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Sometimes I'm Happy
"Sometimes I'm Happy" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was originally published in 1923 under the title "Come On And Pet Me," with lyrics by Oscar Hammerstein II and William Cary Duncan. Background It was originally intended for the Broadway musical ''Mary Jane McKane,'' but was cut before the show opened. The music was subsequently used, with new lyrics and title, in the short-lived 1925 musical ''A Night Out,'' and in the musical '' Hit the Deck,'' starring Stanley Holloway and opening in April 1927. The song was performed in '' Hit the Deck'' by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609. The best-selling versions were by King and Groody and by Roger Wolfe Kahn (with vocal by Franklyn Baur), also issued by Victor (catalog number 20599). Two other versions, a duet by Baur and Gladys Rice on Columbia Records (catalog number 998-D) and a vocal by Vaugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles King (vaudevillian)
Charles Joseph King (October 31, 1886 – January 11, 1944) was a vaudeville and Broadway actor who also starred in several movies. He starred as the leading actor in the hit MGM movie, ''The Broadway Melody'' (1929), the first all-talking film to win the Academy Award for Best Picture. Early life and stage experience King was born in New York City on October 31, 1886 to Thomas and Ellen King, both of whom were born in Ireland and had immigrated to the U.S. in 1883. Eleven children would be born to them, but only three were living by 1900: Charles, Nellie and Mary. Under the name of Mollie King, Mary would eventually pursue a film career between 1916 and 1924. By 1908, King had begun acting on the Broadway stage; his first known role came in the revue ''The Mimic World''. In the 1910s his most frequent partner was Elizabeth Brice with whom he appeared in ''The Slim Princess'', '' A Winsome Widow'', ''Watch Your Step'' and ''Miss 1917''. King continued to appear in many major Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Porter Stomp
"King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Musicology'', 71-73 (Spring 2001-Spring 2002), p. 22-53 It became a hit during the swing era, when it was recorded by Benny Goodman. History According to Jelly Roll Morton, the tune was composed in 1906 and was the first "stomp" in the history of jazz. Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written the tune almost 20 years earlier, and that it was named after his friend and fellow pianist Porter King. On July 1, 1935, Benny Goodman and his orchestra recorded Fletcher Henderson's arrangement of the number, backed with " Sometimes I'm Happy". It was released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Brown (bandleader)
Lester Raymond Brown (March 14, 1912 – January 4, 2001) was an American jazz musician who led the big band Les Brown and His Band of Renown for nearly seven decades from 1938 to 2000. Biography Brown was born in Reinerton, Pennsylvania. He enrolled in the Conway Military Band School (later part of Ithaca College) in 1926, studying with famous bandleader Patrick Conway for three years before receiving a music scholarship to the New York Military Academy, where he graduated in 1932. Brown attended college at Duke University from 1932 to 1936. There he led the group Les Brown and His Blue Devils, who performed regularly on Duke's campus and up and down the east coast. Brown took the band on an extensive summer tour in 1936. At the end of the tour, while some of the band members returned to Duke to continue their education, others stayed on with Brown and continued to tour, becoming in 1938 the Band of Renown. The band's original drummer, Don Kramer, became the acting manager an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunny Berigan
Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era. His career and influence were shortened by alcoholism, and ended with his early demise at the age of 33 from cirrhosis. Although he composed some jazz instrumentals such as "Chicken and Waffles" and "Blues", Berigan was best known for his virtuoso jazz trumpeting. His 1937 classic recording "I Can't Get Started" was inducted into the Grammy Hall of Fame in 1975. Early life and career Berigan was born in Hilbert, Wisconsin, the son of William Patrick Berigan and Mary Catherine (Mayme) Schlitzberg, and raised in Fox Lake. Having learned the violin and trumpet, Berigan started his career playing with local bands as a teenager, including the University of Wisconsin's jazz ensemble (although he never actually went to college). After first trying out for the Hal Kemp Orchestra and being rejected he joined the band in late 1929. His fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Bennett
