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Shi Jing
The ''Classic of Poetry'', also ''Shijing'' or ''Shih-ching'', translated variously as the ''Book of Songs'', ''Book of Odes'', or simply known as the ''Odes'' or ''Poetry'' (; ''Shī''), is the oldest existing collection of Chinese poetry, comprising 305 works dating from the 11th to 7th centuries BCE. It is one of the "Five Classics" traditionally said to have been compiled by Confucius, and has been studied and memorized by scholars in China and neighboring countries over two millennia. It is also a rich source of ''chengyu'' (four-character classical idioms) that are still a part of learned discourse and even everyday language in modern Chinese. Since the Qing dynasty, its rhyme patterns have also been analysed in the study of Old Chinese phonology. Name Early references refer to the anthology as the ''300 Poems'' ('' shi''). ''The Odes'' first became known as a ''jīng'', or a "classic book", in the canonical sense, as part of the Han Dynasty official adoption of Confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qianlong Emperor
The Qianlong Emperor (25 September 17117 February 1799), also known by his temple name Emperor Gaozong of Qing, born Hongli, was the fifth Emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper, reigning from 1735 to 1796. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1735 to 8 February 1796. In 1796, he abdicated in favour of his son, the Jiaqing Emperor, out of filial piety towards his grandfather, the Kangxi Emperor, who ruled for 61 years, so that he not officially usurp him as the longest-reigning emperor. Despite his retirement, however, the Qianlong Emperor retained ultimate power as the Emperor Emeritus until his death in 1799, making him one of the longest-reigning monarchs in history, and dying at the age of 87, one of the longest-lived. As a capable and cultured ruler inheriting a thriving empire, during his long reign, the Qing Empire reached its most splendid and prosperous era, boasting a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shang Dynasty
The Shang dynasty (), also known as the Yin dynasty (), was a Chinese royal dynasty founded by Tang of Shang (Cheng Tang) that ruled in the Yellow River valley in the second millennium BC, traditionally succeeding the Xia dynasty and followed by the Western Zhou dynasty. The classic account of the Shang comes from texts such as the '' Book of Documents'', '' Bamboo Annals'' and '' Records of the Grand Historian''. According to the traditional chronology based on calculations made approximately 2,000 years ago by Liu Xin, the Shang ruled from 1766 to 1122 BC, but according to the chronology based upon the "current text" of ''Bamboo Annals'', they ruled from 1556 to 1046 BC. Comparing the same text with dates of five-planet conjunctions, David Pankenier, supported by David Nivison, proposed dates of the establishment of the dynasty to 1554 BC. The Xia–Shang–Zhou Chronology Project dated the establishment to c. 1600 BC based on the carbon-14 dates of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shi (poetry)
''Shi'' and ''shih''Based on the Wade-Giles system formerly used by Taiwan and English-speaking countries. are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, ''shi'' is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian ''Classic of Poetry''. This anthology included both aristocratic poems (the "Hymns" and "Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the " Odes"). They are composed in ancient Chinese, mostly in four-character lines. In such analysis, "''shi''" poetry is contrasted with other forms such as the Chu-derived "'' cí''" and the Han-era "'' fu''".Watson, Burton. ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. Columbia Univ. Press (New York), 1971. .Frankel, Hans. ''The Flowering Plum and the Palace Lady''. Yale Univ. Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzas
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to '' strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called '' heroic couplets''. John Dryden in the 17th century and Alexander Pope in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntax
In linguistics, syntax () is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure ( constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). There are numerous approaches to syntax that differ in their central assumptions and goals. Etymology The word ''syntax'' comes from Ancient Greek roots: "coordination", which consists of ''syn'', "together", and ''táxis'', "ordering". Topics The field of syntax contains a number of various topics that a syntactic theory is often designed to handle. The relation between the topics is treated differently in different theories, and some of them may not be considered to be distinct but instead to be derived from one another (i.e. word order can be seen as the result of movement rules derived from grammatical relations). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for " cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (poetry)
A line is a unit of language into which a poem or play is divided. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is '' verse'', that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as ''lineation'', and is one of the defining features of poetry. A distinct numbered group of lines in verse is normally called a '' stanza''. A title, in some poems, is considered a line. General conventions in Western poetry Conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined eith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Wen Of Zhou
King Wen of Zhou (; 1152–1050 BC, the Cultured King) was Count of Zhou during the late Shang dynasty in ancient China. Although frequently confused with his fourth son Duke of Zhou, also known as "Lord Zhou", they are different historical persons. Although it was his son Wu who conquered the Shang following the Battle of Muye, Count Wen was posthumously honored as the founder of the Zhou dynasty and posthumously titled King. Many of the hymns of the ''Classic of Poetry'' are praises to the legacy of King Wen. Some consider him the first epic hero of Chinese history. Archaeology Chinese scholars (e.g. Wang Yunwu ( 王雲五), Li Xueqin ( 李学勤), etc.) identified King Wen with a mentioned in inscriptions H11:82 & H11:84 among oracle bones excavated at Zhouyuan (), Qishan County. Biography Born Ji Chang (), Wen was the son of Tairen and Ji Jili, the Count of Zhou, a vassal state of the Kingdom of Shang along the Wei River in present-day Shaanxi. Jili was betrayed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panegyric
A panegyric ( or ) is a formal public speech or written verse, delivered in high praise of a person or thing. The original panegyrics were speeches delivered at public events in ancient Athens. Etymology The word originated as a compound of grc, παν- 'all' (the form taken by the word πᾶν, neuter of πᾶς 'all', when that is used as a prefix) and the word grc, ἄγυρις, ágyris 'assembly' (an Aeolic dialect form, corresponding to the Attic or Ionic form grc, ἀγορά, agorá). Compounded, these gave grc, πανήγυρις, panḗgyris 'general or national assembly, especially a festival in honour of a god' and the derived adjective grc, πανηγυρικός, panēgyrikós 'of or for a public assembly or festival'. In Hellenistic Greek the noun came also to mean 'a festal oration, laudatory speech', and the adjective 'of or relating to a eulogy, flattering'. The noun grc, πανήγυρις, panḗgyris had been borrowed into Classical Latin by around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Owen (sinologist)
Stephen Owen (born October 30, 1946) is an American sinologist specializing in Chinese literature, particularly Tang dynasty poetry and comparative poetics. He taught Chinese literature and comparative literature at Harvard University and is James Bryant Conant University Professor, Emeritus; becoming emeritus before he was one of only 25 Harvard University Professors. He is a member of American Academy of Arts and Sciences and a member of American Philosophical Society. Owen graduated from Yale University in 1968 and continued at Yale as a graduate student, receiving his doctorate in 1972 under Hans Fränkel. He taught at Yale from 1972 to 1982, when he went to Harvard. He has been a Fulbright Scholar and held a Guggenheim Fellowship, among many other awards and honors. In 2015, he completed a six-volume annotated translation of the complete poems of Du Fu. He was jointly awarded the 2018 Tang Prize in Sinology with Yoshinobu Shiba. Scholarly career Owen has written or edite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
