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Phèdre
''Phèdre'' (; originally ''Phèdre et Hippolyte'') is a French dramatic tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris. Composition and premiere With ''Phèdre'', Racine chose once more a subject from Greek mythology, already treated by Greek and Roman tragic poets, notably by Euripides in '' Hippolytus'' and Seneca in ''Phaedra''. As a result of an intrigue by the Duchess of Bouillon and other friends of the aging Pierre Corneille, the play was not a success at its première on 1 January 1677 at the Hôtel de Bourgogne, home of the royal troupe of actors in Paris. Indeed, a rival group staged a play by the now forgotten playwright Nicolas Pradon on an almost identical theme. After ''Phèdre'', Racine ceased writing plays on secular themes and devoted himself to the service of religion and the king until 1689, when he was commissioned to write '' Esther'' by Madame de Maintenon, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and '' Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedra (mythology)
In Greek mythology, Phaedra ( grc, Φαίδρα, ) (or Fedra) was a Cretan princess. Her name derives from the Greek word (), which means "bright". According to legend, she was the daughter of Minos and Pasiphaë, and the wife of Theseus. Phaedra fell in love with her stepson Hippolytus. After he rejected her advances, she accused him of trying to rape her, causing Theseus to pray to Poseidon to kill him, and then killed herself. The story of Phaedra is told in Euripides' play '' Hippolytus'', Seneca the Younger's ''Phaedra'', and Ovid's ''Heroides''. It has inspired many modern works of art and literature, including a play by Jean Racine. Family Phaedra was the daughter of Minos and Pasiphaë of Crete, and thus sister to Acacallis, Ariadne, Androgeus, Deucalion, Xenodice, Glaucus and Catreus and half-sister to the Minotaur. She was the wife of Theseus and the mother of Demophon of Athens and Acamas. Mythology Much of what we know about the mythology and st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Pradon
Jacques Pradon, often called Nicolas Pradon (1632 – 14 January 1698), was a French playwright. Early in his career, he was helped by Pierre Corneille and was introduced to the salons at the Hôtel de Nevers and the Hôtel de Bouillon by Madame Deshoulières. Pradon was born in Rouen and is the author of eight tragedies: ''Pyrame et Thisbé'' (1674) (see Pyramus and Thisbe), ''Tamerlan, ou la mort de Bajazet'' (1676), ' (1677), ''La Troade'' (1679), ''Statira'' (1680), ''Regulus'' (1688), ''Germanicus'' (1694) and ''Scipion'' (1697). His plays enjoyed a certain limited success, but were severely judged by his rival Jean Racine, who also wrote tragedies based on the stories of Bajazet (Bayezid I) and Phaedra ("The only difference between Pradon and me is that I know how to write", Racine is reported to have said), and Racine's supporter Nicolas Boileau. This rivalry was particularly intense when Pradon brought out his ''Phèdre et Hippolyte'' at the same time as Racine's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedra (Seneca)
''Phaedra'' is a Roman tragedy written by philosopher and dramatist Lucius Annaeus Seneca before 54 A.D. Its 1,280 lines of verse tell the story of Phaedra, wife of King Theseus of Athens and her consuming lust for her stepson Hippolytus. Based on Greek mythology and the tragedy '' Hippolytus'' by Euripides, Seneca's ''Phaedra'' is one of several artistic explorations of this tragic story. Seneca portrays Phaedra as self-aware and direct in the pursuit of her stepson, while in other treatments of the myth, she is more of a passive victim of fate. This Phaedra takes on the scheming nature and the cynicism often assigned to the nurse character. When Seneca's plays were first revived during the Renaissance, the work that soon came to be known as ''Phaedra'' was titled ''Hippolytus.'' It was presented in Latin in Rome in 1486. The play has influenced drama over the succeeding two millennia, particularly the works of Shakespeare and dramas of 16th- and 17th-century France. Other no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolytus (play)
