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Stagecraft
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision. In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs. Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night requires th ...
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Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patr ...
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Stage Management
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including the overseeing of the rehearsal process and  coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently. A stage manager is an individual who has overall responsibility for stage management and the smooth execution of a theatrical production. Stage management may be performed by an individual in small productions, while larger productions typically employ a stage management team consisting of a head stage manager, or production stage manager, and one or more assistant stage managers. History The title of stage manager was not used until the 18th century, though the concept and need for s ...
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Stage Manager
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including the overseeing of the rehearsal process and  coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently. A stage manager is an individual who has overall responsibility for stage management and the smooth execution of a theatrical production. Stage management may be performed by an individual in small productions, while larger productions typically employ a stage management team consisting of a head stage manager, or production stage manager, and one or more assistant stage managers. History The title of stage manager was not used until the 18th century, though the concept and need for s ...
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Scenography
Scenography (inclusive of scenic design, lighting design, sound design, costume design) is a practice of crafting stage environments or atmospheres. In the contemporary English usage, scenography is the combination of technological and material stagecrafts to represent, enact, and produce a sense of place in performance. While inclusive of the techniques of scenic design and set design, scenography is a holistic approach to the study and practice of all aspects of design in performance. Etymology and cultural interpretations The term scenography is of Greek origin (''skēnē'', meaning 'stage or scene building'; ''grapho'', meaning 'to describe') originally detailed within Aristotle's ''Poetics'' as 'skenographia'. Nevertheless, within continental Europe, the term has been closely aligned with the professional practice of scénographie and is synonymous with the English-language term 'theatre design'. More recently, the term has been used in museography with regards to the cura ...
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Rigging (theatre)
A fly system, or theatrical rigging system, is a system of rope lines, blocks (pulleys), counterweights and related devices within a theater (structure), theater that enables a stage crew to fly (hoist) quickly, quietly and safely components such as curtains, lights, theatrical scenery, scenery, stage effects and, sometimes, people. Systems are typically designed to fly components between clear view of the audience and out of view, into the large opening, known as the fly loft, above the stage (theatre), stage. Fly systems are often used in conjunction with other theatre systems, such as scenery wagons, stage lifts and stage turntables, to physically manipulate the mise en scène. Theatrical rigging is most prevalent in proscenium theatres with stage houses designed specifically to handle the significant dead and live loads associated with fly systems. building code, Building, Occupational Safety and Health Administration, occupational safety, and Fire safety#Fire code, fire cod ...
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Robert Edmond Jones
Robert Edmond Jones (December 12, 1887 – November 26, 1954) was an American scenic, lighting, and costume designer. He is credited with incorporating the new stagecraft into the American drama. His designs sought to integrate scenic elements into the storytelling instead of having them stand separate and indifferent from the play's action. His visual style, often referred to as simplified realism, combined bold vivid use of color and simple, yet dramatic, lighting. Life Born in Milton, New Hampshire, Jones attended Harvard University and graduated in 1910. Jones eventually moved to New York (1912), where, with friends made at Harvard, he began to do small design jobs. In 1913 Jones and several friends sailed to Europe to study the new stagecraft with Edward Gordon Craig in Florence. The school in Florence would not accept Jones, so he went to Berlin instead, spending a year in informal study with Max Reinhardt's Deutsches Theater. For a 1915 production of ''The Man Who ...
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Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of ...
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Periaktos
A periaktos (plural form periaktoi, from a Greek word meaning ''revolving'') is a device used for displaying and rapidly changing theatre scenes. It was first mentioned in Plato's ''Republic'', in the story, "Allegory of a Cave" (c. 375 BCE), but its most intense use began in Renaissance theatre, as a result of the work of important theatrical designers, such as Nicola Sabbatini (1574–1654). It consists of a revolving solid equilateral triangular prism made of wood. On each of its three faces, a different scene is painted, so that, by quickly revolving the periaktos, another face can appear to the audience. Other solid polygons can be used, such as cubes, but triangular prisms offer the best combination of simplicity, speed and number of scenes per device. A series of periaktoi positioned one after the other along the stage's depth can produce the illusion of a longer scene, composed by its faces as seen in perspective. These periaktoi must therefore be rotated simultaneousl ...
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Flats (theatre)
A flat (short for scenery flat) or coulisse is a flat piece of theatrical scenery which is painted and positioned on stage so as to give the appearance of buildings or other background. Flats can be soft covered (covered with cloth such as muslin) or hard covered (covered with decorative plywood Plywood is a material manufactured from thin layers or "plies" of wood veneer that are glued together with adjacent layers having their wood grain rotated up to 90 degrees to one another. It is an engineered wood from the family of manufactured ... such as luan). Soft-covered flats have changed little from their origin in the Italian Renaissance. Flats with a frame that places the width of the lumber parallel to the face are called "Broadway" or "stage" flats. Hard-covered flats with a frame that is perpendicular to the paint surface are referred to as "Hollywood" or "studio" flats. Usually flats are built in standard sizes of , , or tall so that walls or other scenery may easily ...
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Theatrical Properties
A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. Term The earliest known use of the term "properties" in English to refer to stage accessories is in the 1425 CE morality play, ''The Castle of Perseverance''. The ''Oxford English Dictionary'' finds the first usage of "props" in 1841, while the singular form of "prop" appeared in 1911. During the Renaissance in Europe, small acting troupes functioned as cooperatives, pooling resources and dividing any income. Many performers provided their own costumes, but other items such as stage weapons or furniture may have been acquired specially and considered "company property".Eric Partridge ''Origins: A Short Etymological Dictionary of Modern English: Second Edition''. Random House ...
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Scenic Designer
Scenic may refer to: * Scenic design * Scenic painting * Scenic overlook * Scenic railroad (other) * Scenic route * Scenic, South Dakota, United States * Scenic (horse), a Thoroughbred racehorse Aviation *Airwave Scenic, an Austrian paraglider design Companies and organizations * Scenic Airlines * Scenic America, nonprofit advocacy organization * United Scenic Artists, United States labor union * Woodland Scenics, manufacturer of model railroad scenic materials Music * The Scenics, band * ''Scenic'' (album), 2004 album by band Denver Harbor Vehicles * Scenic Daylight, defunct express train in New Zealand * Renault Scénic, a compact MPV automobile produced by French automaker Renault * Tranz Scenic, passenger train in New Zealand See also * * * * * * Scenic Drive (other) * List of scenic trails * Scene (other) * Scenery (other) Scenery or theatrical scenery is anything used as a setting for a theatrical production. Scenery may als ...
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Augustin-Jean Fresnel
Augustin-Jean Fresnel (10 May 1788 – 14 July 1827) was a French civil engineer and physicist whose research in optics led to the almost unanimous acceptance of the wave theory of light, excluding any remnant of Newton's corpuscular theory, from the late 1830s until the end of the 19th century. He is perhaps better known for inventing the catadioptric (reflective/refractive) Fresnel lens and for pioneering the use of "stepped" lenses to extend the visibility of lighthouses, saving countless lives at sea. The simpler dioptric (purely refractive) stepped lens, first proposed by Count Buffon and independently reinvented by Fresnel, is used in screen magnifiers and in condenser lenses for overhead projectors. By expressing Huygens's principle of secondary waves and Young's principle of interference in quantitative terms, and supposing that simple colors consist of sinusoidal waves, Fresnel gave the first satisfactory explanation of diffraction by straight edges, inclu ...
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