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Shanewis
''Shanewis'' (or ''The Robin Woman'') (1918) is an opera in one act and two scenes by American composer Charles Wakefield Cadman with an English-language libretto by Nelle Richmond Eberhart. They collaborated with Tsianina Redfeather Blackstone, a Cherokee/ Creek singer, who contributed elements from her life for the contemporary plot related to Native American issues.Pamela Karantonis, Dylan Robinson. ''Opera Indigene: Re/presenting First Nations and Indigenous Cultures'' Rou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Wakefield Cadman
Charles Wakefield Cadman (December 24, 1881 – December 30, 1946) was an American composer. For 40 years he worked closely with Nelle Richmond Eberhart, who wrote most of the texts to his songs, including ''Four American Indian Songs''. She also wrote the librettos for his five operas, two of which were based on Indian themes. He composed in a wide variety of genres. Life and career Cadman's musical education, unlike that of most of his American contemporaries, was completely American. Born in Johnstown, Pennsylvania, he began piano lessons at 13. Eventually, he went to nearby Pittsburgh where he studied harmony, theory, and orchestration with Luigi von Kunits and Emil Paur, then concertmaster and conductor, respectively, of the Pittsburgh Symphony Orchestra. This was the sum of his formal training, although he has been said to have been a pupil of Anna Priscilla Risher as well. By the age of eighteen, he was working as a clerk in a railroad office in Homestead, also in stee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsianina Redfeather Blackstone
Tsianina Redfeather Blackstone (December 13, 1882 – January 10, 1985) was a Muscogee singer, performer, and Native American activist, born in Eufaula, Oklahoma, then within the Muscogee Nation. She was born to Cherokee and Creek parents and stood out from her 9 siblings musically. From 1908 she toured regularly with Charles Wakefield Cadman, a composer and pianist who gave lectures about Native American music that were accompanied by his compositions and her singing. He composed classically based works associated with the Indianist movement. They toured in the United States and Europe. She collaborated with him and Nelle Richmond Eberhart on the libretto of the opera ''Shanewis'' (or "The Robin Woman," 1918), which was based on her semi-autobiographical stories and contemporary issues for Native Americans. It premiered at the Metropolitan Opera. Redfeather sang the title role when the opera was on tour, making her debut when the work was performed in Denver in 1924, and also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelle Richmond Eberhart
Nelle Richmond Eberhart (August 28, 1871 – November 15, 1944) was an American librettist, poet, and teacher. She is known for her long collaboration with composer Charles Wakefield Cadman. She wrote 200 songs and the librettos for five operas for which he composed the music. Early life Eberhart was born Ellen Loretta McCurdy in 1871 in Detroit, Michigan, daughter of John Thomas and Cora Amelia Newton McCurdy.Nelle Richmond Eberhart entry, Durward Howes, ''American Women'' (R. Blank Company, 1935): p. 258. Her mother remarried. At an early age, Nelle was given her stepfather's surname, Richmond. Her family moved to , where she was raised. As a young woman she developed a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Sundelius
Marie Sundelius (born Marie Sundborg; 4 February 1882 – 27 June 1958) was a Swedish-American classical soprano. She sang for many years with the Metropolitan Opera in New York City and later embarked on a second career as a celebrated voice teacher in Boston. Early life and education Born Marie Sundborg in Karlstad, Sweden, Sundelius moved to the United States at the age of nine, ultimately settling in Boston with her family in 1894. She graduated from The Dearborn School in 1897. She began to study music first with Frederick Bristol and later Enrica Clay Dillon. She also had coaching lessons with Swedish composer, Wilhelm Peterson-Berger in Stockholm, and French lyric tenor Edmond Clément in Paris. She married Gustaf Sundelius, a Swedish born businessman, in Boston in 1906. Career Sundelius began performing professionally in concerts and oratorios in Boston in 1910, making her debut performance under the baton of Karl Muck. In December 1915 she came to New York City for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hardie Chalmers
