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Taittiriya Aranyaka
The Aranyakas (; sa, आरण्यक; IAST: ' ) are the part of the ancient Indian Vedas concerned with the meaning of ritual sacrifice. They typically represent the later sections of the Vedas, and are one of many layers of the Vedic texts. The other parts of the Vedas are the Samhitas (benedictions, hymns), Brahmanas (commentary), and the Upanishads (spirituality and abstract philosophy).A Bhattacharya (2006), Hindu Dharma: Introduction to Scriptures and Theology, , pages 8-14 ''Aranyakas'' describe and discuss rituals from various perspectives; some include philosophical speculations. For example, the Katha Aranyaka discusses rituals connected with the ''Pravargya''. The Aitareya Aranyaka includes explanation of the ''Mahavrata'' ritual from ritualisitic to symbolic meta-ritualistic points of view. ''Aranyakas'', however, neither are homogeneous in content nor in structure. ''Aranyakas'' are sometimes identified as ''karma-kanda'' (कर्मकाण्ड), ritualistic ...
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1863 CE Palm Leaf Manuscript, Jaiminiya Aranyaka Gana, Samaveda (unidentified Layer Of Texts), Sanskrit, Southern Grantha Script, Sample I
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Taittiriya
The ''Taittirīya Shakha'' (Sanskrit, loosely meaning 'Branch or School of the sage Tittiri'), is a ''shakha'' (i.e. 'branch', 'school', or rescension) of the Krishna (black) Yajurveda. Most prevalent in South India, it consists of the ''Taittirīya Samhita'' ('TS'), ''Taittirīya Brahmana'' ('TB'), ''Taittirīya Aranyaka'' ('TA'), and ''Taittirīya Pratisakhya'' ('TP'). Nomenclature The 'Taittiriya Shakha' can be loosely translated as 'Branch or School of (the sage) Tittri' or 'Branch or School of Taittiriya' or 'School of the pupils of Tittiri'. *'Taittiriya' is derived from the name of the sage Taittiri (or Tittiri). *'Shakha' means 'branch' or 'school'. Origin Monier-Williams According to Monier-Williams ''Sanskrit-English Dictionary'', Taittiri was a pupil of Yaska (estimated 4th-5th century BCE). According to the Vishnu Purana, Yaska was in turn a pupil of Vaiśampáyana, (estimated 6th century BCE). Taittiri is also stated in the Mahabharata to have attende ...
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Pravargya
Originating in historical Vedic religion, 'Pravargya' (Sanskrit प्रवर्ग्य), also known as 'Ashvina-pravaya', is an introductory or preliminary ceremony to the Soma Yajña (of which there are several kinds, including but not limited to, the five-day Agnishtoma Soma Yagya forming the basic model). In the Pravargya Yajña, an earthen pot is fashioned from clay dug up from the ground, placed on a fire-altar, and used to boil milk which is offered to the Ashvins, the twin Rigvedic gods of Ayurvedic medicine. As with all Vedic Period sacrificial ceremonies, the Pravargya Yajña is mystical in nature insofar as items, positions, actions, and words have indirect, symbolic meanings, rather than direct (i.e. exoteric) literal meanings (e.g. the pot represents the head of Vishnu which in turn represents the Sun). It is also typical in that numerous and complex rules must be strictly followed by participants to the smallest detail. Although explanations of and instruct ...
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Mantras
A mantra (Pali: ''manta'') or mantram (मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit, Pali and other languages believed by practitioners to have religious, magical or spiritual powers. Feuerstein, Georg (2003), ''The Deeper Dimension of Yoga''. Shambala Publications, Boston, MA Some mantras have a syntactic structure and literal meaning, while others do not. The earliest mantras were composed in Vedic Sanskrit in India. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action. Some mantras without literal meaning are musically uplifting and ...
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Surya Namaskara
Sun Salutation, also called Surya Namaskar(a) or Salute to the Sun (), is a practice in yoga as exercise incorporating a flow sequence of some twelve gracefully linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example among wrestlers. The basic sequence involves moving from a standing position into Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hindu solar deity, Surya. In some Indian traditions, the positions are each associated with a different mantra. The precise origins of the Sun Salutation are uncertain, but the sequence was made popular in the early 20th century by Bhawanrao Shriniwasrao Pant Pratinidhi, the Rajah of Aundh, and adopted into yoga by Krishnamacharya in the Mysore Palace, where the Sun Salutation classes, not then considered to be yoga, were held next door to ...
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Agnicayana
The Agnicayana ('; ) or Athirathram ( ml, അതിരാത്രം) is a category of advanced Śrauta rituals. After one has established the routine of the twice-daily routine of Agnihotra offerings and biweekly ''dara-purna-masa'' offerings, one is eligible to perform the Agnistoma, the simplest soma rite. After the agnistoma, one is eligible to perform more extensive soma rites and Agnicayana rites. There are various varieties of Agnicayana. Agnicayana continues to be performed in Kerala, Andhra. Overview The entire ritual takes twelve days to perform, in the course of which a great bird-shaped altar, the ''uttaravedi'' "northern altar" is built out of 1005 bricks. The liturgical text is in Chapters 20 through 25 of the ''Krishna Yajurveda''. The immediate purpose of the Agnicayana is to build up for the sacrificer an immortal body that is permanently beyond the reach of the transitory nature of life, suffering and death that, according to this rite, characterizes man' ...
