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Tamagushi
is a form of Shinto offering made from a '' sakaki''-tree branch decorated with shide strips of washi paper, silk, or cotton. At Japanese weddings, funerals, miyamairi and other ceremonies at Shinto shrines, ''tamagushi'' are ritually presented to the ''kami'' (spirits or gods) by parishioners, shrine maidens or kannushi priests. Linguistic history The Japanese word ''tamagushi'' is usually written with the ''kanji'' ''tama'' 玉 "jade; gem; jewel; precious; ball; bead" and ''kushi'' 串 "string together; skewer; spit; stick", or sometimes written 玉ぐし with ''hiragana'' since the official Tōyō kanji do not include 串. The earliest recorded transcription of ''tamagushi'' is 玉籤, using ''kuji'' 籤 "bamboo slip; (divination) lot; written oracle; raffle; lottery" instead of ''kushi''. The (c. 720 CE) '' Nihon Shoki'' "Chronicles of Japan", which repeatedly mentions a 500-branched ''masakaki'' 真榊 "true ''sakaki''" tree (tr. Aston 1896:43, 47, 121), is the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamagushi On An An
is a form of Shinto offering made from a ''sakaki''-tree branch decorated with shide strips of washi paper, silk, or cotton. At Japanese weddings, funerals, miyamairi and other ceremonies at Shinto shrines, ''tamagushi'' are ritually presented to the ''kami'' (spirits or gods) by parishioners, shrine maidens or kannushi priests. Linguistic history The Japanese word ''tamagushi'' is usually written with the ''kanji'' ''tama'' 玉 "jade; gem; jewel; precious; ball; bead" and ''kushi'' 串 "string together; skewer; spit; stick", or sometimes written 玉ぐし with ''hiragana'' since the official Tōyō kanji do not include 串. The earliest recorded transcription of ''tamagushi'' is 玉籤, using ''kuji'' 籤 "bamboo slip; (divination) lot; written oracle; raffle; lottery" instead of ''kushi''. The (c. 720 CE) '' Nihon Shoki'' "Chronicles of Japan", which repeatedly mentions a 500-branched ''masakaki'' 真榊 "true ''sakaki''" tree (tr. Aston 1896:43, 47, 121), is the ''loc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamagushi
is a form of Shinto offering made from a '' sakaki''-tree branch decorated with shide strips of washi paper, silk, or cotton. At Japanese weddings, funerals, miyamairi and other ceremonies at Shinto shrines, ''tamagushi'' are ritually presented to the ''kami'' (spirits or gods) by parishioners, shrine maidens or kannushi priests. Linguistic history The Japanese word ''tamagushi'' is usually written with the ''kanji'' ''tama'' 玉 "jade; gem; jewel; precious; ball; bead" and ''kushi'' 串 "string together; skewer; spit; stick", or sometimes written 玉ぐし with ''hiragana'' since the official Tōyō kanji do not include 串. The earliest recorded transcription of ''tamagushi'' is 玉籤, using ''kuji'' 籤 "bamboo slip; (divination) lot; written oracle; raffle; lottery" instead of ''kushi''. The (c. 720 CE) '' Nihon Shoki'' "Chronicles of Japan", which repeatedly mentions a 500-branched ''masakaki'' 真榊 "true ''sakaki''" tree (tr. Aston 1896:43, 47, 121), is the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakaki
''Cleyera japonica'' (sakaki) is a flowering evergreen tree native to warm areas of Japan, Taiwan, China, Myanmar, Nepal, and northern India (Min and Bartholomew 2015). It can reach a height of 10 m. The leaves are 6–10 cm long, smooth, oval, leathery, shiny and dark green above, yellowish-green below, with deep furrows for the leaf stem. The bark is dark reddish brown and smooth. The small, scented, cream-white flowers open in early summer, and are followed later by berries which start red and turn black when ripe. Sakaki is one of the common trees in the second layer of the evergreen oak forests. It is considered sacred to Japanese Shintō faith, and is one of the classical offerings at Shintō shrines. Uses Sakaki wood is used for making utensils (especially combs), building materials, and fuel. It is commonly planted in gardens, parks, and shrines. Sakaki is considered a sacred tree in the Shinto religion, along with other evergreens such as and . Shinto shrines a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loanword
A loanword (also loan word or loan-word) is a word at least partly assimilated from one language (the donor language) into another language. This is in contrast to cognates, which are words in two or more languages that are similar because they share an etymological origin, and calques, which involve translation. Loanwords from languages with different scripts are usually transliterated (between scripts), but they are not translated. Additionally, loanwords may be adapted to phonology, phonotactics, orthography, and morphology of the target language. When a loanword is fully adapted to the rules of the target language, it is distinguished from native words of the target language only by its origin. However, often the adaptation is incomplete, so loanwords may conserve specific features distinguishing them from native words of the target language: loaned phonemes and sound combinations, partial or total conserving of the original spelling, foreign plural or case forms or i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokuji
are the logographic Chinese characters taken from the Chinese script and used in the writing of Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3,000 kanji used in Japanese names and in common commun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Character Classification
All Chinese characters are logograms, but several different types can be identified, based on the manner in which they are formed or derived. There are a handful which derive from pictographs () and a number which are ideographic () in origin, including compound ideographs (), but the vast majority originated as phono-semantic compounds (). The other categories in the traditional system of classification are rebus or phonetic loan characters () and "derivative cognates" (). Modern scholars have proposed various revised systems, rejecting some of the traditional categories. In older literature, Chinese characters in general may be referred to as ideograms, due to the misconception that characters represented ideas directly, whereas some people assert that they do so only through association with the spoken word. Traditional classification Traditional Chinese lexicography divided characters into six categories (). This classification is known from Xu Shen's second century dictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Logograph
