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Rabindra Sangeet
''Rabindra Sangeet'' ( bn, রবীন্দ্র সঙ্গীত; ), also known as Tagore Songs, are songs from the Indian subcontinent written and composed by the Bengali polymath Rabindranath Tagore, winner of the 1913 Nobel Prize in Literature, the first Indian and also the first non-European to receive such recognition. Tagore was a prolific composer with approximately 2,232 songs to his credit. The songs have distinctive characteristics in the music of Bengal, popular in India and Bangladesh. It is characterised by its distinctive rendition while singing which includes a significant amount of ornamentation like meend, murki, etc. and is filled with expressions of romanticism. The music is mostly based on Hindustani classical music, Carnatic music, Western tunes and the inherent folk music of Bengal and inherently possess within them, a perfect balance, an endearing economy of poetry and musicality. Lyrics and music both hold almost equal importance in Rabindra Sang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabindranath Tagore
Rabindranath Tagore (; bn, রবীন্দ্রনাথ ঠাকুর; 7 May 1861 – 7 August 1941) was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali'', he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi. A Bengali Brahmin from Calcutta with ancestral gentry roots in Burdwan district* * * and Jessore, Tagore wrote poetry as an eight-yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western World
The Western world, also known as the West, primarily refers to the various nations and states in the regions of Europe, North America, and Oceania.Western Civilization Our Tradition; James Kurth; accessed 30 August 2011 The Western world is also known as the (from the word ''occidēns'' "setting down, sunset, west") in contrast to the known as the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhan Gopal Mukerji
Dhan Gopal Mukerji ( bn, ধন গোপাল মুখোপাধ্যায়; ''Dhan Gōpāl Mukhōpādhyāy'') (6 July 1890 – 14 July 1936) was the first successful Indian man of letters in the United States and won a Newbery Medal in 1928. He studied at Duff School (now known as Scottish Church Collegiate School), and at Duff College, both within the University of Calcutta in India, at the University of Tokyo in Japan and at the University of California, Berkeley and Stanford University in the US. Biography Early life in India Dhan Gopal Mukerji was born in a Bengali Brahmin family on 6 July 1890, in a village near Calcutta on the edge of a jungle called Kajangal. His father was a lawyer who gave up his practice due to ill health and studied music instead, while also officiating as priest at the village temple. Dhan Gopal describes his childhood and adolescence in the first part ('Caste') of his autobiography, ''Caste and Outcast'' (1923). ''Caste'' details ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amjad Ali Khan
Ustad Amjad Ali Khan (born 9 October 1945) is an Indian classical ''sarod'' player, best known for his clear and fast ekhara taans. Khan was born into a classical musical family and has performed internationally since the 1960s. He was awarded India's second highest civilian honor Padma Vibhushan in 2001. Career and recognition Khan first performed in the United States in 1963 and continued into the 2000s, with his sons. He has experimented with modifications to his instrument throughout his career. Khan played with the Hong Kong Philharmonic Orchestra and worked as a visiting professor at the University of New Mexico. In 2011, he performed on Carrie Newcomer's album ''Everything is Everywhere''. In 2014, along with his two sons, Ayaan Ali Khan and Amaan Ali Khan, he performed 'Raga For Peace' in 2014 Nobel Peace Prize Concert. Khan was awarded 21st Rajiv Gandhi National Sadbhavna Award. Khan received Padma Shri in 1975, Padma Bhushan in 1991, and Padma Vibhushan in 2001, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarod
The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music. Origins The word sarod, which comes from the Persian, is much older than the Indian musical instrument. It can be traced back to ''sorūd'' meaning "song", "melody", "hymn" and further to the Persian verb ''sorūdan'', which correspondingly means "to sing", "to play a musical instrument", but also means "to compose". Alternatively, the shahrud may have given its name to the sarod. The Persian word šāh-rūd is made up of ''šāh'' (shah or king) and ''rūd'' (string). Many scholars of Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilayat Khan
Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was an Indian classical sitar player.Profile of Vilayat Khan on Encyclopædia Britannica Retrieved 12 October 2020 Along with , , and , he is credited with the creation and development of ''gayaki ang'' (an attempt to mimic the sound of the human voice) on the sitar. He recorded his first 78-RPM disc at the ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from '' Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bengali Calendar
The Bengali Calendar or Bangla Calendar ( bn, বঙ্গাব্দ , , Baṅgābda), colloquially ( bn, বাংলা সন, Baṅgla Śon), is a solar calendar used in the Bengal region of the Indian subcontinent. A revised version of the calendar is the national and official calendar in Bangladesh and an earlier version of the calendar is followed in the Indian states of West Bengal, Tripura and Assam. The New Year in the Bengali calendar is known as ''Pohela Boishakh''. The Bengali era is called ''Bengali Sambat'' (BS) or the ''Bengali year'' ( ''Bangla Sôn'', ''Bangla sal'', or ''Bangabda'') has a zero year that starts in 593/594 CE. It is 594 less than the AD or CE year in the Gregorian calendar if it is before ''Pôhela Bôishakh'', or 593 less if after ''Pôhela Bôishakh''. The revised version of the Bengali calendar was officially adopted in Bangladesh in 1987. Among the Bengali community in India, the traditional Indian Hindu calendar continues to be in use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reba Som
Dr. Reba Som (born, Darjeeling, West Bengal) is an academic, historian, writer and classical singer from India. She was the director of Indian Council for Cultural Relations' Rabindranath Tagore Centre in Kolkata from 2008-2013. Reba Som is also a trained singer of Rabindrasangeet and songs of Kazi Nazrul Islam. Her compact discs, "Selected Songs of Rabindranath Tagore" (III Millenneo, Rome, Italy 2003 and Saregama – India, May 2004) and "Love Songs of Kazi Nazrul Islam" (Times Music, 2016) include her English translations of the lyrics. Personal life Married to Foreign Service officer late Himachal Som in 1971, Reba has travelled all over the world on postings that include Brazil, Denmark, Pakistan, United States, Bangladesh, Canada, Laos, Italy amongst others. Rome was the last posting where her husband was India’s Ambassador. She has two sons Vishnu Som Vishnu Som (born July 1974 in Copenhagen, Denmark) is an Indian news anchor and journalist. He is the Executive Editor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auld Lang Syne
"Auld Lang Syne" (: note "s" rather than "z") is a popular song, particularly in the English-speaking world. Traditionally, it is sung to bid farewell to the old year at the stroke of midnight on New Year's Eve. By extension, it is also often heard at funerals, graduations, and as a farewell or ending to other occasions; for instance, many branches of the Scouting movement use it to close jamborees and other functions. The text is a Scots-language poem written by Robert Burns in 1788 but based on an older Scottish folk song. In 1799, it was set to a traditional tune, which has since become standard. "Auld Lang Syne" is listed as numbers 6294 and 13892 in the Roud Folk Song Index. The poem's Scots title may be translated into standard English as "old long since" or, less literally, "long long ago", This book was purchased at Burns Cottage, and was reprinted in 1967, and 1973. "days gone by", "times long past" or "old times". Consequently, "For auld lang syne", as it appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Uttar Pradesh dialects of Hindi called Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them have their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
