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OpenType
OpenType is a format for scalable computer fonts. It was built on its predecessor TrueType, retaining TrueType's basic structure and adding many intricate data structures for prescribing typographic behavior. OpenType is a registered trademark of Microsoft Corporation. The specification germinated at Microsoft, with Adobe Systems also contributing by the time of the public announcement in 1996. Because of wide availability and typographic flexibility, including provisions for handling the diverse behaviors of all the world's writing systems, OpenType fonts are used commonly on major computer platforms. History OpenType's origins date to Microsoft's attempt to license Apple's advanced typography technology GX Typography in the early 1990s. Those negotiations failed, motivating Microsoft to forge ahead with its own technology, dubbed "TrueType Open" in 1994. Adobe joined Microsoft in those efforts in 1996, adding support for the glyph outline technology used in its Type 1 fon ...
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Type 1 Font
PostScript fonts are font files encoded in outline font specifications developed by Adobe Systems for professional digital typesetting. This system uses PostScript file format to encode font information. "PostScript fonts" may also separately be used to refer to a basic set of fonts included as standards in the PostScript system, such as Times New Roman, Helvetica, and Avant Garde. History Type 1 and Type 3 fonts, though introduced by Adobe in 1984 as part of the PostScript page description language, did not see widespread use until March 1985 when the first laser printer to use the PostScript language, the Apple LaserWriter, was introduced. Even then, in 1985, the outline fonts were resident only in the printer, and the screen used bitmap fonts as substitutes for outline fonts. Although originally part of PostScript, Type 1 fonts used a simplified set of drawing operations compared to ordinary PostScript (programmatic elements such as loops and variables were removed, much l ...
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PostScript Fonts
PostScript fonts are font files encoded in outline font specifications developed by Adobe Systems for professional digital typesetting. This system uses PostScript file format to encode font information. "PostScript fonts" may also separately be used to refer to a basic set of fonts included as standards in the PostScript system, such as Times New Roman, Helvetica, and Avant Garde. History Type 1 and Type 3 fonts, though introduced by Adobe in 1984 as part of the PostScript page description language, did not see widespread use until March 1985 when the first laser printer to use the PostScript language, the Apple LaserWriter, was introduced. Even then, in 1985, the outline fonts were resident only in the printer, and the screen used bitmap fonts as substitutes for outline fonts. Although originally part of PostScript, Type 1 fonts used a simplified set of drawing operations compared to ordinary PostScript (programmatic elements such as loops and variables were removed, much ...
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Apple Advanced Typography
Apple Advanced Typography (AAT) is Apple Inc.'s computer technology for advanced font rendering, supporting internationalization and complex features for typographers, a successor to Apple's little-used QuickDraw GX font technology of the mid-1990s. It is a set of extensions to the TrueType outline font standard, with smartfont features similar to the OpenType font format that was developed by Adobe and Microsoft, and to Graphite. It also incorporates concepts from Adobe's " multiple master" font format, allowing for axes of traits to be defined and morphing of a glyph independently along each of these axes. AAT font features do not alter the underlying typed text; they only affect the characters' representation during glyph conversion. Features Significant features of AAT currently include: * Several degrees of ligature control * Kashida justification and joiners * Cross-stream kerning (required for Nasta'liq Urdu, for example) * Indic vowel rearrangement * Independently ...
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TrueType
TrueType is an outline font standard developed by Apple in the late 1980s as a competitor to Adobe's Type 1 fonts used in PostScript. It has become the most common format for fonts on the classic Mac OS, macOS, and Microsoft Windows operating systems. The primary strength of TrueType was originally that it offered font developers a high degree of control over precisely how their fonts are displayed, right down to particular pixels, at various font sizes. With widely varying rendering technologies in use today, pixel-level control is no longer certain in a TrueType font. History ''TrueType'' was known during its development stage, first by the codename "Bass" and later on by the codename "Royal". The system was developed and eventually released as TrueType with the launch of Mac System 7 in May 1991. The initial TrueType outline fonts, four-weight families of '' Times Roman'', ''Helvetica'', ''Courier'', and the pi font "Symbol" replicated the original PostScript fonts of th ...
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Computer Font
A computer font is implemented as a digital data file containing a set of graphically related glyphs. A computer font is designed and created using a font editor. A computer font specifically designed for the computer screen, and not for printing, is a screen font. In the terminology of movable metal type, a font is a set of pieces of movable type in a specific typeface, size, width, weight, slope, etc. (for example, Gill Sans bold 12 point or Century Expanded 14 point), and a typeface refers to the collection of related fonts across styles and sizes (for example, all the varieties of Gill Sans). In HTML, CSS, and related technologies, the font family attribute refers to the digital equivalent of a typeface. Since the 1990s, many people use the word ''font'' as a synonym for ''typeface''. There are three basic kinds of computer font file data formats: * Bitmap fonts consist of a matrix of dots or pixels representing the image of each glyph in each face and size. * Vecto ...
