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Sol Niger Within
Sol Niger Within
Sol Niger Within
is the first release by Fredrik Thordendal's Special Defects, a side project of Meshuggah
Meshuggah
guitarist Fredrik Thordendal. The album was originally released in 1997 on the Ultimate Audio Entertainment label. The album was remixed and re-released by Ultimate Audio Entertainment and Relapse Records
Relapse Records
in 1999 under the title " Sol Niger Within
Sol Niger Within
version 3.33". The re-release contains two bonus tracks but omits several parts of the original version. A number of other releases also exist. The album is a combination of complex jazz fusion elements influenced directly by guitarist Allan Holdsworth's unique guitar style and overall musical approach. The disc comprises one long song, which is indexed into 29 tracks
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Album
An album is a collection of audio recordings issued as a single item on CD, record, audio tape or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at ​33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st-century album sales have mostly focused on compact disc (CD) and MP3
MP3
formats. However, vinyl sales have been on the rise in recent years.[1] The audio cassette was a format used alongside vinyl from the 1970s into the first decade of the 2000s. An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. The time frame for completely recording an album varies between a few hours and several years. This process usually requires several takes with different parts recorded separately, and then brought or "mixed" together
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Record Producer
A record producer or track producer or music producer oversees and manages the sound recording and production of a band or performer's music, which may range from recording one song to recording a lengthy concept album.[1] A producer has many roles during the recording process.[2] The roles of a producer vary. They may gather musical ideas for the project, collaborate with the artists to select cover tunes or original songs by the artist/group, work with artists and help them to improve their songs, lyrics or arrangements. A producer may also:Select session musicians to play rhythm section accompaniment parts or solos Co-write.[3] Propose changes to the song arrangements, and Coach the singers and musicians in the studioThe producer typically supervises the entire process from preproduction, through to the sound recording and mixing stages, and, in some cases, all the way to the audio mastering stage
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Mats Öberg
Mats Öberg (born February 25, 1971) is a Swedish pianist perhaps best known for having played with the musician Frank Zappa
Frank Zappa
as a guest in 1988 and for his part in the "Zappa's Universe" tribute concert series.[1] He is also a member or Mats/Morgan Band, a band with fellow "Zappa's Universe" drummer, Morgan Ågren. Mats Öberg is blind since birth. References[edit]^ "mats öberg". Retrieved 2009-06-23. Authority controlWorldCat Identities VIAF: 32197977 ISNI: 0000 0000 0321 4339 GND: 104680006X BNF: cb14035343n (data) MusicBrainz: cbc77b9f-1281-4cbd-b563-9469b3346d34This article about a Swedish musician is a stub. You can help by expanding it.v t eThis article about a pianist is a stub
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AllMusic
AllMusic (previously known as All Music Guide or AMG) is an online music guide. The largest music database on the web, it catalogs more than 3 million album entries and 30 million tracks. It was launched in 1991, predating the World Wide Web.[2][3]Contents1 History 2 The All Music Guide series 3 Reception 4 See also 5 References 6 External linksHistory[edit] AllMusic was launched as All Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician." He became interested in using computers for his astrological work in the mid-'70s, and founded a software company, Matrix, in 1977. In the early '90s, as CDs replaced vinyl as the prevalent format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard
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Allan Holdsworth
Allan Holdsworth
Allan Holdsworth
(6 August 1946 – 15 April 2017)[1] was a British guitarist and composer. He released twelve studio albums as a solo artist and played a variety of musical styles in a career spanning more than four decades, but is best known for his work in jazz fusion. Holdsworth was known for his advanced knowledge of music, through which he incorporated a vast array of complex chord progressions and intricate solos; the latter comprising myriad scale forms often derived from those such as the diminished, augmented, whole tone, chromatic and altered scales, among others, resulting in an unpredictable and "outside" sound. His unique legato soloing technique stemmed from his original desire to play the saxophone. Having been unable to afford one, he strove to use the guitar to create similarly smooth lines of notes
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Special
Special
Special
or specials may refer to:Contents1 Music 2 Film and television 3 Other uses 4 See alsoMusic[edit] Special
Special
(album), a 1992
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Daniel Bergstrand
