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Neo-Expressionism
Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called ''Transavantgarde'', '' Junge Wilde'' or ''Neue Wilden'' ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials. Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s. Neo-expressionists returned to portraying recognizable objects, such as the human body (although sometimes in an abstract manner), in a rough and violently emotional way, often using vivid colors. It was overtly inspired by German Expressionist painters, such as Emil Nolde, Max Beckmann, George Grosz, Ernst Ludwig Kirchner, James Ensor and Edvard Munch. It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Basquiat On Cover Of New York Times Magazine, 1985 Printed Magazine Insert
Jean-Michel is a French masculine given name. It may refer to : * Jean-Michel Arnold, General Secretary of the Cinémathèque Française * Jean-Michel Atlan (1913–1960), French artist * Jean-Michel Aulas (born 1949), French businessman * Jean-Michel Badiane (born 1983), French football defender of Senegalese descent * Jean-Michel Basquiat (1960–1988), American artist * Jean-Michel Bayle (born 1969), semi-retired French professional motorcycle racer * Jean-Michel Baylet (born 1946), French politician, Senator, and leader of the Radical Party * Jean-Michel Bazire (born 1971), French harness racing driver * Jean-Michel Bellot (born 1953), retired French male pole vaulter * Jean-Michel Berthelot (1945–2006), French sociologist, philosopher, epistemologist and social theorist * Jean-Michel Bertrand (1943–2008) * Jean-Michel Beysser (1753–1794), French general * Jean-Michel Bismut (born 1948), French mathematician * Jean-Michel Bokamba-Yangouma, Congolese politician * Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hairy Who
The Chicago Imagists are a group of representational artists associated with the School of the Art Institute of Chicago who exhibited at the Hyde Park Art Center in the late 1960s. Their work was known for grotesquerie, Surrealism and complete indifference to New York art world trends. Critic Ken Johnson referred to Chicago Imagism as "the postwar tradition of fantasy-based art making."Ken Johnson, "ART IN REVIEW; Ray Yoshida," The New York Times, September 17, 1999 Senior ''Chicago'' magazine editor Christine Newman said, "Even with the Beatles and the Vietnam War in the forefront, the artists made their own way, staking out their time, their place, and their work as an unforgettable happening in art history." The Imagists had an unusually high proportion of female artists. There are three distinct groups which, outside of Chicago, are indiscriminately bundled together as Imagists: The Monster Roster, The Hairy Who, and The Chicago Imagists. The Monster Roster The Monster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mira Schor
Mira Schor (born June 1, 1950) is an American artist, writer, editor, and educator, known for her contributions to critical discourse on the status of painting in contemporary art and culture as well as to feminist art history and criticism. Early life and education Mira Schor's parents Ilya and Resia Schor were Polish-born artists who came to the US in 1941. Mira Schor and her older sister Naomi Schor (1943–2001), a noted scholar of French Literature and Feminist theory, were both educated at the Lycée Français de New York. After receiving her Baccalauréat in 1967, Mira Schor studied art history at New York University (WSC B.A. 1970). During this time she worked as an assistant to Red Grooms and Mimi Gross. She attended the California Institute of the Arts (CalArts) from 1972-1973, receiving a Master of Fine Arts degree in Painting from in 1973. There she was a participant in the CalArts Feminist Art Program’s renowned project Womanhouse (1972). In the Feminist Art P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Craig Owens (critic)
Craig Owens (1950–1990) was an American post-modernist art critic, gay activist and feminist. Biography Craig Owens was a senior editor of ''Art in America'', a contributor to such scholarly journals as ''Skyline'' and ''October'', a graduate of Haverford College, and a professor of art history at Yale University and Barnard College. He wrote many essays on such diverse topics as photography, feminism, gay politics, art in the marketplace, serial art, and psychoanalysis, as well as a number of seminal essays on individual contemporary individual artists, including Allan McCollum, William Wegman, and Barbara Kruger. According to his colleague Douglas Crimp, Owens's great interest in ballet was important to his critical work. According to the critic Thomas Lawson, Owens was "on the one hand... this very high-minded, very abstract thinker, but he also had this mischievous, playful side that was a little cruel, maybe." One of Owens's most influential essays was ''The Allegorical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Foster (art Critic)
Harold Foss "Hal" Foster : Foster, Harold. Retrieved 2011-11-04. (born August 13, 1955) is an American and . He was educated at , , and the |
Benjamin Buchloh
