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Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Theme Haydn's Sonata In G Major
First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and record producer Albums * ''1st'' (album), a 1983 album by Streets * ''1st'' (Rasmus EP), a 1995 EP by The Rasmus, frequently identified as a single * ''1ST'', a 2021 album by SixTones * ''First'' (Baroness EP), an EP by Baroness * ''First'' (Ferlyn G EP), an EP by Ferlyn G * ''First'' (David Gates album), an album by David Gates * ''First'' (O'Bryan album), an album by O'Bryan * ''First'' (Raymond Lam album), an album by Raymond Lam * ''First'', an album by Denise Ho Songs * "First" (Cold War Kids song), a song by Cold War Kids * "First" (Lindsay Lohan song), a song by Lindsay Lohan * "First", a song by Everglow from '' Last Melody'' * "First", a song by Lauren Daigle Lauren Ashley Daigle () (born September 9, 1991) is an Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Part (music)
A part (or voice) generally refers to a single strand or melody or Accompaniment (music), harmony of music within a larger Musical ensemble, ensemble or a polyphonic musical composition. There are several senses in which the word is often used: * the physical copy of printed or written sheet music given to any individual musical instrument, instrument or voice (as opposed to the Sheet music#full score, full score which shows all parts in the same document). A musician's part usually does not contain instructions for the other players in the ensemble, only instructions for that individual. * the music played by any group of musicians who all perform in unison for a given piece; in a orchestra, symphony orchestra, a dozen or more cello players may all play "the same part" even if they each have their own physical copy of the music. This sense of "part" does not require a written copy of the music; a bass player in a rock band "plays the bass part" even if there is no written versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Goeyvaerts
Karel August Goeyvaerts (8 June 1923 – 3 February 1993) was a Belgian composer. Life Goeyvaerts was born in Antwerp, where he studied at the Royal Flemish Music Conservatory; he later studied composition in Paris with Darius Milhaud and analysis with Olivier Messiaen. He also studied ondes Martenot with Maurice Martenot, who invented the instrument. In 1951, Goeyvaerts attended the famous Darmstadt New Music Summer School where he met Karlheinz Stockhausen, who was five years younger. Both were devout Catholics and found ways of integrating religious numerology into their serial compositions. They found themselves deep in conversation, and performed a movement from Goeyvaerts's "Nummer 1", Sonata for Two Pianos, in the composition course by Theodor Adorno there. They were both astonished upon hearing for the first time Messiaen's " Mode de valeurs et d'intensités" (from '' Quatre études de rythme''), in a recording by the composer which Antoine Goléa played at a lecture. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata For Two Pianos (Goeyvaerts)
Sonata for Two Pianos (1950–51), also called simply Opus 1 or Nummer 1, is a chamber music work by Belgian composer Karel Goeyvaerts, and a seminal work in the early history of European serialism. History Goeyvaerts composed the sonata during the winter of 1950–51, and brought the score with him when he attended the Darmstädter Ferienkurse in the Summer of 1951. There he met Karlheinz Stockhausen, five years his junior and at the time and a student in his last year at the Cologne Conservatory. Goeyvaert's and Stockhausen's analysis and performance of the second movement of the Sonata in Theodor W. Adorno's composition seminar had considerable significance for those young composers eager to develop serial thinking. The influence of the Sonata is also evident in Stockhausen's early serial compositions, particularly '' Kreuzspiel'', which Stockhausen began composing on his way home from Darmstadt and finished on 4 November 1951. Adorno, however, did not appreciate the qualities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as landmarks of twentieth-century musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structures (Boulez)
''Structures I'' (1952) and ''Structures II'' (1961) are two related works for two pianos, composed by the French composer Pierre Boulez. History The first book of ''Structures'' was begun in early 1951, as Boulez was completing his orchestral work '' Polyphonie X'', and finished in 1952. It consists of three movements, or "chapters", labelled ''Ia'', ''Ib'', and ''Ic'', composed in the order ''a'', ''c'', ''b''. The first of the second book's two "chapters" was composed in 1956, but chapter2 was not written until 1961. The second chapter includes three sets of variable elements, which are to be arranged to make a performing version. A partial premiere of book2 was performed by the composer and Yvonne Loriod at the Wigmore Hall, London, in March 1957. This was Boulez's first appearance in the UK as a performer. The same performers gave the premiere of the complete second book, with two different versions of chapter2, in a chamber-music concert of the Donaueschinger Musiktage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonie X
''Polyphonie X'' (1950–51) is a three- movement composition by Pierre Boulez for eighteen instruments divided into seven groups, with a duration of roughly fifteen minutes. Following the work's premiere, Boulez withdrew the score, stating that it suffered from "theoretical exaggeration". (In a 1974 interview, he referred to it as a "document" rather than a "work".) Despite Boulez's dissatisfaction with the piece, it played a key role in his development: one writer called it "the linchpin connecting Boulez's early mastery of gesture and contour... with his later interest in large ensembles and grand forms", his "brave 'first attempt' to produce a work that exhausted a particular musical technique with large orchestral forces by developing an expansive, additive structure at the earliest stages of composition", and "one of the purest representations of Boulez's first turn toward integral serialism". Background In 1948 and 1949, Boulez worked on ''Livre pour Quatuor'' for string qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwartung
' (''Expectation''), Op. 17, is a one-act monodrama in four scenes by Arnold Schoenberg to a libretto by . Composed in 1909, it was not premiered until 6 June 1924 in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the soprano. The opera takes the unusual form of a monologue for solo soprano accompanied by a large orchestra. In performance, it lasts for about half an hour. It is sometimes paired with Béla Bartók's opera '' Bluebeard's Castle'' (1911), as the two works were roughly contemporary and share similar psychological themes. Schoenberg described ''Erwartung'', saying "the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour." Philip Friedheim has described ' as Schoenberg's "only lengthy work in an athematic style", where no musical material returns once stated over the course of 426 measures. In his analysis of the structure, one indication of the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alois Hába
Alois Hába (21 June 1893 – 18 November 1973) was a Czech composer, music theorist and teacher. He belongs to the important discoverers in modern classical music, and major composers of microtonal music, especially using the quarter-tone scale, though he used others such as sixth-tones (e.g., in the 5th, 10th and 11th String Quartets), fifth-tones (Sixteenth String Quartet), and twelfth-tones. From the other microtonal conceptions, he discussed a "three-quarter tone" system (see three-quarter tone flat and the neutral second) in his theoretical works but he used scales in this tuning in sections of some of his compositions. In his prolific career, Hába composed three operas, an enormous collection of chamber music including 16 string quartets, piano, organ and choral pieces, some orchestral works and songs. He also had special keyboard and woodwind instruments constructed that were capable of playing quarter-tone scales. Life Alois Hába was born in the small town of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas ''Wozzeck'' (1924) and '' Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs (''lieder''). He is said to have brought more "human values" to the twelve-tone syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Webern
Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), better known as Anton Webern (), was an Austrian composer and conductor whose music was among the most radical of its milieu in its sheer concision, even aphorism, and steadfast embrace of then novel atonal and twelve-tone techniques. With his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core of those within the broader circle of the Second Viennese School. Little known in the earlier part of his life, mostly as a student and follower of Schoenberg, but also as a peripatetic and often unhappy theater music director with a mixed reputation as an exacting conductor, Webern came to some prominence and increasingly high regard as a vocal coach, choirmaster, conductor, and teacher during Red Vienna. With Schoenberg away at the Prussian Academy of Arts (and with the benefit of a publication agreement secured through Universal Edition), Webern began writing music of increasing confidence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionism, expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German German Romanticism, Romantic styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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