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Oni
An is a kind of ''yōkai'', demon, orc, ogre, or troll in Japanese folklore. Oni are mostly known for their fierce and evil nature manifested in their propensity for murder and cannibalism. Notwithstanding their evil reputation, oni possess intriguingly complex aspects that cannot be brushed away simply as evil. They are typically portrayed as hulking figures with one or more horns growing out of their heads."Oni." ''Handbook of Japanese Mythology'', by Michael Ashkenazi, ABC-CLIO, 2003, pp. 230–233. Stereotypically, they are conceived of as red, blue, black, yellow, or white-colored, wearing loincloths of tiger pelt, and carrying iron kanabō clubs. They are creatures which instill fear and feelings of danger due to their grotesque outward appearance, their wild and sometimes strange behavior and their powers. They are popular characters in Japanese art, literature, and theater and appear as stock villains in the well-known fairytales of ''Momotarō'' (''Peach Boy''), '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Momotarō
is a popular hero of Japanese folklore. His name is often translated as ''Peach Boy'', but is directly translated as ''Peach + Tarō'', a common Japanese given name. ''Momotarō'' is also the title of various books, films and other works that portray the tale of this hero. There is a popular notion that Momotarō is a local hero of Okayama Prefecture, but this claim was invented in the modern era. This notion is not accepted as consensus in scholarly circles. Story Momotarō was born from a giant peach, which was found floating down a river by an old, childless woman who was washing clothes there. The woman and her husband discovered the child when they tried to open the peach to eat it. The child explained that he had been bestowed by the Gods to be their son. The couple named him Momotarō, from ''momo'' (peach) and ''Tarō'' (a name meaning 'eldest son in the family'). When he was just five years old, he was able to cut a big tree with just an old knife. When he matured in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuten-dōji
Shuten-dōji (, also sometimes called , or ) is a mythical ''oni'' or demon leader of Japan, who according to legend was killed by the hero Minamoto Raikō. Although decapitated, the demon's detached head still took a bite at the hero, who avoided death by wearing multiple helmets stacked on his head. Shuten-dōji had his lair at Mount Ōe () northwest of the city of Kyoto, or Mount Ibuki, depending on the version. It has also been theorized that the original mountain was Mount Ōe () on the western edge of the city of Kyoto. Texts The oldest surviving text of the legend is recorded in the 14th century ''Ōeyama Ekotoba'' (大江山絵詞 "Tale of Mount Ōe in Pictures and Words"), a picture scroll held by the Itsuō Art Museum. It was later incorporated into the corpus of '' Otogi-zōshi'' ("Companion tales"), and became widely read in the woodblock-printed versions of them called the ''Otogi Bunko'' (Companion Library), especially Shibukawa Seiemon editions (ca. 1720). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenka-Goken
The are a group of five Japanese swords. Three are National Treasures of Japan, one an Imperial Property, and one a holy relic of Nichiren Buddhism. Among the five, some regard Dōjigiri as "the yokozuna of all Japanese swords" along with Ōkanehira ( :ja:大包平).Sato, 1990. pp. 116–117. Origin As of 2017, the term is widely-recognized among Japanese sword connoisseurs. For example, the national institute uses the word in an explanation for Mikazuki. Although some researchers claim the term dates back to the Muromachi period The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by ... (1333–1573), its origin is unknown. Suiken Fukunaga cites a book written in the fifth year of Genroku (1692–1693),Fukunaga, 1993. vol. 3, p. 302 and vol. 5, p. 379. so the term is traceable back to at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogre
An ogre (feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend with a taste for infants. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in "Jack and the Beanstalk" and "Jack the Giant Killer", the Giant Despair in ''The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in " Puss in Boots" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanabō
The (literally "metal stick" or "metal club") is a spiked or studded two-handed war club used in feudal Japan by samurai. Other related weapons of this type are the ''nyoibo'', ''konsaibo'', , and ''ararebo''.Mol, Serge (2003). ''Classical weaponry of Japan: special weapons and tactics of the martial arts''. Kodansha International. p. 91. Related solid iron weapons with no spikes or studs are the ''kanemuchi'' (or ''kanamuchi'') and the ''aribo'' (also known as a ''gojo'' or ''kirikobo''). Description ''Kanabō'' and other related club-like weapons were constructed out of heavy wood or made entirely from iron, with iron spikes or studs on one end. For wooden ''kanabō'', one or both ends could be covered with iron caps. ''Kanabō''-type weapons came in all manner of shapes and sizes, with the largest ones being two-handed and as tall as a man, while smaller ones were primarily one-handed and the length of a forearm. Their shape could be similar to that of a baseball bat, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobutori Jisan
