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Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an art dealer, often traveling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drifte ...
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Portraits Of Vincent Van Gogh
The portraits of Vincent van Gogh (1853–1890) are the self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his ''œuvre'' as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face. Self-portraits 1885 On July 14, 2022, an almost certainly authentic self-portrait of van Gogh was uncovered under his 1885 painting "Head of a peasant woman". Lesley Stevenson, a conservator at the Scottish National Gallery of Modern Art, discovered it during an X-ray examination of their existing pieces. It shows a bearded van Gogh in a brimmed hat and a neckerchief around his throat. His left ear was clearly visible. The portrait is covered under layers of cardboard and glue, which experts are searching for ways to remov ...
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The Potato Eaters
''The Potato Eaters'' ( nl, De Aardappeleters) is an oil painting by Dutch artist Vincent van Gogh painted in April 1885 in Nuenen, Netherlands. It is in the Van Gogh Museum in Amsterdam. The original oil sketch of the painting is at the Kröller-Müller Museum in Otterlo, and he also made lithographs of the image, which are held in collections including the Museum of Modern Art in New York City. The painting is considered to be one of Van Gogh's masterpieces. Composition During March and the beginning of April 1885 van Gogh sketched studies for the painting, and corresponded with his brother Theo, who was not impressed with his current work nor the sketches Van Gogh sent him in Paris. He worked on the painting from 13 April until the beginning of May, when it was mostly done except for minor changes that he made with a small brush later the same year. Van Gogh said he wanted to depict peasants as they really were. He deliberately chose coarse and ugly models, thinking that ...
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List Of Works By Vincent Van Gogh
List of works by Vincent van Gogh is an incomplete list of paintings and other works by the Dutch artist Vincent van Gogh. The listing is ordered by year and then by catalogue number. While more accurate dating of Van Gogh's work is often difficult, as a general rule, the numbering from Jan Hulsker's catalogue is more precise chronologically. Paintings (The Hague-Drenthe) All works listed here are oil on canvas unless otherwise indicated. Paintings (Nuenen-Antwerp) Paintings (Paris) Paintings (Arles) Paintings (Saint-Rémy) Paintings (Auvers-sur-Oise) Watercolours Drawings Van Gogh made more than a thousand drawings during his lifetime. Prints (Lithographs) Prints (Etchings) Letter sketches See also * ''Almond Blossoms'' (Van Gogh series): Four paintings of blossoming almond trees or branches made in Arles or Saint-Remy * ''Agostina Segatori Sitting in the Café du Tambourin'': Parisian influences, Japanese wood block prints * ''Asnières'' (Van ...
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Auvers-sur-Oise
Auvers-sur-Oise (, literally ''Auvers on Oise'') is a commune in the department of Val-d'Oise, on the northwestern outskirts of Paris, France. It is located from the centre of Paris. It is associated with several famous artists, the most prominent being Vincent van Gogh. This was also the place where Vincent van Gogh died, apparently by suicide. Geography Location Auvers is located on the right bank of the river Oise. To the south, it is connected to Méry-sur-Oise by a bridge. Localities * Chaponval * Cordeville (from Corbeville) * Le Montcel (from ''Monsellus'', small mountain) * Les Vaissenots or Vessenots * Le Valhermeil (from Val ''Hermer'', name of the owner during the 12th century) * Les Vallées History During the 19th century, a number of painters lived and worked in Auvers-sur-Oise, including Paul Cézanne, Charles-François Daubigny, Camille Pissarro, Jean-Baptiste-Camille Corot, Norbert Goeneutte, and Vincent van Gogh. Daubigny's house is now a museum where on ...
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Paintwork
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture. Paint can be made in many colors—and in many different types. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted (such as a house.) Usually, the object being painted must be over , although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as . History Paint wa ...
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Portraits By Vincent Van Gogh
Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, and things rather than trying to imitate their physical forms. Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward and involvement with his subjects. Van Gogh's portraiture focuses on color and brushstrokes to demonstrate their inner qualities and van Gogh's own relationship with them. Vincent van Gogh painted portraits throughout his career from 1881 through 1890. The Netherlands and Brussels (1881–1886) Van Gogh was fascinated with making portraits early in his artistic career. He wrote to his brother, Theo while studying in The Hague, "I want to do a drawing that not quite everybody will understand, the figure simplified to the e ...
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Still Life Paintings By Vincent Van Gogh (Paris)
''Still life paintings by Vincent van Gogh (Paris)'' is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings. He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting. There was a gradual change from the somber mood of his work in the Netherlands to a far more varied and expressive approach as he began introducing brighter color into his work. He painted many still life paintings of flowers, experimenting with color, light and techniques he learned from several different modern artists before moving on to other subjects. By 1887, his work incorporated several elements ...
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Trees And Undergrowth (Van Gogh Series)
''Trees and Undergrowth'' is the subject of paintings that Vincent van Gogh made in Paris, Saint-Rémy and Auvers, from 1887 through 1890. Van Gogh made several paintings of undergrowth, a genre of painting known as sous-bois that was brought into prominence by artists of the Barbizon School and the early Impressionists. The works from this series successfully use shades of color and light in the forest or garden interior paintings. Van Gogh selected one of his Saint-Rémy paintings, ''Ivy'' (F609) for the Brussels Les XX exhibition in 1890. Sous-bois genre The woodland scene genre, or "sous-bois" in French for undergrowth, was popular with artists from the Barbizon School and Impressionists. Rather than painting landscapes from afar like traditional painters, 19th-century rural painters climbed or walked into forested areas for a close view of wooded scenes. Paintings of the sous-bois, evoking the trees and grassy undergrowth, were often made vertically on canvas, as oppo ...
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At Eternity's Gate
''Sorrowing Old Man (At Eternity's Gate)'' is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide. In the 1970 ''catalogue raisonné'', it was given the title ''Worn Out: At Eternity's Gate''. Lithograph The lithograph was based on a pencil drawing ''Worn Out'', one of a series of studies he made in 1882 of a pensioner and war veteran, Adrianus Jacobus Zuyderland, at a local almshouse in The Hague and itself a reworking of a drawing and watercolour he had made the previous year. The inspiration for ''Worn Out'' was Hubert von Herkomer's ''Sunday at the Chelsea Hospital'', an immensely popular print depicting an old war veteran slumped dead that went on to become an acclaimed painting at the Royal Academy, '' The Last Muster'', ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majori ...
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Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ...
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Western Art
The art of Europe, or Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the art of Ancient Israel and the Ancient Aegean civilizations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the art of Ancient Greece, adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia. The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a dis ...
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