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Thuluth
''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines. In ''Thuluth'', one-third of each letter slopes, from which the name (meaning "a third" in Arabic) comes. An alternative theory to the meaning is that the smallest width of the letter is one third of the widest part. It is an elegant, cursive script, used in medieval times on mosque decorations. Various calligraphic styles evolved from ''Thuluth'' through slight changes of form. History The greatest contributions to the evolution of the ''Thuluth'' script occurred in the Ottoman Empire in three successive steps that Ottoman art historians call "calligraphical revolutions": *The first revolution occurred in the 15th century and was initiated by the master calligrapher Sheikh Hamdullah. *The second revolu ...
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Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, ...
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Flag Of Saudi Arabia
The flag of the Kingdom of Saudi Arabia ( ar, علم المملكة العربية السعودية) is the flag used by the government of Saudi Arabia since 15 March 1973. It is a green flag featuring in white an Arabic inscription and a sword. The inscription is the Islamic creed, or ''shahada'': "There is no deity but God; Muhammad is the Messenger of God". Design The Arabic inscription on the flag, written in the calligraphic Thuluth script, is the ''shahada'' or Islamic declaration of faith: : : ' :''"There is no deity but God; Muhammad is the Messenger of God."'' The green of the flag represents Islam and the sword stands for the strictness in applying justice. The flag is manufactured with identical obverse and reverse sides, to ensure the ''shahada'' reads correctly, from right to left, from either side. The sword also points to the left on both sides, in the direction of the script. The flag is sinister hoisted, meaning that when viewed from the obverse (front) side ...
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Kufic
Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. History Origin of the Kufic script Calligraphers in the early Islamic period used a variety of methods to transcribe Qur’an manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts. The name of the script derives from Kufa, a city in southern Iraq which was considered ...
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Jeli Thuluth
Jeli Thuluth ( fa, جلی ثلث) is a calligraphic variety of Arabic script. This term was applied to writings in Thuluth ''Thuluth'' ( ar, ثُلُث, ' or ar, خَطُّ الثُّلُثِ, '; fa, ثلث, ''Sols''; Turkish: ''Sülüs'', from ' "one-third") is a script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new s ... script when the point of the pen employed was at least one centimeter broad. Jeli Thuluth was used in large panels and for inscriptions carved in stone on buildings or tombstones. External links Hatvesanat.com(mainly ) Calligraphy GalleryJeli thuluth and other fonts Arabic calligraphy {{Semitic-lang-stub ...
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Mustafa Râkim
Mustafa Râkim ( ota, مصطفى رآقم; Modern Turkish: ''Mustafa Râkım'') (1757–1826), was an Ottoman calligrapher. He extended and reformed Hâfiz Osman's style, placing greater emphasis on technical perfection, which broadened the calligraphic art to encompass the Sülüs script as well as the Nesih script. Life and career Mustafa Râkim was born in Unye on the Black Sea in 1758. When he was very young, his father, Mehmed Kaptan, took him to Istanbul to live with his brother, İsmail Zühdi Efendi, who was an established calligrapher. After Ismail was appointed as an instructor of calligraphy at the Imperial Palace, the young Râkim received his formal training there studying under his brother. Mustafa Râkim would become Ismail Zühidi's most celebrated pupil. Ismail Zühidi and Mustafa Râkim went on to develop their own style of calligraphy based on the work of Hâfiz Osman. They were able to develop a style of ''celî sülüs'' that was aesthetically pleasing, s ...
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Mehmed Şevkî Efendi
Qur'an copied by Mehmed Şevkî Efendi. Sakıp Sabancı Museum Mehmed Shevki Efendi ( ota, محمد شوقي افندي; Modern Turkish: ''Mehmed Şevki Efendi''; 1829 Kastamonu–1887 Istanbul) was a prominent Ottoman calligrapher. He is known for his Thuluth- Naskh works, and his style developed into the ''Shevki Mektebi'' school, which many contemporary calligraphers in the style take as a reference. Life and career Born in Kastamonu, a town near the Black Sea, in 1829, Mehmed Shevki Efendi was the son of Ahmad Agha from Tajc. He was sent to Istanbul at a young age, where he was raised by his uncle. He received his earliest formal training from his uncle, Mehmed Hulûsi Efendi (d. 1894) and obtained a Diploma at the age of fourteen. He was trained in the ''thuluth'' and the ''naskh'' scripts. Later, his uncle wanted him to study with a more experienced master, and sought to apprentice him to Kazasker Mustafa Izzet Efendi. However, the boy refused to study with any ...