Anthony Dominick Benedetto (born August 3, 1926), known professionally as Tony Bennett, is an American retired singer of traditional pop standards, big band, show tunes, and jazz. Bennett is also a painter, having created works under his birth name that are on permanent public display in several institutions. He is the founder of the Frank Sinatra School of the Arts in Astoria, Queens, New York. Bennett began singing at an early age. He fought in the final stages of World War II as a U.S. Army infantryman in the European Theater. Afterward, he developed his singing technique, signed with Columbia Records and had his first number-one popular song with " Because of You" in 1951. Several tracks such as " Rags to Riches" followed in early 1953. He then refined his approach to encompass jazz singing. He reached an artistic peak in the late 1950s with albums such as '' The Beat of My Heart'' and '' Basie Swings, Bennett Sings''. In 1962, Bennett recorded his signature song, " I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the word "Mecca" with the initial D of their log ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mildred Bailey
Mildred Bailey (born Mildred Rinker; February 27, 1907 – December 12, 1951) was a Native American jazz singer during the 1930s, known as "The Queen of Swing", "The Rockin' Chair Lady" and "Mrs. Swing". She recorded the songs " For Sentimental Reasons", "It's So Peaceful in the Country", "Doin' The Uptown Lowdown", " Trust in Me", " Where Are You?", "I Let a Song Go Out of My Heart", " Small Fry", "Please Be Kind", "Darn That Dream", " Rockin' Chair", "Blame It on My Last Affair", and "Says My Heart". She had three records that reached number one on the popular charts. She grew up on the Coeur d'Alene Reservation in Idaho, where her mother was an enrolled member. The family moved to Spokane, Washington when she was 13. Her younger brothers also became musicians. Her brother, Al Rinker, started to perform as a singer with Bing Crosby in Spokane and became a member of The Rhythm Boys. As adults, Charles Rinker was a lyricist, and Miles Rinker was a clarinet and saxophone play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Me And My Shadow
"Me and My Shadow" is a 1927 popular song. Officially the credits show it as written by Al Jolson, Billy Rose, and Dave Dreyer, with Jolson and Dreyer being shown on the sheet music as being responsible for the music and Rose the lyrics. Al Jolson was often given credits on sheet music so he could earn more money by popularizing them, but he played no actual part in writing this song. Jolson never recorded the song although he did use it in the touring version of " Big Boy" in 1927. Popular recordings in 1927 were by "Whispering" Jack Smith, Nat Shilkret (vocal by Johnny Marvin) and the separate recording by Johnny Marvin himself for Columba Records. The song became particularly associated with Ted Lewis who used it to close his act. The song has since become a standard, with many artists performing it. Some other recorded versions *Donald O'Connor (no recorded version available, but featured in the 1948 feature film '' Feudin', Fussin', and a Fightin'') * Cliff Adam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocalion Records
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded " Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's " Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca Decca may refer to: Music * Decca Records or Decca Music Group, a record label * Decca Gold, a classical music record label owned by Universal Music Group * Decca Broadway, a musical theater record label * Decca Studios, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Ohman
Phil Ohman (October 7, 1896 – August 8, 1954) was an American film composer and pianist. He is most well known for his collaboration with fellow musician Victor Arden. Biography Ohman was born Fillmore Wellington Ohman in New Britain, Connecticut in 1896. He is remembered as being one half of one of the pre-eminent piano duos in the 1922-1932, paired with Victor Arden. They were the pit pianists in many of George Gershwin's musicals, and recorded hundreds of piano rolls and records. Starting in mid 1927, just as they signed to Victor Records, they developed a large studio orchestra specializing in Broadway show songs that became quite popular. These particular records employed a rather large, brassy powerful sound (it is not known who they used as arranger), always with a space for a twin piano duet section. Ohman died in Santa Monica, California on August 8, 1954. Partial filmography *''Try and Play It'' (1922) *''Up and Down the Keys'' (1922) *''Piano Pan'' (1922) *' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Arden
Victor Arden was the stage name for an American pianist named Lewis John Fuiks (8 March 1893 — 31 July 1962)DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . Pp. 14-15. who was best known as the piano duo partner of and co-orchestra leader with Phil Ohman from 1922 to 1932. He was the pianist in the All-Star Trio, who made several hits for Victor Records between 1919 and 1921. Early years Arden was born March 8, 1893, in Wenona, Illinois. Radio In 1935, Arden was described in a newspaper article as "well-known to music lovers and radio listeners." At the time, Arden's orchestra was featured on ''Musical Moments'', which was carried on over 300 stations weekly. Recording Before 1920, Arden was making piano rolls to be reproduced on player pianos manufactured by the American Piano Company. Death Arden died July 31, 1962, in New York City. Selected compositions 1909 * ''Safet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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