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The Threepenny Opera
''The Threepenny Opera'' ( ) is a " play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, '' The Threepenny Opera'', which included the ballad " Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943. |
Johann Christoph Pepusch
Johann Christoph Pepusch (1667 – 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England. He was born in Berlin, son of a vicar, and was married to Margherita de l'Epine who also performed in some of his theatrical productions. Early life Pepusch studied music theory under Martin Klingenberg, cantor of the Marienkirche in Berlin. At the age of 14, he was appointed to the Prussian court where he gave music lessons to the future Frederick William I of Prussia. He resigned this position in 1698 after witnessing the execution of an officer without trial. He then first went to Amsterdam. In 1704, he settled in England but continued to publish in Amsterdam until 1718. Career At first, Pepusch earned a living playing the viola, then as a theatre director, music theoretician, teacher and organist. In 1726, Pepusch founded The Academy of Vocal Music with others; in around 1730–1, it was rename ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Threepenny Opera (1931 Film)
''The Threepenny Opera'' (german: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst. Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG ( Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, ''L'Opéra de quat'sous'', with some variation of plot details (the French title literally translates as "the four penny opera"). A planned English version went unproduced. The two existing versions were released on home video by The Criterion Collection. ''The Threepenny Opera'' differs in significant respects from the play and the internal timeline is somewhat vague. The whole of society is presented as corrupt in one form or another. Only some of the songs from the play are used, in a different order. Plot summary In 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Newman
Ernest Newman (30 November 1868 – 7 July 1959) was an English music critic and musicologist. ''Grove's Dictionary of Music and Musicians'' describes him as "the most celebrated British music critic in the first half of the 20th century." His style of criticism, aiming at intellectual objectivity in contrast to the more subjective approach of other critics, such as Neville Cardus, was reflected in his books on Richard Wagner, Hugo Wolf, Richard Strauss and others. He was music critic of ''The Sunday Times'' from 1920 until his death nearly forty years later. His other positions included chief music critic of ''The Birmingham Post'' from 1906 to 1919, as well as brief stints as the chief music critic for ''The Guardian'' (1905–1906) and ''The Observer'' (1919). Biography Early years Newman was born William Roberts in Everton, a district of Liverpool, the only child of Seth Roberts, a Welsh tailor, and his second wife Harriet, ''née'' Spark, both of whom had children by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Clark (conductor)
Thomas Edward Clark (10 May 188830 April 1962) was an English conductor and music producer for the BBC. Through his positions in leading new music organizations and his wide-ranging contacts with British and European composers, he had a major impact on making contemporary classical music available to the British public for over 30 years. He was a leading figure in the BBC's Concerts of Contemporary Music between 1926 and 1939, and he played a significant role in the founding and early development of the BBC Symphony Orchestra. He held prominent positions in the International Society for Contemporary Music (ISCM) from its inception in 1922, and was its president from 1947 to 1952. He was responsible for producing a number of important world and British premieres (some of which he also conducted), and he was associated with most of the important European and British composers, such as Arnold Schoenberg, Anton Webern, Alban Berg, Ferruccio Busoni, Igor Stravinsky, Béla Bartó ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthold Goldschmidt
Berthold Goldschmidt (18 January 190317 October 1996) was a German Jewish composer who spent most of his life in England. The suppression of his work by Nazi Germany, as well as the disdain with which many Modernist critics elsewhere dismissed his "anachronistic" lyricism, stranded the composer in the wilderness for many years before he was given a revival in his final decade. Life Goldschmidt was born in Hamburg, Germany in 1903. His musical career began in earnest during the heyday of the Weimar Republic. While studying philosophy at the University of Hamburg, he was encouraged by the Italian composer Ferruccio Busoni to write music. In 1922, Goldschmidt entered the Berlin Hochschule für Musik and joined Franz Schreker's composition class, where his fellow pupils included Ernst Krenek, Alois Hába, Felix Petryek, and Jascha Horenstein. He also studied conducting, played freelance for the Berlin Philharmonic Orchestra, and in 1923, coached the choir for the Berlin premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Translators Association
