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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ca Rezzonico
Ca' Rezzonico () is a palazzo and art museum on the Grand Canal in the Dorsoduro ''sestiere'' of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice (''Museo del Settecento Veneziano'') and one of the 11 venues managed by the Fondazione Musei Civici di Venezia. History Construction (17th-18th centuries) Ca' Rezzonico stands on the right bank of the canal, at the point where it is joined by the Rio di San Barnaba. The site was previously occupied by two houses, visible in early paintings of Venice in 1500, which a century and a half later were in a sad state of decay. They belonged to the Bon family, one of Venice's patrician clans. In 1649 the head of the family, Filippo Bon, a Procurator of the city and patron of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinoiserie
(, ; loanword from French '' chinoiserie'', from '' chinois'', "Chinese"; ) is the European interpretation and imitation of Chinese and other East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focuses on subjects that were thought by Europeans to be typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinoiserie
(, ; loanword from French '' chinoiserie'', from '' chinois'', "Chinese"; ) is the European interpretation and imitation of Chinese and other East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focuses on subjects that were thought by Europeans to be typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Soubise
The Hôtel de Soubise () is a city mansion '' entre cour et jardin'' (), located at 60 rue des Francs-Bourgeois, in the 3rd arrondissement of Paris. History The Hôtel de Soubise was built for the Prince and Princess de Soubise on the site of a semi-fortified manor house named the ''Grand-Chantier'' built in 1375 for ''connétable'' Olivier de Clisson, that had formerly been a property of the Templars. The site previously contained the Hôtel de Guise, the Paris residence of the Dukes of Guise, a cadet branch of the House of Lorraine. It was the birthplace of the last Duke, Francis Joseph, Duke of Guise, the son of Élisabeth Marguerite d'Orléans, Duchess of Alençon. He died in 1675 and the Guise estate passed to Marie de Lorraine who died at the Hôtel in 1688 having been born there in 1615. On March 27, 1700, François de Rohan, prince de Soubise bought the Hôtel de Clisson, lately de Guise, and asked the architect Pierre-Alexis Delamair to remodel it completely. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauvin Alexander Bailey
Gauvin Alexander Bailey is an American-Canadian author and art historian. He is Professor and Alfred and Isabel Bader Chair in Southern Baroque Art at Queen's University. Bailey is a correspondent étranger at the Académie des Inscriptions et Belles-Lettres, Institut de France and a Fellow of the Royal Society of Canada. He held the 2017 Panofsky Professorship at the Zentralinstitut für Kunstgeschichte in Munich. Early life and education Bailey was born in Vancouver B.C. on 8 July 1966. He attended the Schillergymnasium Münster among other schools, and graduated from Trinity College, Toronto at the University of Toronto with a B.A. in 1989 and M.A. in 1990, and from Harvard University with a Ph.D. in 1996. Career Bailey has taught Renaissance, Baroque, Latin American, and Asian art at King’s College at the University of Aberdeen, Boston College and Clark University, where he was program director for Art History and twice won the Hodgkins Junior Faculty Teaching Award (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germain Boffrand
Germain Boffrand () (16 May 1667 – 19 March 1754) was a French architect. A pupil of Jules Hardouin-Mansart, Germain Boffrand was one of the main creators of the precursor to Rococo called the '' style Régence'', and in his interiors, of the Rococo itself. In his exteriors he held to a monumental Late Baroque classicism with some innovations in spatial planning that were exceptional in France His major commissions, culminating in his interiors at the Hôtel de Soubise, were memorialised in his treatise ''Livre d'architecture'', published in 1745, which served to disseminate the French Louis XV style throughout Europe. Biography Born at Nantes, the son of a provincial architect, Boffrand went to Paris in 1681 to study sculpture in the atelier of François Girardon, before entering the large official practice of Jules Hardouin-Mansart. His uncle, Philippe Quinault, introduced him to prospective clients among the aristocracy of Paris and at Court. He was employed from 1689 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Historians
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form. Visual art can be classified in diverse ways, such as separating fine arts from applied arts; inclusively focusing on human creativity; or focusing on different media such as architecture, sculpture, painting, film, photography, and graphic arts. In recent years, technological advances have led to video art, computer art, performance art, animation, television, and videogames. The history of art is often told as a chronology of masterpieces created during each civilization. It can thus be framed as a story of high culture, epitomized by the Wonders of the World. On the other hand, vernacular art expressions can also be integrated into art historical narratives, referred to as folk arts or craft. The more closely that an art hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both ''Acanthus mollis'' and the still more deeply cut '' Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his ''Stilfrage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagoda
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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