Benjamin Heinz-Dieter Buchloh (born November 15, 1941) is a German art historian. Between 2005 and 2021 he was the Andrew W. Mellon Professor of Modern Art in the History of Art and Architecture department at Harvard University. Education and career Born in Cologne, Germany on November 15, 1941, Buchloh received a M.Phil in German literature from the Freie Universität Berlin in 1969. He later obtained his Ph.D in art history in 1994 from the Graduate Center at the City University of New York, where he studied with fellow art historian Rosalind Krauss. After time as an editor for German art journal ''Interfunktionen'' and teaching stints at the Kunstakademie Düsseldorf, NSCAD University, and CalArts, Buchloh began teaching art history at the State University of New York at Old Westbury and the University of Chicago. He later taught at the Massachusetts Institute of Technology as an associate professor from 1989–1994. From 1991–1993, he also served as the Director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Market
The art market is the marketplace of buyers and sellers trading in commodities, services, and works of art. The art market operates in an economic model that considers more than supply and demand: it is a hybrid type of prediction market where art is bought and sold for values based not only on a work's perceived cultural value, but on both its past monetary value as well as its predicted future value. The market has been described as one where producers don't make work primarily for sale, where buyers often have no idea of the value of what they buy, and where middlemen routinely claim reimbursement for sales of things they have never seen to buyers they have never dealt with.Plattner, StuartA Most Ingenious Paradox: The Market for Contemporary Fine Art ''American Anthropologist'' 100(2):482-493, 1998. Moreover, the market is not transparent; private sales data is not systematically available, and private sales represent about half of market transactions. Economics Unlike the v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Hughes (critic)
Robert Studley Forrest Hughes AO (28 July 19386 August 2012) was an Australian-born art critic, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of ''The New York Times'' as "the most famous art critic in the world." Hughes earned widespread recognition for his book and television series on modern art, ''The Shock of the New'', and for his longstanding position as art critic with ''TIME'' magazine. He is also known for his best seller '' The Fatal Shore'' (1986), a study of the British convict system in early Australian history. Known for his contentious critiques of art and artists, Hughes was generally conservative in his tastes, although he did not belong to a particular philosophical camp. His writing was noted for its power and elegance. Early life Hughes was born in Sydney, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First World War, with later car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Kuspit
Donald Kuspit (born March 26, 1935) is an American art critic and poet, known for his practice of psychoanalytic art criticism. He has published on the subjects of avant-garde aesthetics, postmodernism, modern art, and conceptual art. Education Kuspit graduated from Columbia College in 1955, and earned a M.A. from Yale University in 1958. He received his PhD in philosophy from the Goethe University Frankfurt in 1960. Kuspit next taught at Pennsylvania State University and became increasingly interested in art history. He earned a M.A. there in 1964. Kuspit is a Fulbright Scholar and has taught philosophy and American studies at Saarland University and University of Windsor. He earned a PhD in art history from the University of Michigan in 1971. Academic career Teaching positions Kuspit is a Distinguished Professor Emeritus of Art History and Philosophy at the State University of New York at Stony Brook and School of Visual Arts. He was the A. D. White Professor-at-Larg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Bonito Oliva
Achille Bonito Oliva (born 1939) is an Italian art critic and historian of contemporary art. Since 1968 he has taught history of contemporary art at La Sapienza, the university of Rome. He has written extensively on contemporary art and contemporary artists; he originated the term '' Transavanguardia'' to describe the new direction taken in the late 1970s by artists such as Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola De Maria, and Mimmo Paladino. He has organised or curated numerous contemporary art events and exhibitions; in 1993 he was artistic director of the Biennale di Venezia. Life and career Bonito Oliva was born in 1939 in Caggiano, in the province of Salerno, in Campania in southern Italy. He studied law, and then took a degree in letters. He took part in events connected with the avant-garde Gruppo 63 literary movement of the 1960s. In 1968 he began teaching history of contemporary art at La Sapienza, the university of Rome. He became active as an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitney Museum
The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a wealthy and prominent American socialite, sculptor, and art patron after whom it is named. The Whitney focuses on 20th- and 21st-century American art. Its permanent collection, spanning the late-19th century to the present, comprises more than 25,000 paintings, sculptures, drawings, prints, photographs, films, videos, and artifacts of new media by more than 3,500 artists. It places particular emphasis on exhibiting the work of living artists as well as maintaining an extensive permanent collection of important pieces from the first half of the last century. The museum's Annual and Biennial exhibitions have long been a venue for younger and lesser-known artists whose work is showcased there. From 1966 to 2014, the Whitney was at 9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
