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Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ...
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Camille Claudel
Camille Rosalie Claudel (; 8 December 1864 19 October 1943) was a French sculptor known for her figurative works in bronze and marble. She died in relative obscurity, but later gained recognition for the originality and quality of her work. The subject of several biographies and films, Claudel is well known for her sculptures including '' The Waltz'' and '' The Mature Age''. The national Camille Claudel Museum in Nogent-sur-Seine opened in 2017. Claudel was a longtime associate of sculptor Auguste Rodin, and the Musée Rodin in Paris has a room dedicated to her works. Sculptures created by Claudel are also held in the collections of several major museums including the Musée d'Orsay in Paris, the Courtauld Institute of Art in London, the National Museum of Women in the Arts in Washington, D.C., the Philadelphia Museum of Art, and the J. Paul Getty Museum in Los Angeles. Early years Camille Claudel was born in Fère-en-Tardenois, Aisne, in northern France, the first child ...
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The Gates Of Hell
''The Gates of Hell'' (french: La Porte de l'Enfer) is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the '' Inferno'', the first section of Dante Alighieri's ''Divine Comedy''. It stands at 6 metres high, 4 metres wide and 1 metre deep () and contains 180 figures. The figures range from high up to more than one metre (3 ft). Several of the figures were also cast as independent free-standing statues. History The sculpture was commissioned by the Directorate of Fine Arts in 1880 and was meant to be delivered in 1885. Rodin would continue to work on and off on this project for 37 years, until his death in 1917. The Directorate asked for an inviting entrance to a planned Decorative Arts Museum with the theme being left to Rodin's selection. Even before this commission, Rodin had developed sketches of some of Dante's characters based on his admiration of Dante's '' Inferno''. The Decorative Arts Museum was ...
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Monument To Balzac
''Monument to Balzac'' is a sculpture by Auguste Rodin in memory of the French novelist Honoré de Balzac. According to Rodin, the sculpture aims to portray the writer's persona rather than a physical likeness. The work was commissioned in 1891 by the Société des Gens de Lettres, a full-size plaster model was displayed in 1898 at a Salon in Champ de Mars. After coming under criticism the model was rejected by the société and Rodin moved it to his home in Meudon. On 2 July 1939 (22 years after the sculptor's death) the model was cast in bronze for the first time and placed on the Boulevard du Montparnasse at the intersection with Boulevard Raspail. Casts and various studies of the sculpture are today in many different collections including the Ackland Art Museum, Middelheim Open Air Sculpture Museum in Antwerp, The Norton Simon Museum of Art, the Musée Rodin in Meudon, the Rodin Museum in Philadelphia, the Hirshhorn Museum, the Hirschhorn Sculpture Garden ( Smithsonian) in W ...
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The Burghers Of Calais
''The Burghers of Calais'' (french: Les Bourgeois de Calais) is a sculpture by Auguste Rodin in twelve original castings and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, surrendered to the English after an eleven-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889. History In 1346, England's Edward III, after a victory in the Battle of Crécy, laid siege to Calais, while Philip VI of France ordered the city to hold out at all costs. Philip failed to lift the siege, and starvation eventually forced the city to parley for surrender. The contemporary chronicler Jean Froissart (c. 1337 – c. 1405) tells a story of what happened next: Edward offered to spare the people of the city if six of its leaders would surrender themselves to him, presumably to be executed. Edward demanded that they walk out wearing nooses around their necks, and carrying t ...
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The Age Of Bronze
''The Age of Bronze'' (french: L'Âge d'airain) is a bronze statue by the French sculptor Auguste Rodin (1840–1917). The figure is of a life-size nude male, 72 in. (182.9 cm) high. Rodin continued to produce casts of the statue for several decades after it was modelled in 1876. Rodin had a Belgian soldier pose for the statue, keeping photographs which survive (in the Rodin Museum). The pose partly derives from Michelangelo's ''Dying Slave'' in the Louvre Museum, which has the elbow raised above the head. History When the statue was first exhibited at the 1877 Salon in Paris, France, Rodin was falsely accused of having made the statue by casting a living model, a charge that was vigorously denied. This charge benefited Rodin, though, because people were so eager to see this for themselves. Casts of the statue can be found in many museums, including: Gallery File:Marconi, Gaudenzio - Il gesso de L'age d'arain di Rodin 1877 01.jpg, Plaster from 1877 File:Age of ...
