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Principal Photography
Principal photography is the phase of producing a film or television show in which the bulk of shooting takes place, as distinct from the phases of pre-production and post-production. Personnel Besides the main film personnel, such as actors, director, cinematographer or sound engineer and their respective assistants ( assistant director, camera assistant, boom operator), the unit production manager plays a decisive role in principal photography. They are responsible for the daily implementation of the shoot, managing the daily call sheet, the location barriers, transportation, and catering. In addition, there are numerous roles that serve the organization and the orderly sequence of the production, such as grips or gaffers. Other roles are related with the preparation of a daily production report, which shows the progress of the production compared to the schedule and contains further reports. This includes the storyboard with instructions for the copier and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script Supervisor
A script supervisor (also called continuity supervisor or script) is a member of a film crew who oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scene. They are also responsible for keeping track of the film production unit's daily progress. The script supervisor credit typically appears in the closing credits of a motion picture. Script supervisors are a department head and play a crucial role in the shooting of a film. It is the script supervisor's job to monitor the camera shots, seeking to maintain coherence between the scenes. In the most basic description, the script supervisor is the editor's and writer's representative on set, as well as being the right hand aide to the director and the director of photography. It is the script supervisor's job to make sure that the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuity Editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. Common techniques of continuity editing Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shooting Schedule
A shooting schedule is a project plan of each day's shooting for a film production. It is normally created and managed by the assistant director, who reports to the production manager managing the production schedule The production schedule is a project plan of how the production budget will be spent over a given timescale, for every phase of a business project. The scheduling process starts with the script, which is analysed and broken down, scene by scene, .... Both schedules represent a timeline stating where and when production resources are used. References External links Online sample pages of shooting schedule for "Poltergeist"Online sample pages of shooting schedule for "Orlando" Film production Television terminology {{tv-term-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script Breakdown
A script breakdown is an intermediate step in the production of a play, film, comic book, or any other work that is originally planned using a script. Film and television In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists, are in essence the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. This process is a very tedious and complex task, and is usually the responsibility of the Assistant Director or first or 1AD within the production staff of any given production company. However, many film directors, film producers have knowledge of breaking down a script. In particular, literally breaking down the script is a very a thorough and detailed creative analysis of dramatic action in filmmaking, highlighting the reciprocal struggle, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filming Permit
Filming permits are permits issued by governments to allow the filming of motion pictures. Every city and state has some sort of council or office that handles filming permits.Jolliffe, Genevieve; Zinnes, Andrew (2006). ''The Documentary Film Makers Handbook: A Guerilla Guide.'' Continuum International Publishing Group, Obtaining film permits is part of the process of location scouting, and they are usually the responsibility of the location manager. Permits are issued prior to the shooting with details about location, date, time, equipment, personnel, special effects, actions and stunts. The process of applying for filming permits may include fees and often requires production insurance. Sometimes this process is handled directly by the city, and sometimes it is handled by a non-profit organization such as FilmL.A. in Los Angeles. In addition, each state may have its own permitting commission for state land. The process of film permitting can often make it difficult for independ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer-generated Imagery
Computer-generated imagery (CGI) is the use of computer graphics to create or contribute to images in art, printed media, video games, simulators, and visual effects in films, television programs, shorts, commercials, and videos. The images may be static (still images) or dynamic ( moving images), in which case CGI is also called ''computer animation''. CGI may be two-dimensional (2D), although the term "CGI" is most commonly used to refer to the 3-D computer graphics used for creating characters, scenes and special effects in films and television, which is described as "CGI animation". The first feature film to make use of CGI was the 1973 film '' Westworld''. Other early films that incorporated CGI include '' Star Wars'' (1977), ''Tron'' (1982), '' Golgo 13: The Professional'' (1983), ''The Last Starfighter'' (1984), '' Young Sherlock Holmes'' (1985) and ''Flight of the Navigator'' (1986). The first music video to use CGI was Dire Straits' award-winning " Money for No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Stock
Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film.Karlheinz Keller et al. "Photography" in Ullmann's Encyclopedia of Industrial Chemistry, 2005, Wiley-VCH, Weinheim. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogma 95
Dogme 95 is a 1995 avant-garde filmmaking movement founded by the Danish directors Lars von Trier and Thomas Vinterberg, who created the "Dogme 95 Manifesto" and the "Vows of Chastity" ( da, kyskhedsløfter). These were rules to create films based on the traditional values of story, acting, and theme, and excluding the use of elaborate special effects or technology. It was supposedly created as an attempt to "take back power for the directors as artists", as opposed to the studio. They were later joined by fellow Danish directors Kristian Levring and Søren Kragh-Jacobsen, forming the Dogme 95 Collective or the Dogme Brethren. ''Dogme'' () is the Danish word for dogma. History Lars von Trier and Thomas Vinterberg wrote and co-signed the manifesto and its companion "vows". Vinterberg said that they wrote the pieces in 45 minutes. The manifesto initially mimics the wording of François Truffaut's 1954 essay "Une certaine tendance du cinéma français" in ''Cahiers du cinéma''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine ''Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Stage
A sound stage (also written soundstage) is a soundproof, large structure, building, or room with large doors and high ceilings, used for the production of theatrical film-making and television productions, usually located on a secured movie or television studio property. Compared to a silent stage, a sound stage is sound-proofed so that sound can be recorded along with the images. The recordings are known as ''production sound''. A silent stage is not soundproofed and is susceptible to outside noise interference; therefore, sound is not generally recorded. Because most sound in movies, other than dialogue, is added in post-production, this generally means that the main difference between the two is that sound stages are used for dialogue scenes, but silent stages are not. An alternative to production sound is to record additional dialogue during post-production (known as dubbing). Early history Structures of this type were in use in the motion picture industry before the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filming Location
A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors ''and'' recording their dialog. A location where dialog is not recorded may be considered a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location. Types of locations There are two main types of locations: * Location shooting, the practice of filming in an actual setting * Studio shoots, on either a sound stage or back lot History Video cameras originally designed for television broadcast were large and heavy, mounted on special pedestals and wired to remote recorders in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
