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Shloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic '' anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic '' anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valmiki
Valmiki (; Sanskrit: वाल्मीकि, ) is celebrated as the harbinger-poet in Sanskrit literature. The epic ''Ramayana'', dated variously from the 5th century BCE to first century BCE, is attributed to him, based on the attribution in the text itself. He is revered as ''Ādi Kavi'', the first poet, author of ''Ramayana'', the first epic poem. The ''Ramayana'', originally written by Valmiki, consists of 24,000 shlokas and seven cantos (kaṇḍas). The is composed of about 480,002 words, being a quarter of the length of the full text of the ''Mahabharata'' or about four times the length of the ''Iliad''. The ''Ramayana'' tells the story of a prince, Rama of the city of Ayodhya in the Kingdom of Kosala, whose wife Sita is abducted by Ravana, the demon-king (Rakshasa) of Lanka. Valmiki's ''Ramayana'' is dated variously from 500 BCE to 100 BCE or about co-eval with early versions of the ''Mahabharata''. As with many traditional epics, it has gone through a process o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka Hemistich
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic '' anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic '' anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Prosody
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 It is the study of poetic metres and verse in Sanskrit. This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism, so central that some later Hindu and Buddhist texts refer to the Vedas as ''Chandas''. The Chandas, as developed by the Vedic schools, were organized around seven major metres, and each had its own rhythm, movements and aesthetics. Sanskrit metres include those based on a fixed number of syllables per verse, and those based on fixed number of morae per verse. Extant ancient manuals on Chandas include Pingala's ''Chandah Sutra'', while an example of a medieval Sanskrit prosody manual is Kedara Bhatta's ''Vrittaratnakara''. The most exhaustive compilations of Sanskrit prosody describe over 600 metres. This is a sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the '' Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the '' Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristubh
''Trishtubh'' ( sa, त्रिष्टुभ्, , IAST: ) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses. The Trishtubh pada contains a "break" or caesura, after either four or five syllables, necessarily at a word-boundary and if possible at a syntactic break, followed by either three or two short syllables. The final four syllables form a trochaic cadence. For example RV 2.3.1: :' :' :' :' :"Agni is set upon the earth well kindled :he standeth in the presence of all beings. :Wise, ancient, God, the Priest and Purifier :let Agni serve the Gods for he is worthy." :(trans. Griffith; the translator attempts to imitate the meter in English) This is to be read metrically as follows, with marking the caesura and separating the cadence: : : : : The Avesta has a parallel stanza of 4x11 syllables with a caesura after the fourth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anuṣṭubh
( sa, अनुष्टुभ्, ) is a meter and a metrical unit, found in both Vedic and Classical Sanskrit poetry, but with significant differences. By origin, an anuṣṭubh stanza is a quatrain of four lines. Each line, called a ''pāda'' (lit. "foot"), has eight syllables. In Vedic texts Arnold distinguishes three varieties of anuṣṭubh in the Vedic corpus: an early free form, with very few restrictions except a general iambic (u – u x) tendency in the cadence (vṛtta) of each of the four ''pāda''s; e.g. : , , – – – – , u – u – , : , ‖ – – – – , u – u – ‖ : , , – – – u , u – u u , : , ‖ – – – – , u – u – ‖ Next came a mildly trochaic development in the opening of each ''pāda''; and finally the development of the "epic anuṣṭubh" (mostly in the Atharvaveda) prefiguring the classical śloka form. Although in these hymns the iambic cadence of the first verse is still the most frequent (25%) of al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristubh