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PostScript
PostScript (PS) is a page description language in the electronic publishing and desktop publishing realm. It is a dynamically typed, concatenative programming language. It was created at Adobe Systems by John Warnock, Charles Geschke, Doug Brotz, Ed Taft and Bill Paxton from 1982 to 1984. History The concepts of the PostScript language were seeded in 1976 by John Gaffney at Evans & Sutherland, a computer graphics company. At that time Gaffney and John Warnock were developing an interpreter for a large three-dimensional graphics database of New York Harbor. Concurrently, researchers at Xerox PARC had developed the first laser printer and had recognized the need for a standard means of defining page images. In 1975-76 Bob Sproull and William Newman developed the Press format, which was eventually used in the Xerox Star system to drive laser printers. But Press, a data format rather than a language, lacked flexibility, and PARC mounted the Interpress effort to cre ...
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Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, such as cartography, astrology or mathematics. Term ...
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Web Open Font Format
The Web Open Font Format (WOFF) is a font format for use in web pages. WOFF files are OpenType or TrueType fonts, with format-specific compression applied and additional XML metadata added. The two primary goals are first to distinguish font files intended for use as web fonts from fonts files intended for use in desktop applications via local installation, and second to reduce web font latency when fonts are transferred from a server to a client over a network connection. Standardization The first draft of WOFF 1 was published in 2009 by Jonathan Kew, Tal Leming, and Erik van Blokland, with reference conversion code written by Jonathan Kew. Following the submission of WOFF to the World Wide Web Consortium (W3C) by the Mozilla Foundation, Opera Software and Microsoft in April 2010, the W3C commented that it expected WOFF to soon become the "single, interoperable format" supported by all browsers. The W3C published WOFF as a working draft in July 2010. The final draft was ...
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MPEG-4
MPEG-4 is a group of international standards for the compression of digital audio and visual data, multimedia systems, and file storage formats. It was originally introduced in late 1998 as a group of audio and video coding formats and related technology agreed upon by the ISO/IEC Moving Picture Experts Group (MPEG) ( ISO/IEC JTC 1/SC29/WG11) under the formal standard ISO/IEC 14496 – ''Coding of audio-visual objects''. Uses of MPEG-4 include compression of audiovisual data for Internet video and CD distribution, voice (telephone, videophone) and broadcast television applications. The MPEG-4 standard was developed by a group led by Touradj Ebrahimi (later the JPEG president) and Fernando Pereira. Background MPEG-4 absorbs many of the features of MPEG-1 and MPEG-2 and other related standards, adding new features such as (extended) VRML support for 3D rendering, object-oriented composite files (including audio, video and VRML objects), support for externally specified ...
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Noto Fonts
Noto is a font family comprising over 100 individual fonts, which are together designed to cover all the scripts encoded in the Unicode standard. , Noto fonts cover all 93 scripts defined in Unicode version 6.1 (April 2012), although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered. In total, Noto fonts cover nearly 64,000 characters, which is under half of the 149,186 characters defined in Unicode 15.0 (released in September 2022). The Noto family is designed with the goal of achieving visual harmony (e.g., compatible heights and stroke thicknesses) across multiple languages/scripts. Commissioned by Google, the font is licensed under the SIL Open Font License. Until September 2015, the fonts were under the Apache License 2.0. Etymology When text is rendered by a computer, sometimes characters are displayed as substitute characters (typically small rectangles). They represent the characters that cannot be displayed because no font wit ...
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Variant Form (Unicode)
A variant form is a different glyph for a character, encoded in Unicode through the mechanism of variation sequences: sequences in Unicode that consist of a base character followed by a variation selector character. A variant form usually has a very similar appearance and meaning as its base form. The mechanism is intended for variant forms where, generally, if the variant form is unavailable, displaying the base character does not change the meaning of the text, and may not even be noticeable by many readers. Unicode defines two types of variation sequences: * ''Standardized variation sequences'' defined in StandardizedVariants.txt * ''Ideographic variation sequences'' defined in the Ideographic Variation Database (IVD) Variation selector characters reside in several Unicode blocks: * Variation Selectors (16 characters abbreviated VS1–VS16) * Variation Selectors Supplement (240 characters abbreviated VS17–VS256) * Mongolian (3 characters abbreviated FVS1–FVS3) ...
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Affine Transformation
In Euclidean geometry, an affine transformation or affinity (from the Latin, ''affinis'', "connected with") is a geometric transformation that preserves lines and parallelism, but not necessarily Euclidean distances and angles. More generally, an affine transformation is an automorphism of an affine space (Euclidean spaces are specific affine spaces), that is, a function which maps an affine space onto itself while preserving both the dimension of any affine subspaces (meaning that it sends points to points, lines to lines, planes to planes, and so on) and the ratios of the lengths of parallel line segments. Consequently, sets of parallel affine subspaces remain parallel after an affine transformation. An affine transformation does not necessarily preserve angles between lines or distances between points, though it does preserve ratios of distances between points lying on a straight line. If is the point set of an affine space, then every affine transformation on can be r ...
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