Thomas Hardie Chalmers (October 20, 1884 – June 11, 1966) was an American opera singer and actor. Biography Chalmers was born on October 20, 1884 in New York City, the son of Thomas Hardie and Sophia Amanda (De Bann) Chalmers. In 1909, he went to Florence to study singing with Vincenzo Lombardi and made his operatic debut in May 1911 in Fossombrone as Marcello in ''La bohème''. His first appearance in the United States was as Jack Rance in '' The Girl of the Golden West'' with Henry Wilson Savage's English Grand Opera Company. Chalmers toured the United States with the company from 1911 to 12. He then sang as the leading baritone with the Boston National Opera Company and the Century Opera Company before making his Metropolitan Opera debut on November 17, 1917 as Valentin in ''Faust''. He went on to appear regularly at the Met until 1922 and sang in the world premiere of '' Shanewis'', the US premiere of '' Mârouf'', and the first Met performances of ''La forza del destino' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Braslau
Sophie Braslau (August 16, 1892 – December 22, 1935) was a contralto prominent in United States opera, starting with her debut in New York City's Metropolitan Opera in 1913 when she was 21. Biography Braslau was born on August 16, 1892 in Manhattan, New York City to Abel Braslau and Alexandra Goodelman Braslau. As a child, Braslau studied piano. Her vocal talent was discovered by voice teacher Arturo Buzzi-Peccia, a family friend, who heard the little girl humming while she practiced piano. Braslau herself claimed to be inspired to a singing career after hearing Alma Gluck, another student of Buzzi-Peccia. She studied with Buzzi-Peccia for three years and then with a number of other instructors. She auditioned for New York's Metropolitan Opera in April 1913, was promptly signed to a contract, and debuted in November of that year. Her first leading role was in 1918 as Shanewis. Braslau also sang in concert and toured widely and frequently, first in the United States and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Althouse
Paul Shearer Althouse (December 2, 1889 – February 6, 1954) was an American opera singer. He began his career as a lyric tenor with a robust Italianate sound, in roles including Cavaradossi in ''Tosca'', Pinkerton in ''Madama Butterfly'', and Turiddu in '' Cavalleria rusticana''. He later branched out into the dramatic tenor repertoire, finding success in portraying Wagnerian heroes. He sang with the Metropolitan Opera in New York City for 30 years. Biography He was born in Reading, Pennsylvania on December 2, 1889 to Harry Jacob Althouse (1871-1937) and Laura May Shearer (1873-1942). Althouse sang as a boy soprano in the choir of his hometown's Episcopal Church. He received his first voice lessons at the church from Evelyn Essick. He studied music at Bucknell University and then singing privately with Perley Dunn Aldrich in Philadelphia and Oscar Saenger and Percy Rector Stevens in New York City. He made his professional opera debut with the Philadelphia-Chicago Grand Oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Wakefield Cadman, Shanewis, 1918, With Sophie Braslau At Center In The Title Role
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, '' Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1918 Operas
This year is noted for the end of the First World War, on the eleventh hour of the eleventh day of the eleventh month, as well as for the Spanish flu pandemic that killed 50–100 million people worldwide. Events Below, the events of World War I have the "WWI" prefix. January * January – 1918 flu pandemic: The "Spanish flu" (influenza) is first observed in Haskell County, Kansas. * January 4 – The Finnish Declaration of Independence is recognized by Soviet Russia, Sweden, Germany and France. * January 9 – Battle of Bear Valley: U.S. troops engage Yaqui Native American warriors in a minor skirmish in Arizona, and one of the last battles of the American Indian Wars between the United States and Native Americans. * January 15 ** The keel of is laid in Britain, the first purpose-designed aircraft carrier to be laid down. ** The Red Army (The Workers and Peasants Red Army) is formed in the Russian SFSR and Soviet Union. * January 18 - The Historic Concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