''Trishtubh'' ( sa, त्रिष्टुभ्, , IAST: ) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses. The Trishtubh pada contains a "break" or caesura, after either four or five syllables, necessarily at a word-boundary and if possible at a syntactic break, followed by either three or two short syllables. The final four syllables form a trochaic cadence. For example RV 2.3.1: :' :' :' :' :"Agni is set upon the earth well kindled :he standeth in the presence of all beings. :Wise, ancient, God, the Priest and Purifier :let Agni serve the Gods for he is worthy." :(trans. Griffith; the translator attempts to imitate the meter in English) This is to be read metrically as follows, with marking the caesura and separating the cadence: : : : : The Avesta has a parallel stanza of 4x11 syllables with a caesura after the fourth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magha (poet)
Magha (c. 7th century) ( sa, माघ, ) was a Sanskrit poet at King Varmalata's court at Shrimala, the then-capital of Gujarat (presently in Rajasthan state). Magha was born in a Shrimali Brahmin family. He was the son of Dattaka Sarvacharya and the grandson of Suprabhadeva. His epic poem (''mahākāvya'') Shishupala Vadha, in 20 ''sarga''s (cantos), is based on the Mahabharata episode in which Krishna uses his ''chakra'' (disc) to behead the defiant king Shishupala. He is thought to have been inspired by, and is often compared with, Bharavi. Life and work Māgha's fame rests entirely on the Shishupala Vadha. Vallabhadeva and Kshemendra quote some verses that are not found in the Shishupala Vadha as that of Māgha, so it is believed that Māgha wrote some other works that are now lost. Unlike most Indian poets who give no autobiographical details or allude to any contemporary events, Māgha gives some autobiographical details in the concluding five verses of the work (known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilhana
Kaviraj, Kavi Bilhana was an 11th-century Kashmiri Pandits, Kashmiri poet. He is known for his love poem, the ''Caurapañcāśikā''. According to legend, Bilhana fell in love with the daughter of King Madanabhirama, Princess Yaminipurnatilaka, and had a secretive love affair. Bilhana kavi came to rajya for to learn Chandassu . They were discovered, and Bilhana was thrown into prison. While awaiting judgement, he wrote the ''Caurapâñcâśikâ'', a fifty-stanza love poem, not knowing whether he would be sent into exile or die on the gallows. It is unknown what fate Bilhana encountered. Nevertheless, his poem was transmitted orally around India. There are several versions, including ones from South India which had a happy ending; the Kashmiri language, Kashmiri version does not specify what the outcome was. The ''Caurapâñcâśikâ'' was first translated into a European language, French language, French, in 1848. Subsequently, it was translated several other times. Notable trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paeon (prosody)
In prosody a paeon (or paean) is a metrical foot used in both poetry and prose. It consists of four syllables, with one of the syllables being long and the other three short. Paeons were often used in the traditional Greek hymn to Apollo called paeans. Its use in English poetry is rare. Depending on the position of the long syllable, the four paeons are called a first, second, third, or fourth paeon. The cretic or amphimacer metrical foot, with three syllables, the first and last of which are long and the second short, is sometimes also called a paeon diagyios. Use in prose The paeon (particularly the first and fourth) was favored by ancient prose writers since, unlike the dactyl, spondee, trochee, and iamb, it was not associated with a particular poetic meter, such as the hexameter, tetrameter, or trimeter, and so produced a sound not overly poetical or familiar. Regarding the use of the paeon in prose, Aristotle writes: :All the other meters then are to be disregarded for the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedic Sanskrit
Vedic Sanskrit was an ancient language of the Indo-Aryan subgroup of the Indo-European language family. It is attested in the Vedas and related literature compiled over the period of the mid- 2nd to mid-1st millennium BCE. It was orally preserved, predating the advent of writing by several centuries. Extensive ancient literature in the Vedic Sanskrit language has survived into the modern era, and this has been a major source of information for reconstructing Proto-Indo-European and Proto-Indo-Iranian history. In the pre-historic era, Proto-Indo-Iranian split into Proto-Iranian and Proto-Indo-Aryan and the two languages evolved independently of each other. History Prehistoric derivation The separation of Proto-Indo-Iranian language into Proto-Iranian and Proto-Indo-Aryan is estimated, on linguistic grounds, to have occurred around or before 1800 BCE. The date of composition of the oldest hymns of the Rigveda is vague at best, generally estimated to roughly 1500 BCE. Both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
