'Ulayya bint al-Mahdi
   HOME

TheInfoList



OR:

Ulayya bint al-Mahdi ( ar, عُلَيّة بنت المهدي, ʿUlayya bint al-Mahdī, 777–825) was an
Abbasid The Abbasid Caliphate ( or ; ar, الْخِلَافَةُ الْعَبَّاسِيَّة, ') was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abdul-Mutta ...
princess, noted for her legacy as a poet and musician.


Biography

‘Ulayya was one of the daughters of the third
Abbasid The Abbasid Caliphate ( or ; ar, الْخِلَافَةُ الْعَبَّاسِيَّة, ') was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abdul-Mutta ...
Caliph
al-Mahdi Abū ʿAbd Allāh Muḥammad ibn ʿAbd Allāh al-Manṣūr ( ar, أبو عبد الله محمد بن عبد الله المنصور; 744 or 745 – 785), better known by his regnal name Al-Mahdī (, "He who is guided by God"), was the third Abb ...
( r. 775–85), who reigned from 775 to his death in 785, and was noted for promoting poetry and music in his realm. Her mother was a singer and concubine called Maknūna (herself the ''jāriya'' of one al-Marwānīya). Maknunah was a songstress. She was owned by Al-Marwaniyyah. Al-Mahdi, while yet a prince, bought her for 100,000 silver dirhams. She found such favor with the prince that
Al-Khayzuran Al-Khayzuran bint Atta ( ar, الخيزران بنت عطاء, al-ḵayzurān bint ʿaṭāʾ) (died 789) was the wife of the Abbasid Caliph Al-Mahdi and mother of both Caliphs Al-Hadi and Harun al-Rashid. She ruled de facto from 775 to 789 durin ...
(Al-Mahdi's wife) used to say, "No other woman of his made my position so difficult." She gave birth to Al-Mahdi's daughter Ulayya. It appears that, with her father dying early in her life, ‘Ulayya was brought up by her half-brother
Harun al-Rashid Abu Ja'far Harun ibn Muhammad al-Mahdi ( ar , أبو جعفر هارون ابن محمد المهدي) or Harun ibn al-Mahdi (; or 766 – 24 March 809), famously known as Harun al-Rashid ( ar, هَارُون الرَشِيد, translit=Hārūn ...
(r. 786–809). ‘Ulayya was a princess, and, like her half-brother Ibrahim ibn al-Mahdi (779–839), a noted musician, and poet. It has been claimed that she surpassed her brother in skills and while 'not the only princess known to have composed poetry and songs', nonetheless 'the most gifted'. 'Much of her poetry consists of short pieces designed to be sung; in the ''muḥdath'' style, it treats of love, friendship and longing for home, but also includes praise of Hārūn, the caliph, celebration of wine and sharp attacks on enemies.' The main source for ‘Ulayya's life is the tenth-century '' Kitāb al-Aghānī'' of Abū ’l-Faraj al-Iṣfahānī. This and other sources tend to portray ‘Ulayya as an accomplished woman who could readily hold her own in court society, but who tended to shy from too prominent a role in public life. She was wealthy and clearly possessed slave-girls, and had an intimate relationship with her powerful brothers; although there is little evidence of her communing with religious scholars, 'various reports in ‘Ulayya's ''tarājim'' refer to her piety and adherence to ritual obligations'. ‘Ulayya was married to an ‘Abbāsid prince, but 'love-poems of her addressed to two slaves have been preserved'. One of the best known anecdotes about her concerns
her relationship with a member of al-Rashīd's palace staff, a ''khādim'' named Ṭall, with whom she would correspond in verse. When al-Rashīd forbids her from uttering his name, she follows his order to the letter even when it precludes her from uttering a line of '' Sūrat al-Baqara'' in which the term ''ṭall'' occurs. When the caliph learns of this, he is swayed and presents Ṭall to her as a gift. In this case, her piety become the means to winning a quite worldly reward.
Similar to other free Arab women known for their musical ability, Ulayya bint al-Mahdi only performed in private, chaperoned family only functions to avoid any potential impropriety, such as to be compared to the slave-''
qiyan ''Qiyān'' ( ar, قِيان, ; singular ''qayna'', ar, قَينة, ) were a social class of women, trained as entertainers, which existed in the pre-modern Islamic world. The term has been used for both non-free women and free, including some ...
'', '' jawaris'' or ''mughanniyat'', but she was referred to as a ''
qayna ''Qiyān'' ( ar, قِيان, ; singular ''qayna'', ar, قَينة, ) were a social class of women, trained as entertainers, which existed in the pre-modern Islamic world. The term has been used for both non-free women and free, including some ...
'' as a tribute to her musical ability. She once performed a duet with her brother Ibrahim ibn al-Mahdi. She also composed love poems for her sister-in-law
Zubaidah bint Ja`far Zubaidah bint Ja`far ibn al-Mansur () (died 26 Jumada I 216 AH / 10 July 831 CE) was the best known of the Abbasid princesses, and the wife and double cousin of Harun al-Rashid. She is particularly remembered for the series of wells, reservoirs ...
, which was allegedly performed by 2000 slave women singers for her brother
Harun al-Rashid Abu Ja'far Harun ibn Muhammad al-Mahdi ( ar , أبو جعفر هارون ابن محمد المهدي) or Harun ibn al-Mahdi (; or 766 – 24 March 809), famously known as Harun al-Rashid ( ar, هَارُون الرَشِيد, translit=Hārūn ...
.


