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Romantic Literature In English
Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's ''Lyrical Ballads'' in 1798 as probably the beginning of the movement, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in the United States, it arrived around 1820. The Romantic period was one of major social change in England, due to the depopulation of the countryside and the rapid development of overcrowded industrial cities that took place roughly between 1798 and 1832. The movement of so many people in England was the result of two forces: the Agricultural Revolution, which involved enclosures that drove workers and their families off the land, and the Industrial Revolution which provided them employment, "in the factories and mills, operated by machines driven by steam-power". Indeed, Romanticis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Blake By Thomas Phillips
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name should b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Novel
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë sisters, as well as works by the American writers Edgar Allan Poe and Nathaniel Hawthorne. Later prominent works were ''Dracula'' by Bram Stoker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Thomson (poet)
James Thomson (c. 11 September 1700 – 27 August 1748) was a Scottish poet and playwright, known for his poems '' The Seasons'' and '' The Castle of Indolence'', and for the lyrics of "Rule, Britannia!" Scotland, 1700–1725 James Thomson was born in Ednam in Roxburghshire around 11 September 1700 and baptised on 15 September. He was the fourth of nine children of Thomas Thomson and Beatrix Thomson (née Trotter). Beatrix Thomson was born in Fogo, Berwickshire and was a distant relation of the house of Hume. Thomas Thomson was the Presbyterian minister of Ednam until eight weeks after Thomson's birth, when he was admitted as minister of Southdean, where Thomson spent most of his early years. Thomson may have attended the parish school of Southdean before going to the grammar school in Jedburgh in 1712. He failed to distinguish himself there. Shiels, his earliest biographer, writes: 'far from appearing to possess a sprightly genius, homsonwas considered by his schoolmaste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night-Thoughts
''The Complaint: or, Night-Thoughts on Life, Death, & Immortality'', better known simply as ''Night-Thoughts'', is a long poem by Edward Young published in nine parts (or "nights") between 1742 and 1745. It was illustrated with notable engravings by William Blake. Style and content The poem is written in blank verse. It describes the poet's musings on death over a series of nine "nights" in which he ponders the loss of his wife and friends, and laments human frailties. The best-known line in the poem (at the end of "Night I") is the adage "procrastination is the thief of time", which is part of a passage in which the poet discusses how quickly life and opportunities can slip away. ''Night-Thoughts'' had a very high reputation for many years after its publication, but is now best known for a major series of illustrations by William Blake in 1797. A lesser-known set of illustrations was created by Thomas Stothard in 1799. The nine nights are each a poem of their own. They are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Young
Edward Young (c. 3 July 1683 – 5 April 1765) was an English poet, best remembered for ''Night-Thoughts'', a series of philosophical writings in blank verse, reflecting his state of mind following several bereavements. It was one of the most popular poems of the century, influencing Goethe and Edmund Burke, among many others, with its notable illustrations by William Blake. Young also took holy orders, and wrote many fawning letters in search of preferment, attracting accusations of insincerity. Early life Young was a son of Edward Young, later Dean of Salisbury, and was born at his father's rectory at Upham, near Winchester, where he was baptized on 3 July 1683. He was educated at Winchester College, and matriculated at New College, Oxford, in 1702. He later migrated to Corpus Christi, and in 1708 was nominated by Archbishop Tenison to a law fellowship at All Souls. He took his degree of Doctor of Canon Law in 1719.Chisholm, 1911 Literary career Young's first pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Chatterton
Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge. Although fatherless and raised in poverty, Chatterton was an exceptionally studious child, publishing mature work by the age of 11. He was able to pass off his work as that of an imaginary 15th-century poet called Thomas Rowley, chiefly because few people at the time were familiar with medieval poetry, though he was denounced by Horace Walpole. At 17, he sought outlets for his political writings in London, having impressed the Lord Mayor, William Beckford, and the radical leader John Wilkes, but his earnings were not enough to keep him, and he poisoned himself in despair. His unusual life and death attracted much interest among the romantic poets, and Alfred de Vigny wrote a play about him that is still performed today. The oil painting '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Smart
Christopher Smart (11 April 1722 – 20 May 1771) was an English poet. He was a major contributor to two popular magazines, ''The Midwife'' and ''The Student'', and a friend to influential cultural icons like Samuel Johnson and Henry Fielding. Smart, a high church Anglican, was widely known throughout London. Smart was infamous as the pseudonymous midwife "Mrs. Mary Midnight" and for widespread accounts of his father-in-law, John Newbery, locking him away in a mental asylum for many years over Smart's supposed religious "mania". Even after Smart's eventual release, a negative reputation continued to pursue him as he was known for incurring more debt than he could repay; this ultimately led to his confinement in debtors' prison until his death. His two most widely known works are '' A Song to David'' and '' Jubilate Agno'', which are believed to have been written during his confinement in St. Luke's Asylum, although this is still debated by scholars as there is no record o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Cowper
William Cowper ( ; 26 November 1731 – 25 April 1800) was an English poet and Anglican hymnwriter. One of the most popular poets of his time, Cowper changed the direction of 18th-century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem ''Yardley-Oak''. After being institutionalised for insanity, Cowper found refuge in a fervent evangelical Christianity. He continued to suffer doubt and, after a dream in 1773, believed that he was doomed to eternal damnation. He recovered and wrote more religious hymns. His religious sentiment and association with John Newton (who wrote the hymn " Amazing Grace") led to much of the poetry for which he is best remembered, and to the series of Olney Hymns. His poem " Light Shining out of Darkness" gave English the phrase: "God mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drabble
A drabble is a short work of fiction of precisely one hundred words in length."Winners named in WLU drabble competition" , '''', October 1, 2011. The purpose of the drabble is brevity, testing the author's ability to express interesting and meaningful ideas in a confined space. History The concept is said to have originated in UK science fiction fandom in the 1980s; the 100-word format was established by the |
Elegy Written In A Country Churchyard
''Elegy Written in a Country Churchyard'' is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742. Originally titled ''Stanzas Wrote in a Country Church-Yard'', the poem was completed when Gray was living near the Church of St Giles, Stoke Poges. It was sent to his friend Horace Walpole, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751 in order to preempt a magazine publisher from printing an unlicensed copy of the poem. The poem is an elegy in name but not in form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obscure rustics buried in the churchyard. The two versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Gray
Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, letter-writer, classical scholar, and professor at Pembroke College, Cambridge. He is widely known for his '' Elegy Written in a Country Churchyard,'' published in 1751. Gray was a self-critical writer who published only 13 poems in his lifetime, despite being very popular. He was even offered the position of Poet Laureate in 1757 after the death of Colley Cibber, though he declined. His writing is conventionally considered to be pre-Romantic but recent critical developments deny such teleological classification. Early life and education Thomas Gray was born in Cornhill, London. His father, Philip Gray, was a scrivener and his mother, Dorothy Antrobus, was a milliner. He was the fifth of twelve children, and the only one to survive infancy.John D. Baird, 'Gray, Thomas (1716–1771)', ''Oxford Dictionary of National Biography'' (Oxford University Press, 2004Accessed 21 Feb 2012/ref>An 1803 newspaper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sublime (philosophy)
In aesthetics, the sublime (from the Latin '' sublīmis'') is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. Since its first application in the field of rhetoric and drama in ancient Greece it became an important concept not just in philosophical aesthetics but also in literary theory and art history. Digital sublime refers to certain perceptions of information technology. Ancient philosophy The first known study of the ''sublime'' is ascribed to Longinus: Peri Hupsous/Hypsous or ''On the Sublime''. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
