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Sralai
The ''sralai'' ( km, ស្រឡៃ) is a Cambodian wind instrument that uses a quadruple reed to produce sound. The instrument is used in the '' pinpeat'' orchestra, where it is the only wind instrument. The set of quadruple reeds are made of palm leaf. The bore of the instrument is not evenly bored, but "slightly conical."André de Quadros; ed. (2000). Many seeds, different flowers: the music education legacy of Carl Orff', p.43. "Four little tongues (reeds) of dried palm leaf are fastened to a brass tube with thread, and the reeds are placed completely in the mouth, with the tongue place under the reeds to control the opening." CIRCME. . Its cousin, the Western oboe, has a double reed and a conical bore. The pinpeat instruments tune to the sralai's pitch, and the player must learn circular breathing to play continuously without stopping for breath. The ''sralai'' is very similar in construction and playing technique to the Thai '' pi''. See also *Shehnai The ''shehnai' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinpeat
The ''Pinpeat'' ( km, ពិណពាទ្យ, ) is the largest Khmer traditional musical ensemble. It has performed the ceremonial music of the royal courts and temples of Cambodia since ancient times. The orchestra consists of approximately nine or ten instruments, mainly wind and percussion (including several varieties of xylophone and drums). It accompanies court dances, masked plays, shadow plays, and religious ceremonies. This ensemble is originated in Cambodia since before Angkorian era. The pinpeat is analogous to the pinphat adopted from the Khmer court by the Lao people and the piphat ensemble of Thailand.Sam-Ang Sam "Cambodia" in ''New Grove Dictionary of Music and Musicians'', 2nd ed., 2001. pp. 861-863 Etymology According to Chuon Nath's Khmer dictionary, the 'Pinpeat' is composed of the Sanskrit terms ''vina/ pin'' () referring to the pin (harp), which was formerly used as the premiere instrument in this ensemble, and ''vadya/ padya/ peat'' () referring to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadruple Reed
A quadruple reed is a type of reed by means of which the sound is originated in various wind instruments. The term "quadruple reed" comes from the fact that there are four pieces of dried palm leaf vibrating against each other, in pairs. A quadruple reed, such as the Thai pinai, operates in a similar way as the double reed and produces a timbre similar to the oboe. The Arabic ''pii chawaa'' is, "sometimes described as having a double reed though this is actually folded yet again, creating four layers of reed and thus requiring considerable lung power to play". Presumably a quadruple reed is folded twice, in opposite directions, instead of once (\/\ or \/\/ instead of \/ shaped), or either folded twice in the same direction or wrapped around (◎ instead of ○ shaped). Both options could result in what may be considered a reed of quadruple thickness. A reed may be folded into the center at 1/4 and 3/4 the length, and then this may be folded in half, with the center being outwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pi (instrument)
''Pi'' ( th, ปี่, ) is the generic term for any of a variety of quadruple reed oboes used in the traditional music of Thailand, ''piphat''. It is very similar in construction and playing technique to Burmese Hne and Cambodian '' sralai''. Varieties An entirely different instrument, a bamboo free reed pipe called ''pi chum'' (ปี่จุม), is used by the Lanna of Northern Thailand. Pi nok The ''pi nok'' is smallest among pi nok, klang, and nai. Pi noks have been played since the ancient times. Pi nai The ''pi nai'' (41–42×4.5 cm) is commonly seen in Thai literature such as ''Phra Aphai Mani''. Pi cha nai The ''pi chanai'' is ''pi song thon'' (ปี่สองท่อน, ''pi'' that consists of two parts). The body part is called ''lao pi'' (เลาปี่), the mouthpiece part is called "lamphong" (ลำโพง). Both parts are made from wood or ivory. It is presumed that the Thais obtained this musical influence from India due to its similari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambodian Musical Instruments
Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities. File:Shoulder-mounted nipple gong at Angkor Wat.jpg, Soldiers carry drums and a shoulder-mounted nipple gong in relief at Angkor Wat. File:Kse diev at Angkor Wat, North Section, 16th Century.jpg, Kse diev at Angkor Wat, North Section, 16th Century. File:Kongpeat from Angkor Wat.jpg, Khmer gong chimes from Angkor Wat. Woodwind Flute * Khloy ( km, ខ្លុយ) - vertical duct flute made of bamboo, hardwood, or plastic, with buzzing membrane **Khloy ek - smaller in size **Khloy thom - larger in size Free-reed *Sneng ( km, ស្នែង) - water buffalo or ox horn with a single free reed * Pey pok ( km, ប៉ីពក) - free-reed pipe While similar to a flute, it uses a single reed to create sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arecaceae
The Arecaceae is a family of perennial flowering plants in the monocot order Arecales. Their growth form can be climbers, shrubs, tree-like and stemless plants, all commonly known as palms. Those having a tree-like form are called palm trees. Currently, 181 genera with around 2,600 species are known, most of which are restricted to tropical and subtropical climates. Most palms are distinguished by their large, compound, evergreen leaves, known as fronds, arranged at the top of an unbranched stem. However, palms exhibit an enormous diversity in physical characteristics and inhabit nearly every type of habitat within their range, from rainforests to deserts. Palms are among the best known and most extensively cultivated plant families. They have been important to humans throughout much of history. Many common products and foods are derived from palms. In contemporary times, palms are also widely used in landscaping. In many historical cultures, because of their importance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bore (wind Instruments)
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or " bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CIRCME
The UWA Conservatorium of Music is a teaching and research school offering undergraduate and postgraduate study in music at the University of Western Australia. It is located at the north-east corner of the Crawley campus and teaches predominately Classical music, with focus in the undergraduate curriculum on performance, as well as overall strength in musicology, composition and electronic music. In 2016, UWA entered the top 100 "Performing Arts" institutions in the world, and in 2017 and 2018 the School improved its ranking to enter the top 50 in the world, according to the QS World University Rankings. The Conservatorium is also well regarded in research. Under the research code "19 Studies in Creative Arts and Writing", the Conservatorium was rated as "4 - Above World Standard" by the Australian Research Council in 2018. Previously, the name of the organisation has been the UWA Department of Music, and the UWA School of Music. History The Conservatorium started life as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conical Bore
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or "bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. In the 13th century, Mongolian metalsmiths who specialized in gold and silver used circular breathing techniques for crafting various decorative and ornamental items. In crafting such items, craftsmen were required to blow continuously to the flame through a pipe with a needle-like hole to make the hard metal melt or soften. From that necessity, craftsmen mastered a circular cycle of breathing by simultaneously inhaling through their noses while they blew without any pauses. The introduction of the circular breathing technique in the art of ancient windplayers was a productive invention in its performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
