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Peggy Ashcroft
Dame Edith Margaret Emily Ashcroft (22 December 1907 – 14 June 1991), known professionally as Peggy Ashcroft, was an English actress whose career spanned more than 60 years. Born to a comfortable middle-class family, Ashcroft was determined from an early age to become an actress, despite parental opposition. She was working in smaller theatres even before graduating from drama school, and within two years she was starring in the West End. Ashcroft maintained her leading place in British theatre for the next 50 years. Always attracted by the ideals of permanent theatrical ensembles, she did much of her work for the Old Vic in the early 1930s, John Gielgud's companies in the 1930s and 1940s, the Shakespeare Memorial Theatre and its successor the Royal Shakespeare Company from the 1950s, and the National Theatre from the 1970s. While well regarded in Shakespeare, Ashcroft was also known for her commitment to modern drama, appearing in plays by Bertolt Brecht, Samue ...
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Dame
''Dame'' is an honorific title and the feminine form of address for the honour of damehood in many Christian chivalric orders, as well as the Orders, decorations, and medals of the United Kingdom, British honours system and those of several other Commonwealth realms, such as Australia and New Zealand, with the masculine form of address being ''Sir''. It is the female equivalent for knighthood, which is traditionally granted to males. Dame is also style used by baronetesses Suo jure, in their own right. A woman appointed to the grades of the Dame Commander or Dame Grand Cross of the Order of Saint John (Bailiwick of Brandenburg), Order of Saint John, Equestrian Order of the Holy Sepulchre, Most Honourable Order of the Bath, the Most Distinguished Order of Saint Michael and Saint George, the Royal Victorian Order, or the Most Excellent Order of the British Empire becomes a dame. A Central European order in which female members receive the rank of Dame is the Order of St. George (H ...
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Royal Shakespeare Company
The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and produces around 20 productions a year. The RSC plays regularly in London, Stratford-upon-Avon, and on tour across the UK and internationally. The company's home is in Stratford-upon-Avon, where it has redeveloped its Royal Shakespeare and Swan theatres as part of a £112.8-million "Transformation" project. The theatres re-opened in November 2010, having closed in 2007. The new buildings attracted 18,000 visitors within the first week and received a positive media response both upon opening, and following the first full Shakespeare performances. Performances in Stratford-upon-Avon continued throughout the Transformation project at the temporary Courtyard Theatre. As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists and develops creative links with theatre-mak ...
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Moscow Art Theatre
The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Chekhov Moscow Art Theatre and the Gorky Moscow Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenk ...
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Constantin Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Russian Soviet Federative Socialist Republic, Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many List of productions directed by Konstantin Stanislavski, productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on Stanislavski's system, his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an Amateur theatre, amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and ...
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Laurence Olivier
Laurence Kerr Olivier, Baron Olivier (; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles. His family had no theatrical connections, but Olivier's father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's '' Private Lives'', and he appeared in his first film. In 1935 he played in a celebrated production of ''Romeo and Juliet'' alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richa ...
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Elsie Fogerty
Anne Elizabeth "Elsie" Fogerty (16 December 1865 – 4 July 1945) was a British teacher who departed from the customary practice of “voice and diction” also called elocution. At that time “Voice and Diction” focused entirely on the mouth and nasal cavity to produce speech sounds. Fogerty’s technique ended up focusing on the entire body and voice to produce speech. At first, she used just the lungs to resonate the sound, but soon included the whole body, because she discovered that posture and movement also affected speech. It ultimately became known as the “Body and Voice” technique. /sup> She was founder and principal of the Central School of Speech and Drama in London from 1906 to 1942. /sup> Early years The daughter of engineer and architect Joseph Fogerty FRIBA (d. 1899) and his wife, Hannah Cochrane (d. 1910), both of Limerick, Fogerty was born in Sydenham, south London on 16 December 1865. An only child, she was privately educated and in 1883 trained a ...
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Central School Of Speech And Drama
The Royal Central School of Speech and Drama was founded by Elsie Fogerty in 1906, as The Central School of Speech Training and Dramatic Art, to offer a new form of training in speech and drama for young actors and other students. It became a constituent college of the University of London in 2005 and is a member of Conservatoires UK and the Federation of Drama Schools. Courses The school offers undergraduate, postgraduate, research degrees and short courses in acting, actor training, applied theatre, theatre crafts and making, design, drama therapy, movement, musical theatre, performance, producing, research, scenography, stage management, teacher training, technical arts, voice and writing. History In 2006, the Webber Douglas Academy of Dramatic Art was absorbed into Central. On 29 November 2012, the 'Royal' title was bestowed on the school by Queen Elizabeth II in recognition of its reputation as a "world-class institution for exceptional professional training in the ...
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Michael Billington (critic)
Michael Keith Billington OBE (born 16 November 1939) is a British author and arts critic. He writes for '' The Guardian'', and was the paper's chief drama critic from 1971 to 2019. Billington is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts. He is the authorised biographer of the playwright Harold Pinter (1930–2008). Early life and education Billington was born on 16 November 1939, in Leamington Spa, Warwickshire, England, and attended Warwick School, an independent boys' school in Warwick. He attended St Catherine's College, Oxford, from 1958 to 1961, where he studied English and was appointed theatre critic of '' Cherwell''. He graduated with a BA degree. As a member of Oxford University Dramatic Society (OUDS), in 1959, Billington played the Priest in '' The Birds'', by Aristophanes, his only appearance as an actor, and, in 1960, he directed a production of Eugène Ionesco's ''T ...
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Harold Pinter
Harold Pinter (; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include '' The Birthday Party'' (1957), '' The Homecoming'' (1964) and '' Betrayal'' (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include '' The Servant'' (1963), ''The Go-Between'' (1971), '' The French Lieutenant's Woman'' (1981), '' The Trial'' (1993) and ''Sleuth'' (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined f ...
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Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and Tragicomedy, tragicomic experiences of life, often coupled with black comedy and Literary nonsense, nonsense. It became increasingly Minimalism, minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last Modernism, modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the de ...
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