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Nangiar Koothu
''Nangiar koothu'' or ''Nangyar Koothu'' is an allied traditional art of Kutiyattam, an age-old Sanskrit drama tradition of India. It is performed traditionally by the women of the Ambalavasi Nambiar community of Kerala, known as ''Nangyaramma'', but since the second half of the 20th century it's no longer the case. Nangiarkoothu, an offshoot of Kutiyattam, is a solo performance with an antiquity of 1500 years. It is the sole domain of female artistes. The stories for the performance are taken from the text ''Sree Krishna Charitam'', depicting the life of Lord Krishna. During the performance the actress presents the long-winded stories of Lord Krishna through hand gestures, facial expressions, and body movements to the accompaniment of the resonant pot drum mizhavu. Gallery File:Nangyar kooth of Kerala .jpg, Nangyar kooth of Kerala File:Kootiyaattam 4.jpg, At Kerala school Kalolsavam File:Nangyar Koothu - Koodiyattam By Dr Indu G 1.JPG File:Nangyaar kooth 7.jpg, Poothanaamoksham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nangiar Koothu IMG 1133
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a higher caste to Nairs including same name bearing Nair-Nambiar caste which usually leads to confusion. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Social groups of India Indian castes Kerala society Malayali Brahmins Hindu communities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nātyakalpadrumam
''Nātyakalpadrumam'' (നാട്യകല്പദ്രുമം in Malayalam, नाट्यकल्पद्रुमम् in Devanagari) is a book written by Guru Māni Mādhava Chākyār, considered the greatest exponent of Koodiyattam and Abhinaya in Kerala, about all aspects of ancient Sanskrit drama theatre tradition of Kerala—Kutiyattam. It was first published in Malayalam (1975) by Kerala Kalamandalam, with financial assistance of Sangeet Natak Academi, New Delhi. This work serves as a reference to both scholars and students. The entire book is written in the old Sanskrit text style closely following Nātyaśāstra. The structure and content of the book alike illustrate the knowledge of the author in both Sanskrit and Nātyaśāstra. The work received the Kerala Sahitya Academy Award in the year 1975. A Hindi translation has been published by the Sangeet Natak Akademi, New Delhi. Contents ''Natyakalpadruma''- theatrical study written by Mani Madhava Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Dance Traditions
Hindus (; ) are people who religiously adhere to Hinduism. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of ''Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koodiyattam
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is menti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his torso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margi Sathi
Margi Sathi (official name P. S. Sathi Devi) (1965 - 2015) was an exponent of Nangiǎr Kūthu which is a form of performing art derived from Koodiyattam and which is traditionally performed by the female members of the Chakkyar community of Kerala. She was also an accomplished expert in enacting the female characters in Koodiyattam. She has performed extensively within India and abroad. A notable performance was at the UNESCO headquarters in Paris in October 2001 as part of a programme to mark UNESCO's proclamation of Kutiyattam as a "masterpiece of oral and intangible heritage of humanity". Sathi had written the ''attaprakaram'' (performance manuals) for several Nangiǎr Kūthu performance. The ''attaprakaram'' for Sreeramacharitham (the story of Rama from Sita's point of view) has been published as a book in 1999. She has also appeared in a few Malayalam movies. Life Margi Sathi was born in 1965 at Cheruthuruthy in Thrissur as the daughter of Puthillathu Subramanyan Embranth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Academi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament House. The academy's Fellowship and Award are considered very prestigious. Functions The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama. It also works with governments and art academies in states and territories of the country. SNA established several institutions over the years: * Manipur Dance Academy, Imphal * Sattriya Centre * Kathak Kendra (National Institute of Kathak Dance), New D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māni Mādhava Chākyār
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of ''Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kutiyattam
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of '' Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is ment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the ''Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the ''Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a divine her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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