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Powerviolence
Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege are considered the pioneers of powerviolence. Additionally, Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege, Hüsker Dü, SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten Imbeciles, Negative FX and Corrosion of Conformity. Spazz vocalist a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grindcore
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrashcore
Thrashcore (also known as fastcore) is a fast- tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrashcore
Thrashcore (also known as fastcore) is a fast- tempo subgenre of hardcore punk that emerged in the early 1980s. Thrashcore is essentially sped-up hardcore, often using blast beats. Songs can be very brief, and thrashcore is in many ways a less dissonant, less metallic forerunner of grindcore. The genre is sometimes associated with the skateboarder subculture. Terminological ambiguity Thrashcore is often confused with crossover thrash and sometimes thrash metal.Felix von Havoc''Maximum Rock'n'Roll'' #198 Retrieved June 20, 2008."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Further confusion is added by the fact that many crossover bands, such as D.R.I., began as influential thrashcore bands. Throughout the '80s, the term "thrash" was in use as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). It eventually came to be used for the faster, more intense style of hardcore punk. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Is The Bastard
Man Is the Bastard was an American hardcore punk band based in Claremont, California. The band existed from 1990 to 1997, releasing mostly vinyl splits, extended plays, and albums on obscure labels from around the world. By 1997, the group ended and members all went on to do other projects, such as the noise group Bastard Noise, which originally started out as a Man Is the Bastard side project. They are typically seen as part of the 1990s powerviolence movement. Man Is the Bastard has dissolved but its members are involved with a number of other projects. Wood occasionally performs in the Los Angeles area as Bastard Noise. Kenyon and Connel continue to perform in progressive rock acts such as Frank Booth Youth, Bastard Lounge, ControllingHand, Lux Nova Umbra Est, and Umbra Vita. Andy Beattie continues doing vocals. Staying within his hardcore/powerviolence roots, he has performed/screamed in such bands as Controlling Hand, Low Threat Profile, Infest, Dead Language, featuring member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Comment (band)
No Comment were an American powerviolence band from North Hollywood, California. The band was active from 1987 to 1993. History Along with other powerviolence bands such as Crossed Out, Capitalist Casualties and Man Is The Bastard, No Comment were influential in what was known to become the " West Coast powerviolence" scene for their aggressive musical and conceptual take on the hardcore punk genre. The band's vocalist, Andrew Beattie, confessed to liking both the metal and hardcore genres while hating the direction crossover bands such as D.R.I. and Discharge took, which combined the two styles. Beattie stated his band "just wanted to show that 'Hardcore' was still alive yet there was no real 'scene in the late 80s'."What Is It? Powerviolence ''XLR8R'', March 20, 2008. Retrieved: November 25, 2009. |
Crossed Out
Crossed Out was a powerviolence band from Encinitas, California. The band was active from early 1990 until late 1993. The group is considered to be a very important band that helped define powerviolence with a style that incorporated political lyrics, blast beats, and quick tempos. They have been named as the "dark lords of powerviolence" by Beau Beasley of Insect Warfare. History Crossed Out played sixteen shows and released a demo, 7-inch, split 7-inch with Man Is the Bastard, split 5" with Dropdead, and two songs for the ''Son of Blleeaauurrggh'' compilation. Many bands, such as The Locust, Dropdead, Su19b, Slices, and Iron Lung, have covered songs originally performed by Crossed Out. In 1991, Spazz bassist and vocalist Chris Dodge, who also ran Slap-a-Ham Records, asked the band to send him a demo. Five months after that recording, in the fall of 1991, their seven song self-titled 7-inch was released, including a firing squad cover photo. In 1992, the band recorded a live ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spazz (band)
Spazz was an American powerviolence band active between 1992 and 2000. The trio released numerous records within this time, many of which are now highly collectible due to their relative rarity. The band's releases often showcased their unusual sense of humour: absurdly long and nonsensical song titles, audio samples from B movies and kung fu films between songs and the occasional use of hip hop beats as well as saxophones, banjos and other instruments rarely associated with hardcore punk. All three of the members shared vocal duties, usually changing in sequence from line to line. The group would typically play at all ages venues. 2015 saw the release of a tribute LP to Spazz by Scottish record label Mind Ripper Collective titled "Spazzin' To The Oldies - A Tribute To Spazz". In 2016, it was announced that Tankcrimes will reissue the out-of-print Spazz albums ''Sweatin' To The Oldies'' and ''Sweatin' 3: Skatin', Satan & Katon''. After Spazz Spazz vocalist and bassist Chris Dod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slap-a-Ham Records
