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West Slope Ware
The modern term West Slope pottery describes a type of Greek fine pottery from the Late Classical and Hellenistic periods. West Slope pottery was especially widespread in the Eastern Mediterranean region. The name was coined in 1901 by Carl Watzinger, based on finds from the western slope of the Acropolis at Athens. West Slope pottery is a subtype of Black-glazed Ware. It was additionally decorated with white, yellow and pink clay slip, incisions, vertical ribbing and imprinted roulette decoration. The type developed during the 4th century BC out of a pottery style with applied yellowish-orange plastic ornaments that imitated gilding. West Slope pottery is especially well known from Athens, but several other production centres have been identified. Especially Pergamon is noteworthy in this regard. Since Athens had lost its dominant role in the Mediterranean pottery markets by this time, it should not be assumed that the form is a particularly Attic one, but rather that Athen ...
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3277 - Athens - Stoà Of Attalus Museum - Kantharoi - Photo By Giovanni Dall'Orto, Nov 9 2009
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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Gnathia Vases
Gnathia vases are a type of pottery belonging to ancient Apulian vase painting of the 4th century BC. They are named after the ancient city of Gnatia, Gnathia (now Egnazia) in Eastern Apulia. There, the first examples of the style were discovered in the mid-19th century. Their production began in Apulia around 370/360 BC, in parallel to the local version of the red-figure vase painting, red-figure style which developed tendencies towards polychromy around that time. Typical of Gnathia vases is the application of different paints directly onto the glazed vase body. Additionally, internal details could be added by incision. The themes depicted include eros, erotes, images from the life of women, theatre scenes and Dionysos, dionysiac motifs. Figural, painting is often limited to the upper half of the vessel body, while the bottom half often bears only ornamental decoration. The most common shapes were bell kraters, ''pelikes'', ''oinochoe, oinochoai'' and ''skyphos, skyphoi''. The mos ...
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West Mediterranean
The Mediterranean Sea is a sea connected to the Atlantic Ocean, surrounded by the Mediterranean Basin and almost completely enclosed by land: on the north by Western and Southern Europe and Anatolia, on the south by North Africa, and on the east by the Levant. The Sea has played a central role in the history of Western civilization. Geological evidence indicates that around 5.9 million years ago, the Mediterranean was cut off from the Atlantic and was partly or completely desiccated over a period of some 600,000 years during the Messinian salinity crisis before being refilled by the Zanclean flood about 5.3 million years ago. The Mediterranean Sea covers an area of about , representing 0.7% of the global ocean surface, but its connection to the Atlantic via the Strait of Gibraltar—the narrow strait that connects the Atlantic Ocean to the Mediterranean Sea and separates the Iberian Peninsula in Europe from Morocco in Africa—is only wide. The Mediterranean Sea enc ...
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Lebes
The lebes (Greek 'λέβης', plural ''lebetes'') is a type of ancient Greek cauldron, normally in bronze. It is a deep bowl with a rounded bottom. It was often supported by a sacrificial tripod. In classical times, a foot was attached and it was typically used as a cooking pot. Variants Tripod lebes The tripod lebes is characterized by two round vertical handles and by three strut-supported legs. All were separately cast then riveted to the cauldron. Artefactual evidence indicates the tripod lebes was not used as a mixing bowl, even long after it lost its role as a cooking pot. Lebes gamikos The lebes gamikos (pl. lebetes gamikoi), or ''nuptial lebes'', appears to have been a part of pre-wedding purification ceremonies, and was often made in pottery. It may have stood by the bride's door and was probably used in ritual sprinkling of the bride with water. Lebetes gamikoi stood on variously long or short bases and each typically was painted with a scene of a wedding procession ...
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Kylix (drinking Cup)
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), ...
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Chalice Cup
A chalice (from Latin 'mug', borrowed from Ancient Greek () 'cup') or goblet is a footed cup intended to hold a drink. In religious practice, a chalice is often used for drinking during a ceremony or may carry a certain symbolic meaning. Religious use Christian The ancient Roman ''calix'' was a drinking vessel consisting of a bowl fixed atop a stand, and was in common use at banquets. In Roman Catholicism, Eastern Orthodox Church, Oriental Orthodoxy, Anglicanism, Lutheranism and some other Christian denominations, a chalice is a standing cup used to hold sacramental wine during the Eucharist (also called the Lord's Supper or Holy Communion). Chalices are often made of precious metal, and they are sometimes richly enamelled and jewelled. The gold goblet was symbolic for family and tradition. Chalices have been used since the early church. Because of Jesus' command to his disciples to "Do this in remembrance of me." (), and Paul's account of the Eucharistic rite in , ...
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Kantharos
A ''kantharos'' ( grc, κάνθαρος) or cantharus is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape. The ''kantharos'' is a cup used to hold wine, possibly for drinking or for ritual use or offerings. The ''kantharos'' seems to be an attribute of Dionysos, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to t ...
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Pelike
A pelike ( grc, πελίκη) is a one-piece ceramic container similar to an amphora An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storag .... It has two open handles that are vertical on their lateral aspects and even at the side with the edge of the belly, a narrow neck, a flanged mouth, and a sagging, almost spherical belly. Unlike the often-pointed bottom of many amphorae, the pelike's bottom is always flanged so it will stand on its own. Pelikes are often intricately painted, usually depicting a scene involving people. The shape first appeared at the end of the 6th century BCE and continued to the 4th century BCE. The pelike's function is not known for certain, but many classical experts speculate, due to its shape, the locations they have been found and the subject matter they a ...
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Amphora
An amphora (; grc, ἀμφορεύς, ''amphoreús''; English plural: amphorae or amphoras) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple smal ...
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Hydria
The hydria ( el, ὑδρία; plural hydriai) is a form of Greek pottery from between the late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning ‘jug’. It is a type of water-carrying vessel, but it had many other purposes. As time progressed the hydria developed into many forms, some of which were smaller or of a different material. These variants were decorated with detailed figures to represent Greek mythological stories, as well as scenes of daily life, providing extensive insight into Ancient Greek culture and society. Function Originally, the hydria's purpose was for the collection of water, but it also held oil and the votes of judges. The design of the hydria allowed for the efficient collecting and pouring of liquids as it possessed three handles: two horizontal ones at its sides and a vertical one on its back. The sha ...
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