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The Last Days Of Pompeii (1926 Film)
Gli ultimi giorni di Pompei (English: The Last Days of Pompeii) (1926) is an Italian historical silent drama film. The film was directed by Carmine Gallone
Carmine Gallone
and Amleto Palermi
Amleto Palermi
based on the 1834 novel The Last Days of Pompeii by Edward Bulwer-Lytton
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IMDb
IMDb, also known as Internet Movie Database, is an online database of information related to world films, television programs, home videos and video games, and internet streams, including cast, production crew, personnel and fictional character biographies, plot summaries, trivia, and fan reviews and ratings. An additional fan feature, message boards, was abandoned in February, 2017. The database is owned and operated by IMDb.com, Inc., a subsidiary of Amazon. As of December 2017[update], IMDb
IMDb
has approximately 4.7 million titles (including episodes) and 8.3 million personalities in its database,[2] as well as 83 million registered users. The movie and talent pages of IMDb
IMDb
are accessible to all internet users, but a registration process is necessary to contribute information to the site. Most data in the database is provided by volunteer contributors
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Historical
—George Santayana History
History
(from Greek ἱστορία, historia, meaning "inquiry, knowledge acquired by investigation")[2] is the study of the past as it is described in written documents.[3][4] Events occurring before written record are considered prehistory. It is an umbrella term that relates to past events as well as the memory, discovery, collection, organization, presentation, and interpretation of information about these events
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Pathechrome
Pathécolor, later renamed Pathéchrome, was an early mechanical stencil-based film tinting process for movies developed by Segundo de Chomón for Pathé
Pathé
in the early 20th century. One of the last feature films to use the process was the British revue film Elstree Calling (1930). The Pathécolor stencil process should not be confused with the later Pathécolor, Pathé
Pathé
Color and Color by Pathé
Pathé
trade names seen in screen credits and advertising materials. Like Metrocolor, WarnerColor and Color by DeLuxe, these were simply rebrandings, for advertising purposes, of the use of Eastman Kodak's Eastmancolor color negative film for the original photography. The stencil process was not a color photography process and did not use color film
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Release Print
A release print is a copy of a film that is provided to a movie theater for exhibition.Contents1 Definitions 2 Workflow2.1 Photochemical 2.2 Digital intermediate3 Release print
Release print
stocks 4 Theatrical projection 5 Production and disposal 6 Gallery 7 ReferencesDefinitions[edit] Release prints are not to be confused with other types of print used in the photochemical post-production process:Rush prints are one-light, contact-printed copies made from an unedited roll of original camera negative immediately after processing and screened to the cast and crew in order to ensure that the takes can be used in the final film. Workprints, sometimes called cutting copies, are, like rush prints, copies of a camera negative roll
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Drama Film
In reference to film and television, drama is a genre of narrative fiction (or semi-fiction) intended to be more serious than humourous in tone.[1] Drama
Drama
of this kind is usually qualified with additional terms that specify its particular subgenre, such as "political drama", "legal drama", "historical period drama", "domestic drama", or "comedy-drama". These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent (mimesis) characters
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Cinema Of Italy
The Cinema of Italy
Italy
comprises the films made within Italy
Italy
or by Italian directors. Since the development of the Italian film industry in the early 1900s, Italian filmmakers and performers have, at times, experienced both domestic and international success, and have influenced film movements throughout the world. As of 2014, Italian films have won 14 Academy Awards
Academy Awards
for Best Foreign Language Film, the most of any country, as well as 12 Palmes d'Or, the second-most of any country. Early Italian films were typically adaptations of books or stage plays. By the 1910s, Italian filmmakers were utilizing complex set designs, lavish costumes, and record budgets, to produce pioneering films such as Enrico Guazzoni's Quo Vadis (1913) and Giovanni Pastrone's Cabiria
Cabiria
(1914)
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Silent Film
A silent film is a film with no synchronized recorded sound (and in particular, no spoken dialogue). In silent films for entertainment, dialogue is conveyed by the use of muted gestures and mime in conjunction with title cards, written indications of the plot and key dialogue lines. The idea of combining motion pictures with recorded sound is nearly as old as film itself, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in the late 1920s in film with the perfection of the Audion amplifier tube
Audion amplifier tube
and the advent of the Vitaphone
Vitaphone
system
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Special
Special
Special
or specials may refer to:Contents1 Music 2 Film and television 3 Other uses 4 See alsoMusic[edit] Special
Special
(album), a 1992
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Giuseppe Pierozzi
Giuseppe Pierozzi (8 March 1883 – 22 April 1956) was an Italian stage and film actor.[1]Contents1 Selected filmography 2 References 3 Bibliography 4 External linksSelected filmography[edit] Maddalena Ferat (1920) Through the Shadows (1923) Samson (1923) The Faces of Love (1924)
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Alfredo Panzini
Alfredo Panzini (31 December 1863 – 10 April 1939) was an Italian novelist and lexicographer. Born in Senigallia, Panzini was a student of Giosuè Carducci
Giosuè Carducci
at the University of Bologna. Panzini worked as a secondary school teacher before becoming a writer. Panzini is noted for the humorous and often genial tone of his writings. Among his many works, there are Libro dei Morti (1893), Santippe (1914), and Il diavolo nella mia libreria (1920). The idiosyncratic Italian dictionary he authored covered all forms of the language including slang. It was printed in several editions. Panzini also penned several historical works, and in 1929 was among the first members of the Royal Academy of Italy
Italy
named by Mussolini. He died at the age of 75. In translation[edit]Wanted—a Wife (Io Cerco Moglie), authorized translation by Frederic Taber Cooper, New York, N.L
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Edward Bulwer-Lytton
Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, PC (25 May 1803 – 18 January 1873) was an English novelist, poet, playwright, and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune
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Alfredo Martinelli
Alfredo Martinelli
Alfredo Martinelli
(7 March 1899 – 11 November 1968) was an Italian film actor. He appeared in 103 films between 1916 and 1967
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Gildo Bocci
Gildo Bocci
Gildo Bocci
(1 September 1886 – 22 July 1964) was an Italian film actor. He appeared in 60 films between 1913 and 1959
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Vasco Creti
Vasco Creti (7 December 1874 – 16 October 1945) was an Italian film actor.[1] He appeared in 117 films between 1915 and 1944. Selected filmography[edit]Maschiaccio (1917) Il siluramento dell'Oceania (1917) The Two Sergeants (1922) The Flight of Socrates (1923) The Last Days of Pompeii (1926)
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Carlo Gualandri
Carlo Gualandri (1895–1972) was an Italian film actor.[1]Contents1 Selected filmography 2 References 3 Bibliography 4 External linksSelected filmography[edit]Nemesis (1920) The Knot (1921) The Last Days of Pompeii (1926) The Man with the Claw (1931) The Devil's Lantern (1931)References[edit]^ Pethő p.127Bibliography[edit]Ágnes Pethő. The Cinema of Sensations. Cambridge Scholars Publishing, 2015.External links[edit] Carlo Gualandri on IMDbThis Italian biographical article is a stub
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