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Yaqut Al-Musta'simi
Yaqut al-Musta'simi (Persian: یاقوت مستعصمی)(Arabic: ياقوت المستعصمي) (also Yakut-i Musta'simi) (died 1298) was a well-known calligrapher and secretary of the last Abbasid caliph. Life and work He was probably of Greek origin in Amaseia and carried off during a raid when he was very young into slavery. Made into a eunuch, he was converted to Islam as Abu’l-Majd Jamal al-Din Yaqut, better known as Yaqut al-Musta‘simi because he served Caliph al-Musta‘sim, the last Abbasid caliph. He was a slave in the court of al-Musta'sim and went on to become a calligrapher in the Royal Court. He spent most of his life in Baghdad. He studied with the female scholar and calligrapher, Shuhda Bint Al-‘Ibari, who was herself a student in the direct line of Ibn al-Bawwab. During the Mongol invasion of Baghdad (1258), he took refuge in the minaret of a mosque so he could finish his calligraphy practice, while the city was being ransacked. His career, however, fl ...
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Muhaqqaq
Muhaqqaq is one of the main six types of calligraphic script in Arabic.John F. A. Sawyer, J. M. Y. Simpson, R. E. Asher (eds.), ''Concise Encyclopedia of Language and Religion'', Elsevier, New York 2001, , p. 253. The Arabic word ''muḥaqqaq'' () means "consummate" or "clear", and originally was used to denote any accomplished piece of calligraphy.Mansour, 139–140. Often used to copy ''maṣāḥif'' (singular ''muṣḥaf'', i.e. loose sheets of Quran texts), this intricate type of script was considered one of the most beautiful, as well as one of the most difficult to execute well.Mansour, 30. The script saw its greatest use in the Mameluk era (1250–1516/1517).Mansour, 278 In the Ottoman Empire, it was gradually displaced by ''Thuluth'' and '' Naskh''; from the 18th century onward, its use was largely restricted to the ''Basmala'' in ''Hilyas''.Mansour, 187. History The earliest reference to ''muḥaqqaq'' writing is found in the ''Kitab al-Fihrist'' by Ibn al-Nadim, and t ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collec ...
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Arabic Diacritics
The Arabic script has numerous diacritics, which include: consonant pointing known as (), and supplementary diacritics known as (). The latter include the vowel marks termed (; singular: , '). The Arabic script is a modified abjad, where short consonants and long vowels are represented by letters but short vowels and consonant length are not generally indicated in writing. ' is optional to represent missing vowels and consonant length. Modern Arabic is always written with the ''i‘jām''—consonant pointing, but only religious texts, children's books and works for learners are written with the full ''tashkīl''—vowel guides and consonant length. It is however not uncommon for authors to add diacritics to a word or letter when the grammatical case or the meaning is deemed otherwise ambiguous. In addition, classical works and historic documents rendered to the general public are often rendered with the full ''tashkīl'', to compensate for the gap in understanding resulting ...
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Qutb Ad-Din Muhammad
Qutb ad-Din Muhammad was the Zengid Emir of Sinjar 1197–1219. He was successor of Imad ad-Din Zengi II. See also * Zengid dynasty The Zengid dynasty was a Muslim dynasty of Oghuz Turkic origin, which ruled parts of the Levant and Upper Mesopotamia on behalf of the Seljuk Empire and eventually seized control of Egypt in 1169. In 1174 the Zengid state extended from Tripol ... References 12th-century births 1219 deaths Year of birth unknown Zengid rulers 12th-century monarchs in the Middle East 13th-century monarchs in the Middle East {{MEast-royal-stub ...
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Mihrab
Mihrab ( ar, محراب, ', pl. ') is a niche in the wall of a mosque that indicates the ''qibla'', the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a ''mihrab'' appears is thus the "qibla wall". The ''minbar'', which is the raised platform from which an imam (leader of prayer) addresses the congregation, is located to the right of the mihrab. Etymology The origin of the word ''miḥrāb'' is complicated and multiple explanations have been proposed by different sources and scholars. It may come from Old South Arabian (possibly Sabaic) ''mḥrb'' meaning a certain part of a palace, as well as "part of a temple where ''tḥrb'' (a certain type of visions) is obtained," from the root word ''ḥrb'' "to perform a certain religious ritual (which is compared to combat or fighting and described as an overnight retreat) in the ''mḥrb'' of the temple." It may also possibly be related to Ethiopic ''məkʷrab'' "temple, sa ...
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