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Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics'', he discusses tragedy with a dual ending. In this respect, a number of Greek and Roman plays, for instance '' Alcestis'', may be calle ...
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John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ...
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Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including '' A New Way to Pay Old Debts'', ''The City Madam'', and ''The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, suc ...
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Shakespeare's Late Romances
The late romances, often simply called the romances, are a grouping of William Shakespeare's last plays, comprising ''Pericles, Prince of Tyre''; ''Cymbeline''; ''The Winter's Tale''; and '' The Tempest''. ''The Two Noble Kinsmen'', of which Shakespeare was co-author, is sometimes also included in the grouping. The term "romances" was first used for these late works in Edward Dowden's ''Shakespeare: A Critical Study of His Mind and Art'' (1875). Later writers have generally been content to adopt Dowden's term. Shakespeare's plays cannot be precisely dated, but it is generally agreed that these comedies followed a series of tragedies including ''Othello'', ''King Lear'' and ''Macbeth''. Shakespeare wrote tragedies because their productions were financially successful, but he returned to comedy towards the end of his career, mixing it with tragic and mystical elements. Shakespeare's late romances were also influenced by the development of tragicomedy and the extreme elaboration of th ...
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Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as ...
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Henry Burnell (author)
Henry Burnell (fl.1630s-40s, d.1656) was an Irish politician, playwright and landowner of the seventeenth century. The details of his life are not well recorded, but it is known that he was a prominent member of the Irish Confederacy which governed much of Ireland between 1642 and 1649. He was a member of a leading Dublin landowning family, who forfeited most of their possessions after the failure of the Irish Rebellion of 1641. He is now remembered mainly as the author of ''Landgartha'', the first play by an Irish playwright to be produced in an Irish theatre, and as the father of the poet Eleanor Burnell. Family He was the son of Christopher Burnell of Balgriffin, and grandson of Henry Burnell, Recorder of Dublin, who died in 1614. Nothing is known of his mother; his paternal grandmother was an O'Reilly of County Cavan. The Burnell family had been landowners in Dublin since the late fourteenth century and were Lords of the Manors of Balgriffin and Castleknock. They had ...
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Giovanni Battista Guarini
Giovanni Battista Guarini (10 December 1538 – 7 October 1612) was an Italian poet, dramatist, and diplomat. Life Guarini was born in Ferrara. On the termination of his studies at the universities of Pisa, Padua and Ferrara, he was appointed professor of literature at Ferrara. Soon after his appointment, he published some sonnets which obtained for him great popularity as a poet. In 1567, he entered the service of Alfonso II d'Este, Duke of Ferrara. After about 20 years of service, differences with the Duke led him to resign. After residing successively in Savoy, Mantua, Florence and Urbino, he returned to his native Ferrara. There he discharged one final public mission, that of congratulating Pope Paul V on his election (1605). He died in Venice, where he had been summoned to attend a lawsuit, aged 73. He was the father of Anna Guarini, one of the famous ''virtuose'' singers of the Ferrara court, the three women of the '' concerto di donne''. She was murdered by her husband i ...
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James Shirley
James Shirley (or Sherley) (September 1596 – October 1666) was an English dramatist. He belonged to the great period of English dramatic literature, but, in Charles Lamb's words, he "claims a place among the worthies of this period, not so much for any transcendent genius in himself, as that he was the last of a great race, all of whom spoke nearly the same language and had a set of moral feelings and notions in common." His career of play writing extended from 1625 to the suppression of stage plays by Parliament in 1642. Biography Early life Shirley was born in London and was descended from the Shirleys of Warwick, the oldest knighted family in Warwickshire. He was educated at Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his BA degree in or before 1618. His first poem, ''Echo, or the Unfortunate Lovers'' was published in 1618; no copy of it is known, but it is probably the same as 1646's ''Narcissus ...
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Literary Genre
A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length (especially for fiction). They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable. Genres can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a subgenre (see below), but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed. History of genres Aristotle The concept of genre began in the works of Aristotle, who applied biological concepts to the classification of literary genres, or, as he called them, "species" (eidē). These classifications are mainl ...
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Il Pastor Fido
''Il pastor fido'' (''The Faithfull Shepherd'' in Richard Fanshawe's 1647 English translation) is a pastoral tragicomedy set in Arcadia by Giovanni Battista Guarini, first published in 1590 in Venice. Plot summary To redress an ancient wrong, the gods of Arcadia every year demand the sacrifice of a virgin. According to the oracle, this curse can only be lifted when a young man and a young woman, each of godly descent, are wed. In Arcadia there are now only two that can claim such lineage: the young Silvio (the son of the priest Montano, and a descendant of Hercules) and the nymph Amarilli (the daughter of Titiro, and a descendant of Pan). Thus the two have been promised to each other in marriage. The play unfolds a double plot. One storyline follows Silvio, who cares only for the hunt and gives no thought to love or to his impending marriage. Silvio is pursued by a nymph named Dorinda. She tries to win his love in several ways, but he scorns her affections. One day D ...
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Lodowick Carlell
Lodowick Carlell (1602–1675), also Carliell or Carlile, was a seventeenth-century English playwright, was active mainly during the Caroline era and the Commonwealth period. Courtier Carlell's ancestry was Scottish. He was the son of Herbert Carlell of Bridekirk in Dumfriesshire, and the third of four brothers. He was not educated at university, though he did produce translations from French and Spanish during his lifetime; he probably had the informal though not always contemptible education of a courtier, which he was from about the age of 15. In his extra-literary life, Carlell was a courtier and royal functionary; he held the offices of Gentleman of the Bows to King Charles I, and Groom to the King and Queen's Privy Chamber. He was also Keeper of the Great Forest at Richmond Park. In the latter post, he assisted the King in his frequent hunts, and throughout the 1630s he lived in the Park at Petersham Lodge. In this same period he accomplished most of his dramatic auth ...
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Aston Cockayne
Sir Aston Cockayne, 1st Baronet (1608–1684) was, in his day, a well-known Cavalier and a minor literary figure, now best remembered as a friend of Philip Massinger, John Fletcher, Michael Drayton, Richard Brome, Thomas Randolph, and other writers of his generation. Biography Aston Cockayne was the son of Thomas Cockayne and Ann, the daughter of Sir John Stanhope; Cockayne was born at Ashbourne Hall in Derbyshire, and baptised on 20 December 1608. He was educated at Trinity College, Cambridge, the University of Oxford, and at the Inns of Court. Like many other aristocrats of his time, he travelled through Europe in his youth, spending much of 1632 in France and Italy; like a few, he became fluent in their languages, and translated works of literature into English. Cockayne was a Roman Catholic, and like other Catholics in his country in his era, was active in resistance against the Church of England and the social order that supported it. On 10 January 1641 Charles I eleva ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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