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The Kiss (Rodin Sculpture)
''The Kiss'' (french: Le Baiser) is an 1882 marble sculpture by the French sculptor Auguste Rodin. The embracing nude couple depicted in the sculpture appeared originally as part of a group of reliefs decorating Rodin's monumental bronze portal ''The Gates of Hell'', commissioned for a planned museum of art in Paris. The couple were later removed from the ''Gates'' and replaced with another pair of lovers located on the smaller right-hand column. Background The sculpture, ''The Kiss'', was originally titled ''Francesca da Rimini'', as it depicts the 13th-century Italian noblewoman immortalised in Dante's ''Inferno'' (Circle 2, Canto 5) who falls in love with her husband Giovanni Malatesta's younger brother Paolo. Having fallen in love while reading the story of Lancelot and Guinevere, the couple are discovered and killed by Francesca's husband. In the sculpture, the book can be seen in Paolo's hand. The lovers' lips do not actually touch in the sculpture, suggesting that they ...
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Rose Beuret
Rose Beuret, born Marie Rose Beuret on 9 June, 1844 in Vecqueville (Haute-Marne) and died on 14 February, 1917 in Meudon, was a French seamstress and laundress, known to have been one of the muses and, for 53 years, the companion of Auguste Rodin, whom she married just weeks before her death in 1917. Biography Beuret was born to Scholastique Clausse and Etienne Beuret, a farmer and winemaker from Haute-Marne. Beuret met Rodin in 1864 while he was working on the pediment of the . Rose Beuret was a reserved and shy woman. Rodin was a serious and hard-working man, rustic in his manners and as shy as herself. They moved in together and continued their work, he as a sculptor and she as a seamstress. Beuret took care of the household work and Rodin sometimes helped her sew on buttons. On Sundays, the young lovers took long walks in the woods and the countryside near Paris. In 1893, Rodin moved with her to Meudon, at Scribe Road, in the House of Chiens-Loups. Beuret gradually b ...
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The Thinker
''The Thinker'' (french: Le Penseur) is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work depicts a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent philosophy. Rodin conceived the figure as part of his work '' The Gates of Hell'' commissioned in 1880, but the first of the familiar monumental bronze castings was made in 1904, and is now exhibited at the Musée Rodin, in Paris. There are also 27 other known full-sized castings, in which the figure is approximately 185 cm (73 inches) high, although not all were made during Rodin's lifetime and under his supervision. There are various other versions, several in plaster, and studies and posthumous castings exist in a range of sizes. Origin ''The Thinker'' was initi ...
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Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and re ...
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The Walking Man
''The Walking Man'' (french: L'homme qui marche) is a bronze sculpture by the French sculptor Auguste Rodin. This sculpture was made in 1907. The best example of Rodin’s ‘sketchy’ impressionist sculpture also happens to be his most well-known ‘incomplete’ figure. This work personifies the latter part of Rodin’s career: the dynamic pose of a partial figure. Deriving much from Rodin’s earlier work ''St. John the Baptist Preaching'', including the powerful stance, Rodin had stripped all academic associations from his figure, and instead focused on what he considered essential: the dynamic pose. According to the bibliography supplied by the National Gallery of Art, ''The Walking Man'' is a version of St. John without head and arms. This sculpture was previously considered a preliminary study for the complete Baptist and was based on the movement of that piece. According to Albert Elsen and Henry Moore's suggestions, ''The Walking Man'' was created for the purpose ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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