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Tibetan Script
The Tibetan script is a segmental writing system (''abugida'') of Indic origin used to write certain Tibetic languages, including Tibetan, Dzongkha, Sikkimese, Ladakhi, Jirel and Balti. It has also been used for some non-Tibetic languages in close cultural contact with Tibet, such as Thakali. The printed form is called uchen script while the hand-written cursive form used in everyday writing is called umê script. This writing system is used across the Himalayas, and Tibet. The script is closely linked to a broad ethnic Tibetan identity, spanning across areas in India, Nepal, Bhutan and Tibet. The Tibetan script is of Brahmic origin from the Gupta script and is ancestral to scripts such as Meitei, Lepcha,Daniels, Peter T. and William Bright. ''The World's Writing Systems''. New York: Oxford University Press, 1996. Marchen and the multilingual ʼPhags-pa script. History According to Tibetan historiography, the Tibetan script was introduced by Thonmi Sambhota i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abugida
An abugida (, from Ge'ez: ), sometimes known as alphasyllabary, neosyllabary or pseudo-alphabet, is a segmental writing system in which consonant-vowel sequences are written as units; each unit is based on a consonant letter, and vowel notation is secondary. This contrasts with a full alphabet, in which vowels have status equal to consonants, and with an abjad, in which vowel marking is absent, partial, or optional (although in less formal contexts, all three types of script may be termed alphabets). The terms also contrast them with a syllabary, in which the symbols cannot be split into separate consonants and vowels. Related concepts were introduced independently in 1948 by James Germain Février (using the term ) and David Diringer (using the term ''semisyllabary''), then in 1959 by Fred Householder (introducing the term ''pseudo-alphabet''). The Ethiopic term "abugida" was chosen as a designation for the concept in 1990 by Peter T. Daniels. In 1992, Faber sug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siddhaṃ Script
(also '), also known in its later evolved form as Siddhamātṛkā, is a medieval Brahmic abugida, derived from the Gupta script and ancestral to the Nāgarī, Assamese, Bengali, Tirhuta, Odia and Nepalese scripts. The word means "accomplished" or "perfected" in Sanskrit. The script received its name from the practice of writing ', or ' (may there be perfection), at the head of documents. Other names for the script include ''bonji'' ( ja, 梵字) lit. "Brahma's characters" and "Sanskrit script" and lit. "Siddhaṃ script". History The script evolved from the Gupta Brahmi script in the late 6th century CE. Many Buddhist texts taken to China along the Silk Road were written using a version of the script. This continued to evolve, and minor variations are seen across time, and in different regions. Importantly it was used for transmitting the Buddhist tantra texts. At the time it was considered important to preserve the pronunciation of mantras, and Chinese w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uchen Script
}Uchen (; ; variant spellings include ''ucen'', ''u-cen'', ''u-chen'', ''ucan'', ''u-can'', ''uchan'', ''u-chan'', and ''ucän'') is the upright, block style of the Tibetan script. The name means "with a head," and is the style of the script used for printing and for formal manuscripts. It is used to write both the Tibetan language and Dzongkha, the official language of Bhutan. There are also a number of cursive forms of the Tibetan script, sometimes collectively referred to as '' umê'' (), "headless." Origin Uchen script is a written Tibetan script that uses alphabetic characters to physically record the spoken languages of Tibet and Bhutan. Uchen script emerged in between the seventh and early eighth century, alongside the formation and development of the Tibetan Empire. The script originally was created in Tibet but was also adopted in the neighbouring country of Bhutan located in East Asia. Historians believe the script was created by the seventh century scribe and aca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thakali Language
Thakali is a Sino-Tibetan language of Nepal spoken by the Thakali people, mainly in the Myagdi and Mustang Districts. Its dialects have limited mutual intelligibility. Seke (Tangbe, Tetang, Chuksang) is sometimes considered a separate language. Other names and dialect names are Barhagaule, Marpha, Panchgaunle, Puntan Thakali, Syang, Tamhang Thakali, Thaksaatsaye, Thaksatsae, Thaksya, Tukuche, Yhulkasom. Geographical distribution Thakali is spoken in the middle of the Kali Gandaki River valley and in the upper part of the Kali Gandaki Gorge (also known as Thak Khola), in Mustang District, Dhawalagiri Zone. The Thakali area is bounded by Annapurna Himal on one side and Dhawalagiri Himal on the other, with Tatopani village in the south and Jomsom in the north (''Ethnologue''). The Tukuche dialect is spoken from Tukuche to Thaksatsae, in 13 villages: Tukuche, Khanti, Kobang, Larjung, Dampu, Naurikot, Bhurjungkot, Nakung, Tithi, Kunjo, Taglung, Lete, Ghansa. Many live outside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lhasa Tibetan
Lhasa Tibetan (), or Standard Tibetan, is the Tibetan dialect spoken by educated people of Lhasa, the capital of the Tibetan Autonomous Region of China. It is an official language of the Tibet Autonomous Region. In the traditional "three-branched" classification of Tibetic languages, the Lhasa dialect belongs to the Central Tibetan branch (the other two being Khams Tibetan and Amdo Tibetan). In terms of mutual intelligibility, speakers of Khams Tibetan are able to communicate at a basic level with Lhasa Tibetan, while Amdo speakers cannot. Both Lhasa Tibetan and Khams Tibetan evolved to become tonal and do not preserve the word-initial consonant clusters, which makes them very far from Classical Tibetan, especially when compared to the more conservative Amdo Tibetan. Registers Like many languages, Lhasa Tibetan has a variety of language registers: * ( Wylie: , literally " demotic language"): the vernacular speech. * ( Wylie: , "honorifics or deference, courtesy"): the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmic Scripts
