella Rossellini played Perdita Durango in David Lynch's '' Wild At Heart'', also based on a Gifford work. The film was in English, but did not prove as great a success as hoped; for some it felt too post- Tarantino. The film was also more nasty in its violence, and its confrontational style (though laced with typically dark humour), resulted in cuts and running times around the globe varying from 95 minutes in South Korea to 126 minutes in Spain. It was rumoured Bigas Luna was originally offered the director's chair for the film.

Also in 1997, Iglesia wrote '' Payasos en la lavadora'' (), a satirical novel.

Back in Spain, in 1999 de la Iglesia had success with ''Dying of Laughter'', a dark comedy about a Martin and Lewis-style comic duo with no love for each other, nominated for 3 Goyas, winning 2. '' La comunidad'' (2000), a dark comedy/thriller set in an apartment block with a money scram, got 15 Goya nominations, won 3.

In 2000, Iglesia was developing an English language Fu Manchu reboot film, which would have starred Antonio Banderas as an FBI agent on Manchu's trail. The unproduced film was scrapped due to escalating budget.

'' 800 balas'' (''800 Bullets'') (2002), a homage to spaghetti westerns, got 4 Goya nominations, 1 win. De la Iglesia's next film, '' Crimen Ferpecto'' (''The Ferpect Crime'') (2004), a dark comedy thriller with a man aspiring to perfection, winning 6 Goya prizes as a result.

De la Iglesia himself also provided the voice of the Underminer in the Spanish language dubbing of ''The Incredibles'' (2004).

In 2006, he directed an episode of the TV series ''Películas para no dormir'' (''Films To Keep You Awake'') titled '' La habitación del niño'' (''The Baby's Room'').

In 2008, de la Iglesia directed the science-fiction comedy TV series '' Plutón B.R.B. Nero''.

He has directed Elijah Wood and John Hurt in '' The Oxford Murders'', which is his second movie in English, released in Spain in January 2008.

Awards

His first feature film Accion mutante received two prizes at the Montreal Fantasia Festival, and three Goya's.
For '' The Day of the Beast'' (1995), de la Iglesia won the Goya Award for Best Director.

The films ''El día de la Bestia'', ''Muertos de risa'', ''Perdita Durango'', ''The Oxford Murders'', ''La comunidad'', ''800 balas'', '' Crimen Ferpecto'', '' La chispa de la vida'', '' Las brujas de Zugarramurdi'' and '' Balada triste de trompeta'' were part of the ''Álex de la Iglesia: Dancing with the Devil'' at the Toronto International Film Festival 2015.

On November 17, 2017, Álex de la Iglesia received the star on Almeria Walk of Fame.

Filmography

Film

Producer only

Short film

Other work

Television

As actor

* ''Los Increíbles'' (''The Incredibles'' Spanish version, voice) (2004)
* ''Spanish Movie'' (2009)
* ''Toy Story 3'' (Spanish version, voice) (2010)
* '' Herederos de la bestia'' (2016)

Interviews

SlantGreen Cine Daily''Boston Globe''IFC''Village Voice''

References

External links

*
*

{{DEFAULTSORT:Iglesia, Alex de la
1965 births
Living people
Film directors from the Basque Country (autonomous community)
Spanish film directors
Spanish male screenwriters
People from Bilbao
University of Deusto alumni
Basque writers
Horror film directors
Venice Best Director Silver Lion winners
Best Director Goya Award winners