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Quetzalcoatl
Quetzalcoatl (, ; Spanish: ''Quetzalcóatl'' ; nci-IPA, Quetzalcōātl, ket͡saɬˈkoːaːt͡ɬ (Modern Nahuatl pronunciation), in honorific form: ''Quetzalcōātzin'') is a deity in Aztec culture and literature whose name comes from the Nahuatl language and means "Precious serpent" or " Quetzal-feathered Serpent". In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers', but in the allegorical sense, 'wisest of men'." Among the Aztecs, whose beliefs are the best-documented in the historical sources, Quetzalcoatl was related to gods of the wind, of the planet Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge. Quetzalcoatl was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. Two other god ...
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Quetzalcoatl Telleriano2
Quetzalcoatl (, ; Spanish: ''Quetzalcóatl'' ; nci-IPA, Quetzalcōātl, ket͡saɬˈkoːaːt͡ɬ (Modern Nahuatl pronunciation), in honorific form: ''Quetzalcōātzin'') is a deity in Aztec culture and literature whose name comes from the Nahuatl language and means "Precious serpent" or " Quetzal-feathered Serpent". In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers', but in the allegorical sense, 'wisest of men'." Among the Aztecs, whose beliefs are the best-documented in the historical sources, Quetzalcoatl was related to gods of the wind, of the planet Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge. Quetzalcoatl was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. Two other god ...
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Aztec
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states ('' altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs ha ...
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Aztec Culture
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (''altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have l ...
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Tezcatlipoca
Tezcatlipoca (; nci, Tēzcatl ihpōca ) was a central deity in Aztec religion, and his main festival was the Toxcatl ceremony celebrated in the month of May. One of the four sons of Ometecuhtli and Omecihuatl, the God of providence, he is associated with a wide range of concepts, including the night sky, the night winds, hurricanes, the north, the earth, obsidian, hostility, discord, rulership, divination, temptation, jaguars, sorcery, beauty, war, and conflict. His name in the Nahuatl language is often translated as "Smoking Mirror" and alludes to his connection to obsidian, the material from which mirrors were made in Mesoamerica and which were used for shamanic rituals and prophecy. Another talisman related to Tezcatlipoca was a disc worn as a chest pectoral. This talisman was carved out of abalone shell and depicted on the chest of both Huitzilopochtli and Tezcatlipoca in codex illustrations. He had many epithets which alluded to different aspects of his deity: Titlac ...
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Tezcatlipocas
In Aztec mythology, Creator-gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Close", "Father and Mother of the Gods", "Father and Mother of us all", who received the gift of the ability to create other living beings without childbearing. They reside atop a mythical thirteenth heaven Ilhuicatl- Omeyocan "the place of duality". Each of the four sons takes a turn as Sun, these suns are the sun of earth, the sun of air, the sun of fire, the sun of water ( Tlaloc, rain god replaces Xipe-Totec). Each world is destroyed. The present era, the Fifth Sun is ushered in when a lowly god, Nanahuatzin sacrifices himself in fire and becomes Tonatiuh, the Fifth Sun. In his new position of power he refuses to go into motion until the gods make sacrifice to him. In an elaborate ceremony, Quetzalcoatl cuts the hearts out of each of the gods and offers it to Tonatiuh (and the m ...
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Toltec
The Toltec culture () was a pre-Columbian Mesoamerican culture that ruled a state centered in Tula, Hidalgo, Mexico, during the Epiclassic and the early Post-Classic period of Mesoamerican chronology, reaching prominence from 950 to 1150 CE. The later Aztec culture saw the Toltecs as their intellectual and cultural predecessors and described Toltec culture emanating from ''Tōllān'' (Nahuatl for Tula) as the epitome of civilization; in the Nahuatl language the word ''Tōltēkatl'' (singular) or ''Tōltēkah'' (plural) came to take on the meaning "artisan". The Aztec oral and pictographic tradition also described the history of a Toltec Empire, giving lists of rulers and their exploits. Modern scholars debate whether the Aztec narratives of Toltec history should be given credence as descriptions of actual historical events. While all scholars acknowledge that there is a large mythological part of the narrative, some maintain that, by using a critical comparative method, som ...
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Xolotl
In Aztec mythology, Xolotl () was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. The Axolotl is named after him. Myths and functions Xolotl was the sinister god of monstrosities who wears the spirally-twisted wind jewel and the ear ornaments of Quetzalcoatl. His job was to protect the sun from the dangers of the underworld. As a double of Quetzalcoatl, he carries his conch-like ehecailacacozcatl or wind jewel. Xolotl accompanied Quetzalcoatl to Mictlan, the land of the dead, or the underworld, to retrieve the bones from those who inhabited the previous world (Nahui Atl) to create new life for the present world, Nahui Ollin, the sun of moveme ...
