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RIAA
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the record label must first request certification. The audit is conducted against net shipments after returns (most often an artist's royalty statement is used), which includ ...
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RIAA Equalization
RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The purposes of the equalization are to permit greater recording times (by decreasing the mean width of each groove), to improve sound quality, and to reduce the groove damage that would otherwise arise during playback. The RIAA equalization curve was intended to operate as a ''de facto'' global industry standard for records since 1954, but when the change actually took place is difficult to determine. Before then, especially from 1940, each record company applied its own equalization; over 100 combinations of turnover and rolloff frequencies were in use, the main ones being Columbia-78, Decca-U.S., European (various), Victor-78 (various), Associated, BBC, NAB, Orthacoustic, World, Columbia LP, FFRR-78 and microgroove, and AES. The obvious consequence was that different reproduction results were obtained if the recor ...
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Music Recording Sales Certification
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achie ...
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Music Industry
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artist ...
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Latin Music (genre)
Latin music ( Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Spain and Portugal) and the Latino United States inspired by Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish and/or Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. Following protests from Latinos in New York, a category for Latin music was created by National Recor ...
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Mitch Glazier
Mitch Glazier (born 1966) is an American lawyer and lobbyist. He is the Chairman and CEO of the Recording Industry Association of America (RIAA). Education and career Glazier received a B.S. in social policy from Northwestern University in 1987 and a J.D. from Vanderbilt University Law School. He has been admitted to the Illinois and Washington, D.C., bars. He served as law clerk to the Judge Wayne Andersen of the US District Court for the Northern District of Illinois. Glazier practiced law at Chicago law firm Neal, Gerber & Eisenberg as a commercial litigator. He is on the boards of the American Association of People with Disabilities, the Internet Education Foundation, and Musicians on Call. Chief Counsel to House Judiciary He was chief counsel to the United States House Judiciary Subcommittee on Courts, the Internet, and Intellectual Property. He played a role in drafting the No Electronic Theft Act, the Digital Millennium Copyright Act, and the Copyright Term Extension Act ...
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John Esposito (music Executive)
John Esposito is an American music executive who is the current chairman and CEO of Warner Music Nashville, a country music label group. In that role, he has overseen the careers of Blake Shelton, Dan + Shay, Brett Eldredge, Gabby Barrett, and numerous others. Early life and education John Esposito was born in Punxsutawney, Pennsylvania. When he was 11, Esposito's family moved to nearby Indiana, Pennsylvania. He graduated from Indiana Area Senior High School where he played drums in various school bands. Esposito later attended Indiana University of Pennsylvania where he graduated in 1978 with a bachelor's degree in journalism. While at the school, he also served as a DJ for the university's radio station ( WIUP), as a music critic for its newspaper, and as a drummer, guitarist, and vocalist in several bands including Cimarron, the Joe Bagadonuts Band, and Crystal. Career After graduating from college, Esposito moved to Washington, D.C. to pursue a career in journalism. In ...
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Universal Music Group
Universal Music Group N.V. (often abbreviated as UMG and referred to as just Universal Music) is a Dutch–American multinational music corporation under Dutch law. UMG's corporate headquarters are located in Hilversum, Netherlands and its operational headquarters are located in Santa Monica, California. The biggest music company in the world, it is one of the " Big Three" record labels, along with Sony Music and Warner Music Group. Tencent acquired ten percent of Universal Music Group in March 2020 for €3 billion and acquired an additional ten percent stake in January 2021. Pershing Square Holdings later acquired ten percent of UMG prior to its IPO on the Euronext Amsterdam stock exchange. The company went public on September 21, 2021, at a valuation of €46 billion. In 2019, '' Fast Company'' named Universal Music Group the most innovative music company and listed UMG among the Top 50 most innovative companies in the world and "amid the music industry's digital tran ...
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Michele Anthony
Michele Anthony is an American entertainment executive and the Executive Vice President of Universal Music Group. Career 1990-2012: Sony Music and 7H Entertainment Anthony first worked as a partner of the Beverly Hills entertainment law firm, Rosenfeld, Kassoy, & Kraus, with clients such as Rick Rubin, The Sugarcubes, The Pixies, Alice in Chains, Ozzy Osbourne, Guns N' Roses, Soundgarden, The Go-Go's, Kiss, The Eagles, and Mother Love Bone. In 1990, she joined Sony Music as senior VP of domestic operations, and was responsible for managing the company's regional A&R offices, as well as overseeing new company projects and development. In 1994, Sony Music named her the executive vice president, and she was later named COO in 2004. She was appointed president of Sony Music Group in 2005. She played a pivotal role in the signing of key artists such as Pearl Jam, Aerosmith, Rage Against the Machine, and The Offspring. In 2006, she left Sony and founded 7H Entertainment, a consultin ...
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Nonesuch Records
Nonesuch Records is an American record company and label owned by Warner Music Group, distributed by Warner Records (formerly called Warner Bros. Records), and based in New York City. Founded by Jac Holzman in 1964 as a budget classical label, Nonesuch has developed into a label that records critically acclaimed music from a wide range of genres. Robert Hurwitz was president of the company from 1984 to 2017. History Founding Nonesuch was founded in early 1964 by Jac Holzman to produce "fine records at the same price as a trade paperback", which would be half the price of a normal LP. To achieve this he initially licensed European recordings of classical music as it would be too expensive to record new material. Originally the label concentrated heavily on chamber and baroque music, often with (then) unique repertory, and typically sold at less-than-premium prices. Upon its formation, Nonesuch operated as a subsidiary label of Elektra Records, which Holzman had launched in 1950. I ...
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Trade Association
A trade association, also known as an industry trade group, business association, sector association or industry body, is an organization founded and funded by businesses that operate in a specific industry. An industry trade association participates in public relations activities such as advertising, education, publishing, lobbying, and political donations, but its focus is collaboration between companies. Associations may offer other services, such as producing conferences, holding networking or charitable events, or offering classes or educational materials. Many associations are non-profit organizations governed by bylaws and directed by officers who are also members. In countries with a social market economy, the role of trade associations is often taken by employers' organizations, which also take a role in social dialogue. Political influence One of the primary purposes of trade groups, particularly in the United States, is to attempt to influence public policy in ...
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Tom Silverman
Tom Silverman is an US, American entertainment executive. He is most notable for founding the pioneering hip-hop and electro-funk music label, Tommy Boy Records, now known as Tommy Boy Entertainment. Early life and education Silverman grew up in White Plains, New York, and earned a bachelor's degree in environmental science from Colby College in 1976. He also attended graduate school at Western Michigan University, where he majored in environmental geology. Career Tom Silverman co-founded the Dance Music Report magazine in 1978, which ran until 1992. He then most notably launched the Tommy Boy Records label in 1981 as its founder and CEO. Silverman later became a senior vice president at the Warner Music Group from 1986 to 2001, after Warner acquired a 50% stake in Tommy Boy in 1985, although Tommy Boy continued to maintain independent distribution for most releases domestically and all releases internationally during that time. Then as part of his split negotiations from the W ...
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