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Shadow Of The Cat
The Shadow of the Cat is a 1961 British horror film directed by John Gilling for Hammer Film Productions.[2] It stars André Morell
André Morell
and Barbara Shelley.[3] It was photographed in black-and-white by Arthur Grant.[4] The story is about Tabitha, the house cat of a wealthy lady, who witnesses the murder of her owner by her owner's husband and two servants. The cat becomes bent on revenge while the murderers try to kill her, the only witness.Contents1 Plot 2 Cast 3 Reception 4 References 5 External linksPlot[edit] Late at night in early 1900's England, wealthy and elderly Ella Venable (Catherine Lacey) is killed in the attic of her manor house by Andrew the butler (Andrew Crawford). The butler is joined by Ella's husband, Walter Venable (André Morell), and Clara the maid (Freda Jackson). Together they bury Ella's body on the grounds of the estate. The only witness to the murder and burial is Ella's tabby cat, Tabitha
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IMDb
IMDb, also known as Internet Movie Database, is an online database of information related to world films, television programs, home videos and video games, and internet streams, including cast, production crew, personnel and fictional character biographies, plot summaries, trivia, and fan reviews and ratings. An additional fan feature, message boards, was abandoned in February, 2017. The database is owned and operated by IMDb.com, Inc., a subsidiary of Amazon. As of December 2017[update], IMDb
IMDb
has approximately 4.7 million titles (including episodes) and 8.3 million personalities in its database,[2] as well as 83 million registered users. The movie and talent pages of IMDb
IMDb
are accessible to all internet users, but a registration process is necessary to contribute information to the site. Most data in the database is provided by volunteer contributors
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James Needs
James Needs (17 October 1919 – 4 February 2003) was a British film editor associated with his work at Hammer Film Productions.[1] Selected filmography[edit]Snowbound (1948) The Bad Lord Byron
The Bad Lord Byron
(1949) A Boy, a Girl and a Bike
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Turner Classic Movies
Channel 230 (SD only) Unavailable in HD Bell Fibe TV
Bell Fibe TV
(Canada) Channel 292 VMedia (Canada) 327 (HD)Streaming mediaWatch TCMSling TV Internet Protocol televisionPlayStation Vue Internet Protocol television Turner Classic Movies
Turner Classic Movies
(TCM) is an American movie-oriented basic cable and satellite television network owned by the Turner Broadcasting System subsidiary of Time Warner. Launched in 1994, TCM is headquartered at Turner's Techwood broadcasting campus in the Midtown business district of Atlanta, Georgia. Historically, the channel's programming consisted mainly of featured classic theatrically released feature films from the Turner Entertainment film library – which comprises films from Warner Bros. Pictures (covering films released before 1950) and Metro-Goldwyn-Mayer (covering films released before May 1986)
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Black-and-white
Black
Black
and white, often abbreviated B/W or B&W, and hyphenated black-and-white when used as an adjective, is any of several monochrome forms in visual arts. Black-and-white images are not usually starkly contrasted black and white. They combine black and white in a continuum producing a range of shades of gray
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Cinematography
Cinematography
Cinematography
(also called Direction of Photography) is the science or art of motion-picture photography by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as film stock.[1] Typically, cinematographers use a lens to repeatedly focus the light reflected from objects into real images on the light-sensitive surface inside a camera during a questioned[citation needed] exposure, creating multiple images. With an electronic image-sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a video file for subsequent display or processing. The result with photographic emulsion is a series of invisible latent images on the film stock, which are later chemically "developed" into a visible image
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Horror Film
A horror film is a movie that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences. Initially often inspired by literature from authors like Edgar Allan Poe, Bram Stoker
Bram Stoker
and Mary Shelley, horror has existed as a film genre for more than a century. The macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural fiction and thriller genres. Horror films often aim to evoke viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world
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Dracula
Dracula
Dracula
is an 1897 Gothic horror
Gothic horror
novel by Irish author Bram Stoker
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Rank Organisation
The Rank Organisation
Rank Organisation
was a British entertainment conglomerate founded by industrialist J. Arthur Rank in April 1937. It quickly became the largest and most vertically integrated film company in Britain, owning production, distribution and exhibition facilities. It also diversified into the manufacture of radios, TVs and photocopiers (as one of the owners of Rank Xerox)
