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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father. C ...
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Rigoletto Premiere Poster
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by her father. Com ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ...
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Francesco Maria Piave
Francesco Maria Piave (18 May 18105 March 1876) was an Italian opera librettist who was born in Murano in the lagoon of Venice, during the brief Napoleonic Kingdom of Italy. Career Piave's career spanned over twenty years working with many of the significant composers of his day, including Giovanni Pacini (four librettos), Saverio Mercadante (at least one), Federico Ricci, and even one for Michael Balfe. He is most well known as Giuseppe Verdi's librettist, for whom he was to write 10 librettos, the most well-known being those for ''Rigoletto'' and ''La traviata''. But Piave was not only a librettist: he was a journalist and translator in addition to being the resident poet and stage manager at La Fenice in Venice where he first encountered Verdi. Later, Verdi was helpful in securing him the same position at La Scala in Milan.Baldini 1970, pp. 70 - 74 His expertise as a stage manager and his tact as a negotiator served Verdi very well, but the composer bullied him mercilessly f ...
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Le Roi S'amuse
''Le roi s'amuse'' (; literally, ''The King Amuses Himself'' or ''The King Has Fun'') is a French play in five acts written by Victor Hugo. First performed on 22 November 1832 but banned by the government after one evening, the play was used for Giuseppe Verdi's 1851 opera ''Rigoletto''. Cast of characters * Francis I, ''king of France'' * Triboulet, ''his jester'' * Blanche, ''daughter of Triboulet'' * Monsieur de Saint-Vallier, ''father of Diane de Poitiers'' * Saltabadil, ''a hired assassin'' * Maguelonne, ''a street player'' * Clément Marot, ''royal poet'' * Monsieur de Pienne * Monsieur de Gordes * Monsieur de Pardaillan * Monsieur de Brion * Monsieur de Montchenu * Monsieur de Montmorency * Monsieur de Cossé * Monsieur de La Tour-Landry * Madame de Cossé * Dame Bérarde * A Gentleman of the Queen * A Valet of the King * Doctor * Seigneurs, Pages * Common folk Synopsis The action takes place in Paris in an unspecified year in the 1520s. The first act is set during ...
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Stiffelio
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for '' Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in T ...
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Philippe Chaperon
Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's ''Don Carlos'' and ''Aida'', Massenet's ''Le Cid'', Saint-Saëns's '' Henri VIII'', part two of Berlioz's ''Les Troyens'' and the first performances in France of Verdi's ''Otello'' and ''Rigoletto'' and Wagner's ''Tannhäuser''. Life and career Chaperon came from a modest background. He was born in Paris, where his father was an employee at the Caisse d'Épargne. He attended the Lycée impérial Bonaparte and then the École des Beaux-Arts where he studied painting and architecture. He won a Prix de Rome scholarship and spent three years at the Villa Medici. He also studied architecture in the atelier of Victor Baltard and painting in the atelier of Léon Riesener where he received guidance from Riesener's cousin Eugène Delacroix. Man ...
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Victor Hugo
Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the greatest French writers of all time. His most famous works are the novels '' The Hunchback of Notre-Dame'' (1831) and ''Les Misérables'' (1862). In France, Hugo is renowned for his poetry collections, such as (''The Contemplations'') and (''The Legend of the Ages''). Hugo was at the forefront of the Romantic literary movement with his play ''Cromwell'' and drama ''Hernani''. Many of his works have inspired music, both during his lifetime and after his death, including the opera '' Rigoletto'' and the musicals ''Les Misérables'' and '' Notre-Dame de Paris''. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment. Though he was a committed royalist when young, Hugo ...
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Raffaele Mirate
Raffaele Mirate (3 September 1815 – November 1895) was a celebrated Italian operatic tenor who had an active career from the 1830s through the 1860s. Known for his intelligent phrasing and bright and powerful vocal timbre, he was regarded as an outstanding interpreter of the tenor roles in the early and middle period operas of Giuseppe Verdi. He notably created the role of the Duke of Mantua in the world premiere of Verdi's ''Rigoletto'' in 1851. He was also a highly regarded interpreter of bel canto roles, excelling in the operas of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini. Biography Born in Naples, Mirate was a pupil of Alessandro Busti and the famous castrato Girolamo Crescentini at the Regio Collegio di Musica. His first opera performance was in a school production in 1834. His official opera début came three years later at the Teatro Nuovo in Naples as the title hero in Donizetti's ''Torquato Tasso''. From 1836 through 1839 he worked primarily in Naples ...
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Felice Varesi
Felice Varesi (born Calais, 1813 – died Milan, 13 March 1889) was a French-born Italian baritone with an illustrious singing career that began in the 1830s and extended into the 1860s. He is best remembered today for his close association with several famous operas composed by Giuseppe Verdi, whose birth year he shared. Career Specializing initially in the bel canto operas of Verdi's predecessor Gaetano Donizetti, Varesi began his career in Varese in 1834 and went on to sing in Faenza, Florence, Modena, Rome, Perugia and Genoa. By 1841 he was singing at La Scala, Milan, and from 1842 to 1847 he was in demand in Vienna, where he appeared at the Kärntnertortheater. Here he created the role of Antonio in Donizetti's ''Linda di Chamounix'' as well as appearing in other works by the same composer. In 1844 he sang the role of Don Carlo in ''Ernani'' at Padua, his initial Verdi opera, and later appeared as the Doge in Verdi's '' I due Foscari''. In 1847, in Florence, he was the fir ...
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Mantua
Mantua ( ; it, Mantova ; Lombard and la, Mantua) is a city and '' comune'' in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the medieval and Renaissance cityscape. ...
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Francis I Of France
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a son. A prodigious patron of the arts, he promoted the emergent French Renaissance by attracting many Italian artists to work for him, including Leonardo da Vinci, who brought the ''Mona Lisa'' with him, which Francis had acquired. Francis' reign saw important cultural changes with the growth of central power in France, the spread of humanism and Protestantism, and the beginning of French exploration of the New World. Jacques Cartier and others claimed lands in the Americas for France and paved the way for the expansion of the first French colonial empire. For his role in the development and promotion of the French language, he became known as ''le Père et Restaurateur des ...
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Ernani
''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in Venice to write an opera, but finding the right subject took some time, and the composer worked with the inexperienced Piave in shaping first one and then another drama by Hugo into an acceptable libretto. As musicologist Roger Parker notes, the composer "intervened on several important points, insisting for example that the role of Ernani be sung by a tenor (rather than by a contralto as had originally been planned).Parker, p. 71 ''Ernani'' was first performed on 9 March 1844 and it was "immensely popular, and was revived countless times during its early years". It became Verdi's most popular opera until it was superseded by '' Il trovatore'' after 1853. In 1904 it became the first opera to be recorded completely. Composition history Following the s ...
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