|
Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with '' Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruggero Leoncavallo
Ruggero (or Ruggiero) Leoncavallo ( , , ; 23 April 18579 August 1919) was an Italian opera composer and librettist. Although he produced numerous operas and other songs throughout his career it is his opera '' Pagliacci'' (1892) that remained his lasting contribution, despite attempts to escape the shadow of his greatest success. Today he remains largely known for ''Pagliacci'', one of the most popular and frequently performed works in the opera repertory. His other compositions include the song " Mattinata", popularized by Enrico Caruso, and the symphonic poem ''La Nuit de mai''. Biography The son of Vincenzo Leoncavallo, a police magistrate and judge, Leoncavallo was born in Naples on 23 April 1857. As a child, Leoncavallo moved with his father to the town of Montalto Uffugo in Calabria, where he lived during his adolescence. He later returned to Naples and was educated at the city's San Pietro a Majella Conservatory and later the University of Bologna studying literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Opera
The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived. The opera company, dubbed "the people's opera" by New York Mayor Fiorello La Guardia, was founded in 1943. The company's stated purpose was to make opera accessible to a wide audience at a reasonable ticket price. It also sought to produce an innovative choice of repertory, and provide a home for American singers and composers. The company was originally housed at the New York City Center theater on West 55th Street in Manhattan. It later became part of the Lincoln Center for the Performing Arts at the New York State Theater from 1966 to 2010. During this time it produced autumn and spring seasons of opera in repertory, and maintained extensive education and outreach programs, offering arts-in-education programs to 4,000 students in over 30 schools. In 2011, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic '' verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Zeffirelli
Gian Franco Corsi Zeffirelli (12 February 1923 – 15 June 2019), was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post-World War II era, gaining both acclaim and notoriety for his lavish stagings of classical works, as well as his film adaptations of the same. A member of the Forza Italia party, he served as the Senator for Catania between 1994 until 2001. Films he directed included the Shakespearean adaptations ''The Taming of the Shrew'' (1967), starring Elizabeth Taylor and Richard Burton; '' Romeo and Juliet'' (1968), for which he received a nomination for the Academy Award for Best Director; and ''Hamlet'' (1990), starring Mel Gibson and Glenn Close. His Biblical television miniseries '' Jesus of Nazareth'' (1977) won both national and international acclaim and is still frequently shown at Christmas and Easter in many countries. A Grande Ufficiale OMRI of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nellie Melba
Dame Nellie Melba (born Helen Porter Mitchell; 19 May 186123 February 1931) was an Australian operatic dramatic coloratura soprano (three octaves). She became one of the most famous singers of the late Victorian era and the early 20th century, and was the first Australian to achieve international recognition as a classical musician. She took the pseudonym "Melba" from Melbourne, her home town. Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera in New York, debuting there in 1893. Her repertoire was small; in her whole care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Ancona
Mario Ancona (28 February 1860 – 23 February 1931), was a leading Italian baritone and master of bel canto singing. He appeared at some of the most important opera houses in Europe and America during what is commonly referred to as the "Golden Age of Opera". Career Ancona was born into a middle-class Jewish family at Livorno, Tuscany, on 28 February 1860. After embarking on a business career he decided to study voice with a local singing teacher named Matteini in his native city of Livorno. Later, he took lessons from Giuseppe Cima in Milan. Ancona is reputed to have made his debut as an amateur singer in 1880; but according to ''The Concise Oxford Dictionary of Opera''—from which many of the ensuing appearance dates, venues and career highlights are taken—his earliest known professional appearance in an opera did not occur until 1889, when he sang the role of Scindia in Massenet's ''Le roi de Lahore'' in Trieste. Not long afterwards, he appeared in another Massenet oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiorello Giraud
Fiorello Giraud (22 October 1870 – 28 March 1928)Staccioli (2001) gives his birth year as 1870. Steane (2008) gives it as 1868. was an Italian operatic tenor who sang leading roles in many Italian opera houses during the course of his career, including La Scala, the Teatro Regio di Parma, and the Teatro Regio di Torino, as well as in Spain, Portugal, and Latin America. He is remembered today for having created the role of Canio in the world premiere of Leoncavallo's ''Pagliacci''. Life Giraud was born in Parma, the son of the tenor Lodovico Giraud, and began studying singing with Barbacini at the Parma Conservatory. He made his stage debut in December 1891 at the Teatro Civico in Vercelli as Lohengrin. The following year he sang Canio in the world premiere of ''Pagliacci'' at the Teatro Dal Verme in Milan, a role which he sang many more times in his career. Most of his roles were in the lyric tenor and spinto tenor Italian repertoire. However, later in his career his voice h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleko (Rachmaninoff)
''Aleko'' (russian: Алеко, links=no) is the first of three completed operas by Sergei Rachmaninoff. The Russian libretto was written by Vladimir Nemirovich-Danchenko and is an adaptation of the 1827 poem '' The Gypsies'' by Alexander Pushkin. The opera was written in 1892 as a graduation work at the Moscow Conservatory, and it won the highest prizes from the conservatory judges that year. It was first performed in Moscow on 9 May 1893. Performance history The Bolshoi Theatre's premiere took place on 9 May ( O.S. 27 April) 1893 in Moscow. The composer conducted another performance in Kiev on 18/30 October 1893. ( Tchaikovsky had attended the Moscow premiere of ''Aleko'', and Rachmaninoff had intended to hear the premiere of Tchaikovsky's ''Pathétique'' Symphony on 16/28 October, but had to catch a train for Kiev to fulfill his ''Aleko'' conducting engagement.) A Pushkin centenary celebration performance on 27 May 1899 at the Tauride Palace in Saint Petersburg featured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Maurel
Victor Maurel (17 June 184822 October 1923) was a French operatic baritone who enjoyed an international reputation as a great singing actor. Biography Maurel was born in Marseille. Educated in music and stagecraft at the Paris Conservatory, he made his debut in opera in 1867, in the city of his birth. The following year, he performed on stage in Paris for the first time. New York first heard him in 1873, when he performed at the Academy of Music. Later, he would sing at New York's Metropolitan Opera (in 1894-96 and 1898–99). Other famous venues at which he appeared included London's Royal Opera House, Covent Garden — in 1873–79, 1891–95 and 1904 — and the Paris Opera, where he was on the roster of singers from 1879 to 1894. Maurel was renowned in Europe and the United States for his vivid stage presence and exceptional acting and make-up skills; but his voice, while well trained and of good quality, was not considered to be as impressive as that of his chief Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelina Stehle
Adelina Stehle (born Graz, 30 June 1860 – died Milan, 24 December 1945) was an Austrian-born operatic soprano, associated almost entirely with the Italian repertory. She studied singing in Milan and debuted as Amina in 1881 in Broni in Lombardy. Her career eventually brought her to La Scala in 1890 where she flourished. She took part in a series of important premieres in the 1890s. In 1893 she was the first Nannetta in Verdi's '' Falstaff'' to the Fenton of her husband, Edoardo Garbin, and they were later important in the popularization of Puccini's ''La bohème''. In 1902 she went to South America before singing in Paris with the Sonzogno Company, as well as in Berlin, Vienna and Saint Petersburg. She became identified with the heavier roles of Italian verismo opera such as ''Adriana Lecouvreur'' and ''Fedora''. When she retired from the stage she became a noted teacher. Among her pupils were Giannina Arangi-Lombardi. Roles created * Walter in Alfredo Catalani's ''La Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> New York City Opera")
.jpg "Click for more on -> Nellie Melba")