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John Pomeroy
John Foster Pomeroy (born March 26, 1951) is an American animator who has worked for several major studios, including The Walt Disney Company and Sullivan Bluth Studios. He has also worked as producer, and screenwriter on several animated feature films.Contents1 Career 2 Filmography 3 References 4 External linksCareer[edit] John Pomeroy started work at The Walt Disney Company in 1973 as a background artist, and became a full animator in 1974 to work on Winnie the Pooh and Tigger Too
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Universal Studios
Universal Pictures
Universal Pictures
(also referred to as Universal Studios or simply Universal) is an American film studio owned by Comcast
Comcast
through the Universal Filmed Entertainment Group division of its wholly owned subsidiary NBCUniversal.[2] The company was founded in 1912 by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour, and is the oldest surviving film studio in the United States, the world's fourth oldest after Gaumont, Pathé
Pathé
and Nordisk Film, and the oldest in terms of the overall film market[citation needed]
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The Horror Of Frankenstein
The Horror of Frankenstein
Frankenstein
is a 1970 British horror film by Hammer Film Productions that is both a semi-parody and remake of the 1957 film The Curse of Frankenstein. It was produced and directed by Jimmy Sangster, starring Ralph Bates, Kate O'Mara, Veronica Carlson
Veronica Carlson
and David Prowse
David Prowse
as the monster. The original music score was composed by Malcolm Williamson.Contents1 Plot 2 Cast 3 Production 4 Credits4.1 Cast notes5 See also 6 References 7 Notes 8 External linksPlot[edit] Victor Frankenstein, a cold, arrogant and womanizing genius, is angry when his father forbids him to continue his anatomy experiments. He ruthlessly murders his father by sabotaging the old man's shotgun, consequently inheriting the title of Baron von Frankenstein
Frankenstein
and the family fortune
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The Revenge Of Frankenstein
The Revenge of Frankenstein
Frankenstein
is a 1958 British horror film made by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. In the US, it was released on a double bill with Curse of the Demon.[2] The Revenge of Frankenstein
Frankenstein
was a sequel to The Curse of Frankenstein, the studio's 1957 adaptation of Mary Shelley's novel Frankenstein.Contents1 Plot 2 Cast 3 Production 4 Novelization 5 Critical reception 6 See also 7 References7.1 Sources8 External linksPlot[edit] In 1860, Baron Victor Frankenstein, sentenced to death, escapes execution by the guillotine by having a priest beheaded and buried in his place, with the aid of one of his followers
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Taste The Blood Of Dracula
Taste the Blood of Dracula
Dracula
is a British horror film produced by Hammer Film Productions which was released in 1970. It stars Christopher Lee as Count Dracula, and was directed by Peter Sasdy based upon a script by Anthony Hinds. The film was released as a double bill alongside fellow Hammer production Crescendo. This was the fifth entry in Hammer's Dracula
Dracula
series, and the fourth to feature Christopher Lee
Christopher Lee
as the titular vampire.Contents1 Storyline1.1 Prologue 1.2 Plot2 Cast 3 Production notes 4 Critical reception 5 DVD and Blu-Ray release 6 See also 7 References 8 External linksStoryline[edit] Prologue[edit] A businessman named Weller is travelling through Eastern Europe
Eastern Europe
when he is thrown from his carriage during a struggle and knocked unconscious. After regaining consciousness, he discovers it is night time
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Lust For A Vampire
Lust For a Vampire (also known as Love for a Vampire or To Love a Vampire (the latter title was used on American television)) is a 1971 British Hammer Horror film directed by Jimmy Sangster, starring Yutte Stensgaard, Michael Johnston and Barbara Jefford. It was given an R rating in the United States for some violence, gore, strong adult content, and nudity. It is the second film in the so-called Karnstein Trilogy loosely based on the J. Sheridan Le Fanu novella Carmilla. It was preceded by The Vampire Lovers (1970) and followed by Twins of Evil (1971). The three films do not form a chronological development, but use the Karnstein family as the source of the vampiric threat and were somewhat daring for the time in explicitly depicting lesbian themes. Production of Lust For a Vampire began not long after the release of The Vampire Lovers. The film has a cult following although some Hammer Horror fans have accused it of being overly camp and silly
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Scars Of Dracula
Scars of Dracula
Dracula
is a 1970 British horror film directed by Roy Ward Baker for Hammer Studios. It stars Christopher Lee
Christopher Lee
as Count Dracula, along with Dennis Waterman, Jenny Hanley, Patrick Troughton, and Michael Gwynn. Although disparaged by some critics, the film does restore a few elements of Bram Stoker's original character: the Count is introduced as an "icily charming host;"[2] he has command over nature; and he is seen scaling the walls of his castle
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