Siblings

Ulayya was related to
Abbasid The Abbasid Caliphate ( or ; ar, الْخِلَافَةُ الْعَبَّاسِيَّة, ') was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abdul-Mutta ...
house both by birth and through marriage like all other Abbasid princess. She was contemporary and related to several Abbasid caliphs, princes and princesses.


Marriage

Ulayya married Musa ibn Isa, a prominent member of a cadet branch of the Abbasid dynasty. He had an extended relation with Abbasid dynasty, Musa was a great-nephew of its first two caliphs
al-Saffah Abū al-ʿAbbās ʿAbd Allāh ibn Muḥammad al-Saffāḥ ( ar, أبو العباس عبد الله بن محمد السفّاح‎; 721/722 – 8 June 754, al-Anbar) usually known as Abūʾl-ʿAbbās as-Saffāḥ or simply by his laqab As ...
() and
al-Mansur Abū Jaʿfar ʿAbd Allāh ibn Muḥammad al-Manṣūr (; ar, أبو جعفر عبد الله بن محمد المنصور‎; 95 AH – 158 AH/714 CE – 6 October 775 CE) usually known simply as by his laqab Al-Manṣūr (المنصور) ...
(); he was also connected to the ruling line by his marriage to Ulayya, daughter of the third caliph
al-Mahdi Abū ʿAbd Allāh Muḥammad ibn ʿAbd Allāh al-Manṣūr ( ar, أبو عبد الله محمد بن عبد الله المنصور; 744 or 745 – 785), better known by his regnal name Al-Mahdī (, "He who is guided by God"), was the third Abb ...
.


Poetry

As example of ‘Ulayya's poetry is: ::I held back my love's name and kept repeating it to myself. ::Oh how I long for an empty space to call out the name I love.Abdullah al-Udhari, ''Classical Poems by Arab Women'' (London: Saqi, 1999), p. 110.


Editions

* al-Ṣūlī, Abū Bakr, ''Ash‘ār awlād al-khulafā’ wa-akhbāruhum'', ed. by J. Heyworth Dunne, 3rd edn (Beirut: Dār al-Masīra, 1401/1982), pp. 64–76.


References


Bibliography

* * * * {{DEFAULTSORT:Ulayya bint al-Mahdi 777 births 825 deaths Women poets from the Abbasid Caliphate Arabic-language women poets 8th-century women writers 9th-century women writers Daughters of Abbasid caliphs 9th-century women from the Abbasid Caliphate 8th-century Arabic poets 9th-century Arabic poets 8th-century women from the Abbasid Caliphate 9th-century women musicians 8th-century women musicians Musicians from the Abbasid Caliphate