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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical '' Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol’ Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, " ...
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Paul Whiteman
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering (song), Whispering", "Valencia (song), Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "The Parade of the Tin Soldiers, Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of ''Rhapsody in Blue'' by George Gershwin. Whiteman recorded many jazz and pop standards during his career, including "Wang Wang Blues", "Mississippi Mud", "Rhapsody in Blue", "Wonderful One", "Hot Lips, Hot Lips (He's Got Hot Lips When He Plays Jazz)", "Mississippi ...
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Greek Chorus
A Greek chorus, or simply chorus ( grc-gre, χορός, chorós), in the context of ancient Greek tragedy, comedy, satyr plays, and modern works inspired by them, is a homogeneous, non-individualised group of performers, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. Etymology Historian H. D. F. Kitto argues that the term ''chorus'' gives us hints about its function in the plays of ancient Greece: "The Greek verb ''choreuo'', 'I am a member of the chorus', has the sense 'I am dancing'. The word ''ode'' means not something recited or declaimed, but 'a song'. The 'orchestra', in which a chorus had its being, is literally a 'dancing floor'." From this, it can be inferred that the chorus danced and sang poetry. Dramatic function Plays of the ancient Greek theatre always included a chorus that offered a variety of background and summary ...
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Irving Kaufman (singer)
Irving Kaufman (February 8, 1890 – January 3, 1976) was a prolific American early twentieth century singer, recording artist and vaudeville performer. Life and career Kaufman was born Isidore Kaufman in Syracuse, New York, the son of Russian Jewish immigrants. He was a member of ''The Kaufman Brothers'', along with his brothers Phillip and Jack. From 1913 through 1919 Kaufman was part of The Avon Comedy Four, a popular comedy and music group that was formed in 1902. Two of the group's members went on to fame as Smith and Dale. Kaufman began recording in 1914, and recorded for Victor, Columbia, Vocalion, Gennett, Edison, Harmony, as well as all of the dime labels (Banner, Perfect, etc.). Early in his career, when recording for Edison and Victor, he recorded under his own name, but he also used a number of (non-Jewish-sounding) aliases including 'Tom Frawley'. Sometimes, as in the case of several of his 1927 "Broadway Bell-Hops" vocals, he was merely credited as "Vocal Ch ...
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Show Boat (1936 Film)
''Show Boat'' is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the ''Cotton Blossom'', a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", " Make Believe", and " Can't Help Lovin' Dat Man". The musical was first produced in 1927 by Florenz Ziegfeld. The premiere of ''Show Boat'' on Broadway was an important event in the history of American musical theatre. It "was a radical departure in musical storytelling, marrying spectacle with seriousness", compared with the trivial and unrealistic operettas, light musical comedies and "Follies"-type musical revues that defined Broadway in the 1890s and early 20th century. According to ''The Complete Book of Light Oper ...
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James Whale
James Whale (22 July 1889 – 29 May 1957) was an English film director, theatre director and actor, who spent the greater part of his career in Hollywood. He is best remembered for several horror films: ''Frankenstein'' (1931), '' The Old Dark House'' (1932), ''The Invisible Man'' (1933) and ''Bride of Frankenstein'' (1935), all considered classics. Whale also directed films in other genres, including the 1936 film version of the musical ''Show Boat''. Whale was born into a large family in Dudley, Worcestershire now Metropolitan Borough of Dudley. He discovered his artistic talent early on and studied art. With the outbreak of World War I he enlisted in the British Army and became an officer. He was captured by the Germans and during his time as a prisoner of war he realised he was interested in drama. Following his release at the end of the war he became an actor, set designer and director. His success directing the 1928 play ''Journey's End'' led to his move to the US ...
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Jules Bledsoe
Julius Lorenzo Cobb Bledsoe (1898 – July 14, 1943)
by John Troesser. Retrieved 2013-07-14.
was an American and one of the first artists to gain regular employment on .


Early life and education

Jules Bledsoe was born Julius Lorenzo Cobb Bledsoe to Henry L. and Jessie Cobb Bledsoe in

Grammy Hall Of Fame
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: * List of Grammy Hall of Fame Award recipients (A–D) * List of Grammy Hall of Fame Award recipients (E–I) * List of Grammy Hall of Fame Award recipients (J–P) * List of Grammy Hall of Fame Award recipients (Q–Z) See also *Grammy Lifetime Achievement Award * Latin Grammy Hall of Fame Award *National Recording Registry The National Recording Registry is a list of sound recordings ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ...
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Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell. His solos on seminal recordings such as "Singin' the Blues" and " I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. " In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of ...
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Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a leader in record sales, radio ratings, and motion picture grosses from 1926 to 1977. He made over 70 feature films and recorded more than 1,600 songs. His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. ''Yank'' magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, ''Music Digest'' estimated that his recordings filled more than half of the 80,000 weekly hou ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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