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Mixcoatl
Mixcoatl ( nah, Mixcōhuātl}, from mixtli "cloud" and cōātl "serpent"), or Camaxtle or Camaxtli, was the god of the hunt and identified with the Milky Way, the stars, and the heavens in several Mesoamerican cultures. He was the patron deity of the Otomi, the Chichimecs, and several groups that claimed descent from the Chichimecs. Under the name of Camaxtli, Mixcoatl was worshipped as the central deity of Huejotzingo and Tlaxcala. Representation Mixcoatl is represented with a black mask over his eyes and distinctive red and white pin stripes painted on his body. These features are shared with Tlahuizcalpanteuctli, the Lord of the Dawn, god of the morning star, as well as Itzpapalotl, goddess of infant mortality who was sometimes said to be his mother. Unlike Tlahuizcalpanteuctli, Mixcoatl can usually be distinguished by his hunting gear, which included a bow and arrows, and a net or basket for carrying dead game. Mythology Mixcoatl was one of four children of Tonacatecut ...
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Teotihuacan
Teotihuacan (Spanish: ''Teotihuacán'') (; ) is an ancient Mesoamerican city located in a sub-valley of the Valley of Mexico, which is located in the State of Mexico, northeast of modern-day Mexico City. Teotihuacan is known today as the site of many of the most architecturally significant Mesoamerican pyramids built in the pre-Columbian Americas, namely Pyramid of the Sun and Pyramid of the Moon. At its zenith, perhaps in the first half of the first millennium (1 CE to 500 CE), Teotihuacan was the largest city in the Americas, with a population estimated at 125,000 or more, making it at least the sixth-largest city in the world during its epoch. The city covered eight square miles (21 km2), and 80 to 90 percent of the total population of the valley resided in Teotihuacan. Apart from the pyramids, Teotihuacan is also anthropologically significant for its complex, multi-family residential compounds, the Avenue of the Dead, and its vibrant, well-preserved murals. Ad ...
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Kukulkan
K’uk’ulkan, also spelled Kukulkan, ( "''Plumed Serpent''", "''Amazing Serpent''") is the name of a Mesoamerican serpent deity that was worshipped by the Yucatec Maya people of the Yucatán Peninsula before the Spanish conquest of Yucatán. The depiction of the Feathered Serpent is present in other cultures of Mesoamerica. Kukulkan is closely related to the deity Qʼuqʼumatz of the Kʼicheʼ people and to Quetzalcoatl of Aztec mythology. Little is known of the mythology of this Pre-Columbian era deity. Although heavily Mexicanised, Kukulkan has his origins among the Maya of the Classic Period, when he was known as ''Waxaklahun Ubah Kan'' (), the War Serpent, and he has been identified as the Postclassic version of the Vision Serpent of Classic Maya art. The cult of Kukulkan/Quetzalcoatl was the first Mesoamerican religion to transcend the old Classic Period linguistic and ethnic divisions.Sharer & Traxler 2006, pp 582-3. This cult facilitated communication and ...
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Temple Of The Feathered Serpent, Teotihuacan
The Temple of the Feathered Serpent is the third largest pyramid at Teotihuacan, a pre-Columbian site in central Mexico (the term ''Teotihuacan'', or ''Teotihuacano'', is also used for the whole civilization and cultural complex associated with the site). This structure is notable partly due to the discovery in the 1980s of more than a hundred possibly sacrificial victims found buried beneath the structure. The burials, like the structure, are dated to between 150 and 200 CE. The pyramid takes its name from representations of the Mesoamerican " feathered serpent" deity which covered its sides. These are some of the earliest-known representations of the feathered serpent, often identified with the much-later Aztec god Quetzalcoatl. "Temple of the Feathered Serpent" is the modern-day name for the structure; it is also known as the Temple of Quetzalcoatl and the Feathered Serpent Pyramid. Location The Temple of the Feathered Serpent is located at the southern end of the Avenue of t ...
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Xipe-Totec
In Aztec mythology and religion, Xipe Totec (; nci-IPA, Xīpe Totēc, ˈʃiːpe ˈtoteːk(ʷ)) or Xipetotec ("Our Lord the Flayed One") was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, and the seasons. Xipe Totec was also known by various other names, including Tlatlauhca (), Tlatlauhqui Tezcatlipoca () ("Red Smoking Mirror") and Yohuallahuan () ("the Night Drinker"), and Yaotzin ("revered enemy"). The Tlaxcaltecs and the Huexotzincas worshipped a version of the deity under the name of Camaxtli, and the god has been identified with Yopi, a Zapotec god represented on Classic Period urns.Miller & Taube 1993, 2003, p.188. The female equivalent of Xipe Totec was the goddess Xilonen- Chicomecoatl. Xipe Totec connected agricultural renewal with warfare. He flayed himself to give food to humanity, symbolic of the way maize seeds lose their outer layer before germination and of snakes shedding their skin. He i ...
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