Daniel Bergstrand is a Swedish record producer, most notable for his work with bands like In Flames, Meshuggah, Soilwork, Dimmu Borgir, Behemoth and many others.[1][2][3] He is the owner of Dugout Productions studio, which is based in Uppsala, Sweden.[4] His work with In Flames
In Flames

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Relapse Records
Relapse Records
Relapse Records
is an American independent record label based in Upper Darby, Pennsylvania. It was founded by Matthew F. Jacobson in 1990. The label features a large number of grindcore, death metal and sludge metal artists.Contents1 History 2 Musical style 3 Current artists[3] 4 Former artists 5 See also 6 References 7 External linksHistory[edit] The label was started by Matthew F. Jacobson in August, 1990 in his parents' basement in Aurora, Colorado. The first two releases on the label were 7-inch singles by the bands Velcro Overdose and Face of Decline, closely followed by three death metal bands that would become among the biggest on the label, Deceased, Suffocation, and Incantation. After this, Jacobson became acquainted with William Yurkiewicz Jr., who became his partner in the record label
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Record Label
A record label or record company is a brand or trademark associated with the marketing of music recordings and music videos. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos; also conducting talent scouting and development of new artists ("artists and repertoire" or "A&R"); and maintains contracts with recording artists and their managers
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Jazz Fusion
Jazz
Jazz
fusion (also known as fusion)[1] is a musical genre that developed in the late 1960s when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz. During this time many jazz musicians began experimenting with electric instruments and amplified sound for the first time, as well as electronic effects and synthesizers. Many of the developments during the late 1960s and early 1970s have since become established elements of jazz fusion musical practice. Fusion arrangements vary in complexity—some employ groove-based vamps fixed to a single key, or even a single chord, with a simple melodic motif (a lick). Others can feature odd or shifting time signatures with elaborate chord progressions, melodies, and counter-melodies. Typically, these arrangements, whether simple or complex, will feature extended improvised sections that can vary in length
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Experimental Metal
Avant-garde
Avant-garde
metal (or experimental metal) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde
Avant-garde
metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal
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Experimental Music
Experimental music is a general label for any music that pushes existing boundaries and genre definitions (Anon. & n.d.(c)). Experimental compositional practice is defined broadly by exploratory sensibilites radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music (Sun 2013). Elements of experimental music include indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements (Anon. & n.d.(c)). The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage
John Cage
was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing indeterminacy techniques and seeking unknown outcomes
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Extreme Metal
Extreme metal
Extreme metal
is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal and visual transgression".[1] The term usually refers to a more abrasive, harsher, underground, non-commercialized style or sound associated with the speed metal, thrash metal, death metal, black metal and doom metal genres.[2] With the exception of doom metal, all of these genres are characterized by fast tempos, attesting to their roots in hardcore punk, which has also fused with extreme metal in the forms of crossover thrash, crust punk, grindcore, sludge metal and metalcore
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Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions.[1] It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.[2][not in citation given] Recently, academics have argued that categorizing music by genre is inaccurate and outdated.[3] Music
Music
can be divided into different genres in many different ways. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. There are even varying academic definitions of the term genre itself. In his book Form in Tonal Music, Douglass M. Green distinguishes between genre and form. He lists madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance period. To further clarify the meaning of genre, Green writes, "Beethoven's Op. 61 and Mendelssohn's Op
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Sweden
Coordinates: 63°N 16°E / 63°N 16°E / 63; 16Kingdom of Sweden Konungariket Sverige[a]FlagGreater coat of armsMotto: (royal) "För Sverige – i tiden"[a] "For Sweden
Sweden
– With the Times"[1]Anthem: Du gamla, Du fria[b] Thou ancient, thou freeRoyal anthem: Kungssången Song of the KingLocation of  Sweden  (dark green) – in Europe  (green & dark grey) – in the European Union  (green)  –  [Legend]Capital and la
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