The American Translators Association (ATA) is the largest professional association of translators and interpreters in the United States with nearly 8,500 members in more than 100 countries. Founded in 1959, membership is open to anyone with an interest in translation and interpreting as a profession or as a scholarly pursuit.http://atanet.org/docs/p_bylaws.pdf ATA Bylaws Members include translators, interpreters, educators, project managers, web and software developers, language services companies, hospitals, universities, and government agencies. ATA offers certification examinations for its members in some language combinations and is affiliated with the International Federation of Translators (FIT). The association is headquartered in Alexandria, Virginia. Unlike a trade union, the ATA represents both "labor" and "management"—that is, both the independent contractors who produce translation and interpreting services and the agencies who purchase them. The ATA likewise doe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazi Seizure Of Power
Adolf Hitler's rise to power began in the newly established Weimar Republic in September 1919 when Hitler joined the '' Deutsche Arbeiterpartei'' (DAP; German Workers' Party). He rose to a place of prominence in the early years of the party. Being one of its best speakers, he was made the party leader after he threatened to otherwise leave. In 1920, the DAP renamed itself to the ''Nationalsozialistische Deutsche Arbeiterpartei'' – NSDAP (National Socialist German Workers' Party, commonly known as the Nazi Party). Hitler chose this name to win over German workers. Despite the NSDAP being a right-wing party, it had many anti-capitalist and anti-bourgeois elements. Hitler later initiated a purge of these elements and reaffirmed the Nazi Party's pro-business stance. By 1922 Hitler's control over the party was unchallenged. In 1923, Hitler and his supporters attempted a coup to remove the government via force. This seminal event was later called the Beer Hall Putsch. Upon its f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresdner Bank
Dresdner Bank AG was a German bank and was based in Frankfurt. It was one of Germany's largest banking corporations and was acquired by competitor Commerzbank in May 2009. History 19th century The Dresdner Bank was established on 12 November 1872 through the conversion of the private banks Michael Kaskel and Bernhard Gutmann. The Dresdner Bank founding consortium consisted of Allgemeine Deutsche Creditanstalt (Leipzig), Berliner Handels-Gesellschaft (Berlin), Deutsche Vereinsbank (Frankfurt am Main), Deutsche Effecten- und Wechselbank (Frankfurt am Main) and Anglo-Deutsche Bank (Hamburg) with an initial capital of 8 million Thalers (24 million Marks) and 30 employees in Wilsdruffer Strasse in Dresden. From 1872 until his retirement in 1920, (1840-1925) was chairman of the board. In the 1870s, the Dresdner Bank acquired smaller regional institutes and several banks. The new branch in Berlin quickly exceeded the office in Dresden; therefore, the registered office moved to Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Graf Kessler
Harry Clemens Ulrich Graf von Kessler (23 May 1868 – 30 November 1937) was an Anglo-German count, diplomat, writer, and patron of modern art. English translations of his diaries "Journey to the Abyss" (2011) and "Berlin in Lights" (1971) reveal anecdotes and details of artistic, theatrical, and political life in Europe, mostly in Germany, from the late 19th century through the collapse of Germany at the end of World War I until his death in Lyon in 1937. Family Harry Kessler's parents were the Hamburg banker Adolf Wilhelm Graf von Kessler (24 November 1838 – 22 January 1895) and Alice Harriet Blosse-Lynch (born 17 July 1844 in Bombay; died 19 September 1919 in Normandy), the daughter of Anglo-Irish Henry Blosse Lynch, C.B., of Partry House, County Mayo. Kessler's parents married in Paris on 10 August 1867; Kessler was born, also in Paris, in 1868. Kessler's younger sister was born in 1877, and was named Wilhelmina after Kaiser Wilhelm I, who became the child's godfather. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte Lenya
Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in '' The Roman Spring of Mrs. Stone'' (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie '' From Russia with Love'' (1963). Early career In 1922, Lenya was seen by her future husband, German-Jewish composer Kurt Weill, during an audition for his first stage score ''Zaubernacht'', but because of his position behind the piano, she did not see him. She was cast, but owing to her loyalty to her voice coach, she declined the role. She accepted the part of Jenny in the first performance of ''The Threepenny Opera'' (''Die Dreigrosch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caspar Neher
Caspar Neher (born Rudolf Ludwig Caspar Neher; 11 April 1897 – 30 June 1962) was an Austrian-German scenographer and librettist, known principally for his career-long working relationship with Bertolt Brecht. Neher was born in Augsburg. He and Brecht were school friends who were separated for a time by the First World War, during which Neher was awarded the Iron Cross, Second Class (on 2 February 1918). In 1919, he studied under Angelo Jank at the Academy of Fine Arts, Munich. He was first engaged professionally by the Munich Kammerspiele in 1922, although his designs for its production of Brecht's ''Drums in the Night'' were rejected.Willett (1986, 119). On 18 August 1923, Neher married Erika Tornquist in Graz. Their son, Georg, was born on 14 October 1924.Willett (1986, 120). In autumn of 1926, Neher became the staff designer at the Berlin Staatstheater. A year later, he became head of design at the Grillo-Theater in Essen, Germany, where he designed 8 operas and 11 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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