is a Japanese Folktale about an old man who had his lump (or parotid gland tumor) taken or removed by demons after joining a party of demons ('' oni'') celebrating and dancing in the night. The tale is a rendition of a tale about a woodcutter (firewood-gatherer) from the early 13th-century anthology '' Uji Shūi Monogatari''. Textual notes The tale, which is most commonly known in Japanese as , "Kobutori" (in Japanese) , or , is arguably among the top ten native fairy tales that are frequently recounted to children in modern Japan. English translations In 1886, the tale was translated as ''The Old Man and the Devils''onlinevia Internet Archive. by James Curtis Hepburn. Hepburn translated the '' oni'' as "devils" where a more modern editions might give "demons" or "ogres", but it was commonplace during this time period to replace native Japanese concepts with equivalent Christian ones in these translated stories. "How an Old Man Lost his Lump" by Yei Theodora Ozaki (1903) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance- drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minamoto No Yorimitsu
, also known as Minamoto no Raikō, served the regents of the Fujiwara clan along with his brother Yorinobu, taking the violent measures the Fujiwara were themselves unable to take. He is one of the earliest Minamoto of historical note for his military exploits, and is known for quelling the bandits of Ōeyama. His loyal service earned him the governorships of Izu Province, Kozuke and a number of others in turn, as well as a number of other high government positions. Yorimitsu served as commander of a regiment of the Imperial Guard, and as a secretary in the Ministry of War. When his father Minamoto no Mitsunaka died, he inherited Settsu Province. Yorimitsu is usually accompanied by his four legendary retainers, known as the Shitennō (The Four Heavenly Kings). They were Watanabe no Tsuna, Sakata no Kintoki, Urabe no Suetake, and Usui Sadamitsu. Legends Yorimitsu featured in a number of legends and tales, including the legend of Kintarō (Golden Boy a.k.a. Sakata no Kintoki), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachi
A is a type of traditionally made Japanese sword (''nihonto'') worn by the samurai class of feudal Japan. ''Tachi'' and ''katana'' generally differ in length, degree of curvature, and how they were worn when sheathed, the latter depending on the location of the ''mei'' (銘), or signature, on the tang. The ''tachi'' style of swords preceded the development of the ''katana'', which was not mentioned by name until near the end of the twelfth century. ''Tachi'' were the mainstream Japanese swords of the Kotō period between 900 and 1596. Even after the Muromachi period (1336–1573), when ''katana'' became the mainstream, ''tachi'' were often worn by high-ranking samurai. History The production of swords in Japan is divided into specific time periods: * ''Jōkotō'' (ancient swords, until around 900) * ''Kotō'' (old swords from around 900–1596) * ''Shintō'' (new swords 1596–1780) * ''Shinshintō'' (new new swords 1781–1876) * ''Gendaitō'' (modern or contemporary sw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Issun-bōshi
is the subject of a fairy tale from Japan. This story can be found in the old Japanese illustrated book '' Otogizōshi''. Similar central figures and themes are known elsewhere in the world, as in the tradition of Tom Thumb in English folklore. Synopsis The general story is: *A childless old couple prayed to the Sumiyoshi sanjin to be blessed with a child, and so they were able to have one. However, the child born was only one ''sun'' (around 3 cm or 1.2 in) in height and never grew taller. Thus, the child was named the "one-sun boy" or "Issun-bōshi". *One day, Issun-bōshi said he wanted to go the capital to become a warrior, so he embarked on his voyage with a bowl as a boat, a chopstick as a paddle, a needle as a sword, and a piece of straw as a scabbard. In the capital, he found a splendid big house and found employment there. When a girl of that family went on a journey to visit a palace, an '' oni'' kidnapped the girl. As Issun-bōshi attempted to save the gir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Treasure (Japan)
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan before th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-p000-frontispiece-oeyama.jpg "Click for more on -> Shuten-dōji")
kobutori-p000-man&oni.jpg "Click for more on -> Kobutori Jisan")