Slap a Ham Records was an independent label from San Francisco owned and operated by Chris Dodge, bassist of the band Spazz as well as others. The label is generally seen as a highly influential entity within the hardcore punk scene in California during the 1980s and 1990s, for the label issued releases by groups such as Crossed Out, Man Is the Bastard, Capitalist Casualties, among others. It is also considered to have played an important role in the development of powerviolence, a dissonant style of hardcore that is similar to grindcore and thrashcore. The label also issued early releases by well-known groups such as the Melvins and Eyehategod. The label lasted for about 13 years, officially shutting down in 2002. According to Dodge, this was due because of the September 11 attacks; "After the attacks, everyone stopped spending money" and as a result, Slap a Ham faced stagnate commerce, causing Dodge to go into debt. Label roster * 13 * Anarchus * Ancient Chinese Secre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitalist Casualties
Capitalist Casualties were an American powerviolence / hardcore band. They formed in Rohnert Park, CA around 1986 and had their first concert in 1987 in Santa Rosa, California They have released multiple records, including many splits with other powerviolence / hardcore bands, and have toured nationally and internationally. Members * Shawn Elliott – vocals (1987–2018); died 2018 * Jeff Robinson – bass guitar, vocals (1987–2018) * Matt Martin (1987–1995/1996) – drums * "Spider Mike" Vinatieri – guitar (1987–2018); died 2021 * "Hirax Max" Ward – drums (1996–2004?) * "H Murder" Haroldo Mardones – drums (2004–2018) Discography Albums and EPs *''The Art of Ballistics'' (Slap-A-Ham, EP, 1991) *''Disassembly Line'' (Slap-A-Ham, LP, 1992) *''Raised Ignorant'' (Slap-A-Ham, EP, 1993) *''Live Butchery'' (Vibrator, EP, 1994) *''A Collection of Out-of-Print Singles, Split EPs and Compilation Tracks'' (Slap-A-Ham, CD, 1997) *''Dope and War'' (S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Infest (band)
Infest is an American powerviolence Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical ... band, formed in September 1986 by Joe Denunzio, Matt Domino, Dave Ring and Chris Clift. The band's album covers contained imagery of a political nature, depicting the reality of war and poverty. The group broke up in 1996, having played only a handful of shows outside California. Discography * ''Infest'' (demo, 1987) * ''Infest'' (EP, Drawblank, 1988) * ''Slave'' (LP, Off the Disk, 1988) * Split 8" with Pissed Happy Children (Slap-a-Ham, 1989) * ''Mankind'' (7", Drawblank, 1991) * ''KXLU Radioshow'' (12", Deepsix, 2001) * ''No Man's Slave'' (LP, Deepsix, 2002) * ''Days Turn Black'' (7", Drawblank, 2013) References Hardcore punk groups from California Powerviolence groups {{US-pun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege (band)
Siege is an American hardcore punk band from Weymouth, Massachusetts. Formed in 1981, they were active in the Boston hardcore scene from 1984 to 1985, and reunited briefly in 1991. Guitarist Kurt Habelt and drummer Rob Williams reformed the band in 2016. In its original incarnation, Siege paired extremely fast tempos with vocalist Kevin Mahoney's screeches and growls in their intense style of hardcore. Though little known at the time, the band has posthumously become revered by punk and heavy metal fans worldwide and is now regarded as one of the pioneers of the grindcore and powerviolence subgenres. Subsequent musicians have cited the group as a major influence, including the British grindcore band Napalm Death and the American powerviolence band Dropdead, whose band name was the title of Siege's six-song demo tape. History Formation, early years (1981–1984) Then teenagers, the members of what would become Siege began playing together in 1981 in Weymouth. Guitarist Kurt Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
625 Thrashcore
Max Ward, occasionally playing under the moniker of Hirax Max, is an American power violence and thrashcore musician, playing for such bands as Spazz, Plutocracy, Capitalist Casualties, What Happens Next?, Bombs of Death, and Scholastic Deth. He is also known for his extreme support of the D.I.Y. scene, having released records and booked tours for hundreds of local, national, and international bands, while still living in the San Francisco Bay Area. He is the founder of 625 Thrashcore records 625 Thrashcore 625 Thrashcore is an American record label started by Ward in 1993. They put out records of different genres, including hardcore, grindcore, thrashcore, powerviolence and others, mainly from the US and Japan. Artists include: *Charles Bronson * Exhumed *Iron Lung An iron lung is a type of negative pressure ventilator (NPV), a mechanical respirator which encloses most of a person's body, and varies the air pressure in the enclosed space, to stimulate breath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