''Hippolytus'' ( grc, Ἱππόλυτος, ''Hippolytos'') is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. Euripides first treated the myth in a previous play, ''Hippolytos Kalyptomenos'' ( – ''Hippolytus Veiled''), which is now lost; what is known of it is based on echoes found in other ancient writings. The earlier play, and the one that has survived are both titled ''Hippolytus'', but in order to distinguish the two they have traditionally been given the names, ''Hippolytus Kalyptomenos'' and ''Hippolytus Stephanophoros'' ( – "Hippolytus the wreath bearer"). It is thought that the contents to the missing ''Hippolytos Kalyptomenos'' portrayed a shamelessly lustful Phaedra, who directly propositioned Hippolytus, which apparently offended the play's audience.Euripides. ''Hippolytus''. Bagg, Robert. Introduction. Oxford Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the '' Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete ('' Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.L.P.E.Parker, ''Euripides: Alcestis'', Oxford University Press (2007), Introduction p. lx Euripides is identified with theatrical innovations that ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolytus (son Of Theseus)
upright=1.3, ''The Death of Hippolytus'', by Sir Lawrence Alma-Tadema (1836–1912) In Greek mythology, Hippolytus ( el, Ἱππόλυτος'', Hippolytos'' 'unleasher of horses'; ) is the son of Theseus and either Hippolyta or Antiope. His downfall at the hands of Aphrodite is most famously recounted by the playwright Euripides, although other, sometimes differing versions of the story have also survived. Etymology The meaning of Hippolytus' name is ironically ambiguous. Ἱππό translates to 'horse', and the element -λυτος (from λύω 'loosen, destroy') suggests the adjectivλυτός, -ή, -όν'which may be undone, destroyed'. His name thereby takes on the prophetic meaning 'destroyed by horses'. Premise of the myth Hippolytus is a hunter and sportsman who is disgusted by sex and marriage. In consequence, he scrupulously worships Artemis, the virgin huntress, and refuses to honor Aphrodite. Offended by this neglect, Aphrodite causes Phaedra, Hippolytus’ st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theseus
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the '' synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias reports that after ''synoikismos'', Theseus established a cult of Aphrodite ('Aphrodite of all the P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aricia (mythology)
Aricia ( grc, Ἀρικία, ''Arikía'') is a name appearing in Virgil's ''Aeneid'' in a context that makes it possible for it to be interpreted as referring to a mythical personage: Ibat et Hippolyti proles pulcherrima bello, Virbius, insignem quem mater Aricia misit... (Rough translation: "To the war also came the most fair offspring of Hippolytus, Virbius, whom, distinguished, mother Aricia sent...") It may appear from the quoted passage that Aricia is the mother of Virbius by Hippolytus. Yet Virbius is commonly the name by which Hippolytus himself was known after he was brought back to life on the request of Artemis. As for Aricia, Servius in his commentary on the lines in question explained that Virgil had been referring to the town Aricia, using the epithet "mother" with the town's name in honor of Octavian Augustus whose mother was a native of Aricia. Indeed, Aricia was a location holy to Diana (equated with Artemis) near Rome where Egeria, the spirit of a nearby st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian '' commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolytus Phaedra Louvre Ma 2294 .
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Hippolytus may refer to: People *Hippolytus (Greek myth), several people *Hippolytus of Rome (c. 170–c. 235), Christian writer and saint * Hippolytus of Thebes (fl. 7th/8th century), Byzantine chronographer *Hippolytus (archbishop of Gniezno) (died c. 1027) * Hippolytus, Bishop of Vác (died after 1157), Hungarian prelate Literary works based on the Greek myth * ''Hippolytus'' (play), a tragedy by Euripides * ''Phaedra'' (Seneca), sometimes known as ''Hippolytus'', play by Seneca the Younger * A character in Jean Racine's play ''Phèdre'' Other * ''Hippolytus and Aricia'' by Jean-Philippe Rameau * ''Hippolytus'' a Greek non profit organisation for the preservation and cultural promotion of the Skyros Pony The Skyrian Horse (Greek ''αλογάκι της Σκύρου'') is a breed of miniature horse found on the Greek isle of Skyros. Breed Characteristics The Skyros breed generally stands between 9.1 and 11 hands (92 to 115 cm) high, and may be, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
