|
Nouvelle Vague
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine ''Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tendanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include '' Breathless'' (1960), '' Vivre sa vie'' (1962), '' Contempt'' (1963), ''Band of Outsiders'' (1964), '' Alphaville'' (1965), '' Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), '' Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic for the influential magazine '' Cahiers du Cinéma'', Godard criticised mainstream French cinema's "Tradition of Quality", which de-emphasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Film
An art film (or arthouse film) is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", containing "unconventional or highly symbolic content". Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as "a film genre, with its own distinct conventions". Art film producers usually present their films at special theaters ( repertory cinemas or, in the U.S., art- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many field ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Existential
Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence, and the role of personal agency in transforming one's life. In the view of an existentialist, the individual's starting point is phenomenological, grounded in the immediate direct experience of life. Key concepts include " existential angst", a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world, and also authenticity, courage, and human-heartedness. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the earliest figures associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche and novelist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Greek: grc, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, κλάω, lit=to break, translit=kláō, label=none)From grc, εἰκών + κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an '' iconolater''; in a Byzantine context, such a person is called an ''iconodule'' or ''ico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Art Cinema
European art cinema is a branch of cinema that was popular in the latter half of the 20th century. It is based on a rejection of the tenets and techniques of classical Hollywood cinema. History European art cinema gained popularity in the 1950s down to the 1970s, with notable filmmakers such as Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman. At this time it was new to the even broader field of art cinema. Differences from classical cinema The continuity editing system is not necessarily abandoned but instead is not ''needed''. The cause and effect driven narrative, as well as the goal-oriented protagonist are also not needed. Instead, we may have the protagonist wander around aimlessly for the whole movie, with nothing of real importance happening to drive him from one activity to the other. Classical Hollywood cinema has a narrative transitivity, in which there is "a sequence of events in which each unit follows the one preceding it according to a chain of causat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mumblecore
Mumblecore is a subgenre of independent filmHoberman, J. (August 14, 2007).It's Mumblecore!. ''The Village Voice''. Retrieved on July 27, 2008.Lim, Dennis (August 19, 2007)Mumblecore – The New Talkies: Generation DIY ''The New York Times''. Retrieved on July 27, 2008. characterized by naturalistic acting and dialogue (sometimes improvised), low-budget film production, an emphasis on dialogue over plot, and a focus on the personal relationships of young adults. Filmmakers associated with the genre include Andrew Bujalski, Lynn Shelton, Mark Duplass and Jay Duplass (known collectively as The Duplass Brothers), Greta Gerwig, Aaron Katz, Joe Swanberg,Hubert, Andrea (May 19, 2007).Andrea Hubert on the latest fad to hit the US indie film scene. ''The Guardian''. Retrieved on July 27, 2008.Harring, Michael (Sep 29, 2009).Local Sightings Film Festival: An I-5 Road Trip and Other New Movies Debut". ''The Seattle Weekly''. Retrieved on Oct 7, 2009. and Ry Russo-Young. In many cases, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Sincerity
New Sincerity (closely related to and sometimes described as synonymous with post-postmodernism) is a trend in music, aesthetics, literary fiction, film criticism, poetry, literary criticism and philosophy that generally describes creative works that expand upon and break away from concepts of postmodernist irony and cynicism. Its usage dates back to the mid-1980s; however, it was popularized in the 1990s by American author David Foster Wallace.Wallace, David Foster"E Unibus Pluram: Television and U.S. Fiction" ''Review of Contemporary Fiction'' 13(2), Summer 1993, pp. 151-194. In music "New Sincerity" was used as a collective name for a loose group of alternative rock bands, centered in Austin, Texas, in the years from about 1985 to 1990, who were perceived as reacting to the ironic and cynical outlook of then-prominent music movements like punk rock and new wave. The use of "New Sincerity" in connection with these bands began with an off-handed comment by Austin punk rocker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British New Wave
The British New Wave is a style of films released in Great Britain between 1959 and 1963. The label is a translation of '' Nouvelle Vague'', the French term first applied to the films of François Truffaut, and Jean-Luc Godard among others. Stylistic characteristics The British New Wave was characterised by many of the same stylistic and thematic conventions as the French New Wave. Usually in black and white, these films had a spontaneous quality, often shot in a pseudo-documentary (or '' cinéma vérité'') style on real locations and with real people rather than extras, apparently capturing life as it happens. There is considerable overlap between the New Wave and the ''angry young men'', those artists in British theatre and film such as playwright John Osborne and director Tony Richardson, who challenged the social ''status quo''. Their work drew attention to the reality of life for the working classes, especially in the North of England, often characterised as "It's grim up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dogme 95
Dogme 95 is a 1995 avant-garde filmmaking movement founded by the Danish directors Lars von Trier and Thomas Vinterberg, who created the "Dogme 95 Manifesto" and the "Vows of Chastity" ( da, kyskhedsløfter). These were rules to create films based on the traditional values of story, acting, and theme, and excluding the use of elaborate special effects or technology. It was supposedly created as an attempt to "take back power for the directors as artists", as opposed to the studio. They were later joined by fellow Danish directors Kristian Levring and Søren Kragh-Jacobsen, forming the Dogme 95 Collective or the Dogme Brethren. ''Dogme'' () is the Danish word for dogma. History Lars von Trier and Thomas Vinterberg wrote and co-signed the manifesto and its companion "vows". Vinterberg said that they wrote the pieces in 45 minutes. The manifesto initially mimics the wording of François Truffaut's 1954 essay "Une certaine tendance du cinéma français" in ''Cahiers du cinéma' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_by_Erling_Mandelmann.jpg "Click for more on -> Art Film")