The Brahmic scripts, also known as Indic scripts, are a family of abugida writing systems. They are used throughout the Indian subcontinent, Southeast Asia and parts of East Asia. They are descended from the Brahmi script of ancient India and are used by various languages in several language families in South, East and Southeast Asia: Indo-Aryan, Dravidian, Tibeto-Burman, Mongolic, Austroasiatic, Austronesian, and Tai. They were also the source of the dictionary order (''gojūon'') of Japanese '' kana''. History Brahmic scripts descended from the Brahmi script. Brahmi is clearly attested from the 3rd century BCE during the reign of Ashoka, who used the script for imperial edicts, but there are some claims of earlier epigraphy found on pottery in southern India and Sri Lanka. The most reliable of these were short Brahmi inscriptions dated to the 4th century BCE and published by Coningham et al. (1996). Northern Brahmi gave rise to the Gupta script during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abugida
An abugida (, from Ge'ez: ), sometimes known as alphasyllabary, neosyllabary or pseudo-alphabet, is a segmental writing system in which consonant-vowel sequences are written as units; each unit is based on a consonant letter, and vowel notation is secondary. This contrasts with a full alphabet, in which vowels have status equal to consonants, and with an abjad, in which vowel marking is absent, partial, or optional (although in less formal contexts, all three types of script may be termed alphabets). The terms also contrast them with a syllabary, in which the symbols cannot be split into separate consonants and vowels. Related concepts were introduced independently in 1948 by James Germain Février (using the term ) and David Diringer (using the term ''semisyllabary''), then in 1959 by Fred Householder (introducing the term ''pseudo-alphabet''). The Ethiopic term "abugida" was chosen as a designation for the concept in 1990 by Peter T. Daniels. In 1992, Faber sug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Om Mani Padme Hum
' ( sa, ॐ मणि पद्मे हूँ, ) is the six-syllabled Sanskrit mantra particularly associated with the four-armed Shadakshari form of Avalokiteshvara, the bodhisattva of compassion. It first appeared in the Mahayana ''Kāraṇḍavyūhasūtra'' where it is also referred to as the ''sadaksara'' (six syllabled) and the ''paramahrdaya'', or “innermost heart” of Avalokiteshvara. In this text the mantra is seen as the condensed form of all Buddhist teachings. The precise meaning and significance of the words remains much discussed by Buddhist scholars. The literal meaning in English has been expressed as "praise to the jewel in the lotus", or as a declarative aspiration possibly meaning "I in the jewel-lotus". ''Padma'' is the Sanskrit for the Indian lotus (''Nelumbo nucifera''), and ''mani'' for "jewel", as in a type of spiritual "jewel" widely referred to in Buddhism. The first word, '' aum/om'', is a sacred syllable in various Indian religions, and ''hum' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantra
A mantra ( Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamyig Script
stub Tamyig script is used to write the Tamang language. The Tamyig script is a simplified version of the Tibetan script. The Tamang community has their own script which is known as ‘Tamyig’ script. Several literary books was published in Tamang Language. In the year 2001, The IPR department, Government of Sikkim has started to publish Sikkim Herald, an official news bulletin in Tamang Edition. Course St Konjyosom Rural Municipality introduced Tamyig script and Tamang language as local curriculum to be taught in its school.Out of 753 local levels, Konjyasom will be the first village municipality to implement education in Tamang language. The village municipality has already trained 17 teachers from all the schools one by one to teach the Tamyig script. References See also * Tamang language Tamang ( Devanagari: तामाङ; ''tāmāng'') is a term used to collectively refer to a dialect cluster spoken mainly in Nepal, Sikkim, West Bengal (Darjeeling) and North- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marchen Script
The Marchen script was a Brahmic abugida which was used for writing the extinct Zhang-Zhung language. It was derived from the Tibetan script. Script As per McKay (2003), Zhang-zhung script has been modelled after Thonmi Sambhota's Tibetan script: "There is also a Zhang-zhung alphabet, but despite its rather unusual appearance to anyone who is unfamiliar with the Indo-Tibetan ornate style of lettering known as lan-tsha, one observes that it is modeled letter by letter upon Thon-mi Sambhota's alphabet of thirty letters." A number of scripts are recorded as being used for writing the Zhang-Zhung language: * Marchen or Greater Mar script () * Marchung or Lesser Mar script () * Pungchen or Greater Pung script () * Pungchung or Lesser Pung script () * Drusha script () These scripts have mostly been observed in calligraphy manuals. One extant document, a seal originally held at Tsurpu monastery, is written in the Marchen script. Description The Marchen scripts has some similarities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ʼPhags-pa Script
The Phags-pa script is an alphabet designed by the Tibetan monk and State Preceptor (later Imperial Preceptor) Drogön Chögyal Phagpa for Kublai Khan, the founder of the Yuan dynasty, as a unified script for the written languages within the Yuan. The actual use of this script was limited to about a hundred years during the Mongol-led Yuan dynasty, and it fell out of use with the advent of the Ming dynasty. It was used to write and transcribe varieties of Chinese, the Tibetic languages, Mongolian, the Uyghur language, Sanskrit, Persian, and other neighboring languages during the Yuan era. For historical linguists, the documentation of its use provides clues about the changes in these languages. Its descendant systems include Horizontal square script, used to write Tibetan and Sanskrit. There is a theory that the Korean Hangul alphabet had a limited influence from Phags-pa (see Origin of Hangul). During the Pax Mongolica the script has even made numerous appearances in weste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