In a written language, a logogram, logograph, or lexigraph is a written character that represents a word or morpheme. Chinese characters (pronounced '' hanzi'' in Mandarin, ''kanji'' in Japanese, ''hanja'' in Korean) are generally logograms, as are many hieroglyphic and cuneiform characters. The use of logograms in writing is called ''logography'', and a writing system that is based on logograms is called a ''logography'' or ''logographic system''. All known logographies have some phonetic component, generally based on the rebus principle. Alphabets and syllabaries are distinct from logographies in that they use individual written characters to represent sounds directly. Such characters are called ''phonograms'' in linguistics. Unlike logograms, phonograms do not have any inherent meaning. Writing language in this way is called '' phonemic writing'' or ''orthographic writing''. Etymology Doulgas Harper's Online Etymology Dictionary states that the term 'logogram' was deriv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ideograph
An ideogram or ideograph (from Greek "idea" and "to write") is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. Some ideograms are comprehensible only by familiarity with prior convention; others convey their meaning through pictorial resemblance to a physical object, and thus may also be referred to as ''pictograms''. The numerals and mathematical symbols are ideograms – 1 'one', 2 'two', + 'plus', = 'equals', and so on (compare the section "Mathematics" below). In English, the ampersand & is used for 'and' and (as in many languages) for Latin ' (as in &c for '), % for ' percent' ('per cent'), # for 'number' (or 'pound', among other meanings), § for 'section', $ for 'dollar', € for 'euro', £ for 'pound', ° for 'degree', @ for 'at', and so on. The reason they are ideograms rather than logograms is that they do not denote fixed morphemes: they can be read in many different languages, not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinboku
The term refers to trees and forests as ''himorogi'' in Old Shinto, as well as '' shintai''. A tree is a tree, a forest, a ''shintai'', a ''yorishiro'', a Shinto shrine, a warding. It is also called ''goshingi''. The term ''goshingi'' refers to trees that are considered sacred or divine in the precincts of Shinto shrines and jingūs of Shinto, as well as the forests that surround them and trees that are not grown for logging. It also refers to trees that are owned by shrines or by private individuals and have a special origin in folklore. It may also refer to trees that have been specially cut down for planting or growing wild to be used as timber for the construction of shrines. Overview The nature worship called Himikura Shinto is also a part of the ancient Shinto religion. Out of gratitude, fear, and respect for God, life, and nature, symbolic objects in places where the environment changes were used as Shinto bodies, not limited to trees. symbolic objects in plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Mythology
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto and Buddhist traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Korea, Ainu, and Okinawan myths are also key influences in Japanese mythology. Japanese myths are tied to the topography of the archipelago as well as agriculturally-based folk religion, and the Shinto pantheon holds countless '' kami'' ( Japanese for " god(s)" or "spirits"). This article will discuss cosmogony, important deities, modern interpretations, cultural significance, and the influence of these myths. Two important sources for Japanese myths as they are recognized today are the '' Kojiki'' and the '' Nihon Shoki''. The ''Kojiki'', or "Record of Ancient Matters," is the oldest surviving account of Japan's myths, legends, and history. Additionally, the ''Shintōshū'' describes the origins of Japanese de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shin Kokin Wakashū
The , also known in abbreviated form as the or even conversationally as the Shin Kokin, is the eighth imperial anthology of waka poetry compiled by the Japanese court, beginning with the ''Kokin Wakashū'' circa 905 and ending with the ''Shinshokukokin Wakashū'' circa 1439. The name can be literally translated as "New Collection of Ancient and Modern Poems" and bears an intentional resemblance to that of the first anthology. Together with the '' Man'yōshū'' and the '' Kokinshū'', the ''Shin Kokinshū'' is widely considered to be one of the three most influential poetic anthologies in Japanese literary history. It was commissioned in 1201 by the retired emperor Go-Toba (r. 1183–1198), who established a new Bureau of Poetry at his Nijō palace with eleven Fellows,Brower 8 headed by Fujiwara no Yoshitsune, for the purpose of conducting poetry contests and compiling the anthology. Despite its emphasis on contemporary poets, the ''Shin Kokinshū'' covered a broader range of poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collocation
In corpus linguistics, a collocation is a series of words or terms that co-occur more often than would be expected by chance. In phraseology, a collocation is a type of compositional phraseme, meaning that it can be understood from the words that make it up. This contrasts with an idiom, where the meaning of the whole cannot be inferred from its parts, and may be completely unrelated. An example of a phraseological collocation is the expression ''strong tea''. While the same meaning could be conveyed by the roughly equivalent ''powerful tea'', this adjective does not modify ''tea'' frequently enough for English speakers to become accustomed to its co-occurrence and regard it as idiomatic or unmarked. (By way of counterexample, ''powerful'' is idiomatically preferred to ''strong'' when modifying a ''computer'' or a ''car''.) There are about six main types of collocations: adjective + noun, noun + noun (such as collective nouns), verb + noun, ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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