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Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the ''sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ...
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William Gilpin (priest)
William Gilpin (4 June 1724 – 5 April 1804) was an English artist, Church of England cleric, schoolmaster and author. He is best known as a travel writer and as one of those who originated the idea of the picturesque.Malcolm Andrews"Gilpin, William (1724–1804)"''Oxford Dictionary of National Biography''. Retrieved 20 March 2016 Oxford, UK: OUP, 2004, pay-walled. Life Gilpin was born in Cumberland, the son of Captain John Bernard Gilpin, a soldier and amateur artist. From an early age he was an enthusiastic sketcher and collector of prints, but while his brother Sawrey Gilpin became a professional painter, William opted for a career in the church, graduating from Queen's College, Oxford in 1748. While still at Oxford, Gilpin anonymously published ''A Dialogue upon the Gardens... at Stow in Buckinghamshire'' (1748). Part guidebook to Stowe, part essay on aesthetics, it shows that Gilpin had already begun to develop his ideas on the picturesque. Unusually for the time, Gilpin s ...
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William Gilpin (clergyman)
William Gilpin (4 June 1724 – 5 April 1804) was an English artist, Church of England cleric, schoolmaster and author. He is best known as a travel writer and as one of those who originated the idea of the picturesque.Malcolm Andrews"Gilpin, William (1724–1804)"''Oxford Dictionary of National Biography''. Retrieved 20 March 2016 Oxford, UK: OUP, 2004, pay-walled. Life Gilpin was born in Cumberland, the son of Captain John Bernard Gilpin, a soldier and amateur artist. From an early age he was an enthusiastic sketcher and collector of prints, but while his brother Sawrey Gilpin became a professional painter, William opted for a career in the church, graduating from The Queen's College, Oxford, Queen's College, Oxford in 1748. While still at Oxford, Gilpin anonymously published ''A Dialogue upon the Gardens... at Stow in Buckinghamshire'' (1748). Part guidebook to Stowe, Buckinghamshire, Stowe, part essay on aesthetics, it shows that Gilpin had already begun to develop his ideas ...
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Uvedale Price
Sir Uvedale Price, 1st Baronet (baptised 14 April 1747 – 14 September 1829), author of the ''Essay on the Picturesque, As Compared with the Sublime and The Beautiful'' (1794), was a Herefordshire landowner who was at the heart of the ' Picturesque debate' of the 1790s. His life Uvedale Price was the eldest son of Robert Price, an amateur artist, by his wife the Hon. Sarah Barrington, daughter of John Shute Barrington, 1st Viscount Barrington. Educated at Eton and at Christ Church, Oxford, Price inherited the family estate of Foxley (in Yazor in Herefordshire) when he came of age in 1768, a few years after the death of his father in 1761 and of his grandfather ( Uvedale Tomkins Price) in 1764. As a young man Price was a figure on London's social scene, and was once described as the "macaroni of his age," but with his inheritance and his marriage to Lady Caroline Carpenter, youngest daughter of George Carpenter, 1st Earl of Tyrconnel, he settled down at Foxley to tend to the es ...
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Sublime (philosophy)
In aesthetics, the sublime (from the Latin '' sublīmis'') is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. Since its first application in the field of rhetoric and drama in ancient Greece it became an important concept not just in philosophical aesthetics but also in literary theory and art history. Digital sublime refers to certain perceptions of information technology. Ancient philosophy The first known study of the ''sublime'' is ascribed to Longinus: Peri Hupsous/Hypsous or ''On the Sublime''. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneratio ...
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Christopher Hussey (historian)
Christopher Edward Clive Hussey (21 October 1899 – 20 March 1970) was one of the chief authorities on British domestic architecture of the generation that also included Dorothy Stroud and Sir John Summerson. Career His first major ventures both appeared in 1927. One was a collaboration with his mentor and predecessor at '' Country Life'' magazine, H. Avray Tipping, in Tipping's series ''In English Homes, Period IV, vol. 2, The Work of Sir John Vanbrugh and his School, 1699–1736'' (1927). English garden history was an unexplored field when Hussey broke ground the same year with ''The Picturesque: Studies in a Point of View'' (1927; reprinted 1967), which was a pioneer in the history of taste that rediscovered from obscurity figures like Richard Payne Knight, "a Regency prophet of modernism" in Hussey's estimation. Later in Hussey's career, ''English Gardens and Landscapes 1700–1750'' (1967), also covered fresh territory, as a complement to his Georgian volumes ''English C ...
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Jacob Van Ruisdael
Jacob Isaackszoon van Ruisdael (;  1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. Ruisdael's only registered pupil was Meindert Hobbema, one of several artists who painted figures in his landscapes. Hobbema's work has at times been confused with Ruisdael's. Ruisdae ...
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A View Of The Roman Campagna From Tivoli, Evening (1644-5); Claude Gellée, Called Le Lorrain
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fr ...
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Jan Van Goyen
Jan Josephszoon van Goyen (; 13 January 1596 – 27 April 1656) was a Dutch landscape painter. The scope of his landscape subjects was very broad as he painted forest landscapesm marines, river landscapes, beach scenes, winter landscape, cityscapes, architectural views and landscapes with peasants. File:Leipzig, Museum der bildenden Künste, Jan van Goyen, Bauerngehöft.JPG, ''Farmhouse'' (1628), oil on panel, 27.5 x 37.5 cm., Museum der bildenden Künste File:Goyen 1633 Peasant Huts with a Sweep Well.jpg, ''Peasant Huts with a Sweep Well'' (1633), oil on panel, 55 x 80 cm., Gemäldegalerie Alte Meister File:Goyen 1636 Village at the River.jpg, ''Village at the River'' (1636), oil on panel, 39,5 x 60 cm., Alte Pinakothek File:Zeil- en roeiboten in een riviermonding Rijksmuseum Amsterdam SK-C-1780.png, ''Sailing and Row boats in an Estuary'' (1640), oil on panel, 77 x 116 cm., Museum De Lakenhal File:Landskapsmålning, 1600-tal, van Goyen - Hallwylska museet - 21 ...
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Lake District
The Lake District, also known as the Lakes or Lakeland, is a mountainous region in North West England. A popular holiday destination, it is famous for its lakes, forests, and mountains (or '' fells''), and its associations with William Wordsworth and other Lake Poets and also with Beatrix Potter and John Ruskin. The Lake District National Park was established in 1951 and covers an area of . It was designated a UNESCO World Heritage Site in 2017. The Lake District is today completely within Cumbria, a county and administrative unit created in 1974 by the Local Government Act 1972. However, it was historically divided between three English counties (Cumberland, Westmorland and Lancashire), sometimes referred to as the Lakes Counties. The three counties met at the Three Shire Stone on Wrynose Pass in the southern fells west of Ambleside. All the land in England higher than above sea level lies within the National Park, including Scafell Pike, the highest mountain in England. ...
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Classical Architecture
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the second world war, though it continues to inform many architects to this day. The term ''classical architecture'' also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture, or classical Mayan architecture. It c ...
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Grand Tour
The Grand Tour was the principally 17th- to early 19th-century custom of a traditional trip through Europe, with Italy as a key destination, undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a tutor or family member) when they had come of age (about 21 years old). The custom—which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary—served as an educational rite of passage. Though it was primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of other Protestant Northern European nations, and, from the second half of the 18th century, by some South and North Americans. By the mid-18th century, the Grand Tour had become a regular feature of aristocratic education in Central Europe as well, although it was restricted to the higher nobility. The tradition declined in Europe as enthusiasm ...
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