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Aitareya Upanishad
The Aitareya Upanishad (Sanskrit: ऐतरेय उपनिषद् IAST ') is a Mukhya Upanishad, associated with the Rigveda. It comprises the fourth, fifth and sixth chapters of the second book of Aitareya Aranyaka, which is one of the four layers of Rig vedic text. Aitareya Upanishad discusses three philosophical themes: first, that the world and man is the creation of the Atman (Universal Self); second, the theory that the ''Atman'' undergoes threefold birth; third, that Consciousness is the essence of ''Atman''.Paul Deussen, Sixty Upanishads of the Veda, Volume 1, Motilal Banarsidass, , pages 13–20 Chronology According to a 1998 review by Patrick Olivelle and other scholars, the Aitareya Upanishad was likely composed in a pre-Buddhist period, possibly 6th to 5th century BCE. Discussion Aitareya Upanishad is a primary ancient Upanishad, and is listed as number 8 in the Muktika canon of 108 Upanishads. Considered one of the middle Upanishads, the date of composi ...
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Atman (Hinduism)
Atman or Ātman may refer to: Film * ''Ātman'' (1975 film), a Japanese experimental short film directed by Toshio Matsumoto * ''Atman'' (1997 film), a documentary film directed by Pirjo Honkasalo People * Pavel Atman (born 1987), Russian handball player Religion * ''Ātman'' (Jainism), or ''Jīva'', a philosophical term used within Jainism to identify the soul * ''Ātman'' (Hinduism), meaning "Self", a philosophical concept common to all schools of Hindu philosophy * ''Ātman'' (Buddhism), ''attā'' or ''attan'', a reference to the essential self ** '' Anattā'' or ''anātman'' — "not-self", central concept in Buddhism * '' Atman jnana'' — "knowledge" in the context of Indian philosophy and religions See also * Ataman, a title of Cossack and haidamak leaders of various kinds * World Soul (other) * Atma (other) * Divine soul (other) {{disambiguation ...
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Jaiminiya Upanishad Brahmana
The Jaiminiya Upanishad Brahmana (JUB) ( sa, जैमिनीय उपनिषद्-ब्राह्मण, ') or the Talavakara Upanishad Brahmana ( sa, तलवकार उपनिषद्-ब्राह्मण, ') is a Vedic text associated with the ''Jaiminiya'' or the ''Talavakara'' shakha of the Samaveda. It is considered as an Aranyaka. A part of this text forms the Kena Upanishad. Together with the Bṛhadāraṇyaka and Chāndogya Upanishads, it dates to the Brahmana period of Vedic Sanskrit, likely predating the 6th century BCE. This first printed edition of this text, edited by Hanns Oertel along with its translation into English by him was published in the Journal of the American Oriental Society in 1896. It is not to be confused with the Jaiminiya Brahmana (JB), the actual Brahmana text of the ''Jaiminiya'' ''shakha'' of the Samaveda. See also * Brahmana References {{reflist External links * Sri Aurobindo, ''The Upanishads' Sri Aurobindo Ashram, Pond ...
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Samaveda
The Samaveda (, from ' "song" and ' "knowledge"), is the Veda of melodies and chants. It is an ancient Vedic Sanskrit text, and part of the scriptures of Hinduism. One of the four Vedas, it is a liturgical text which consists of 1,875 verses. All but 75 verses have been taken from the Rigveda. Three recensions of the Samaveda have survived, and variant manuscripts of the Veda have been found in various parts of India. While its earliest parts are believed to date from as early as the Rigvedic period, the existing compilation dates from the post-Rigvedic Mantra period of Vedic Sanskrit, between c. 1200 and 1000 BCE or "slightly rather later," roughly contemporary with the Atharvaveda and the Yajurveda. Embedded inside the Samaveda is the widely studied Chandogya Upanishad and Kena Upanishad, considered as primary Upanishads and as influential on the six schools of Hindu philosophy, particularly the Vedanta school. The Samaveda set important foundations for the subsequent ...
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Brihadaranyaka Upanishad
The ''Brihadaranyaka Upanishad'' ( sa, बृहदारण्यक उपनिषद्, ) is one of the Principal Upanishads and one of the first Upanishadic scriptures of Hinduism. A key scripture to various schools of Hinduism, the ''Brihadaranyaka Upanisad'' is tenth in the Muktikā or "canon of 108 Upanishads". The ''Brihadaranyaka Upanishad'' is estimated to have been composed about 7th-6th century BCE, excluding some parts estimated to have been composed after the '' Chandogya Upanishad''. The Sanskrit language text is contained within the ''Shatapatha Brahmana'', which is itself a part of the Shukla Yajur Veda. The ''Brihadaranyaka Upanishad'' is a treatise on Ātman (Self), includes passages on metaphysics, ethics and a yearning for knowledge that influenced various Indian religions, ancient and medieval scholars, and attracted secondary works such as those by Adi Shankara and Madhvacharya. Chronology The chronology of ''Brihadaranyaka Upanishad'', like other ...
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