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Mughal-e-Azam
''Mughal-e-Azam'' () is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of ''Mughal-e-Azam'' began in 1944, when Asif read a 1922 play called ''Anarkali,'' by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. ''Mughal-e-Azam'' cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jahangir
Nur-ud-Din Muhammad Salim (30 August 1569 – 28 October 1627), known by his imperial name Jahangir (; ), was the fourth Mughal Emperor, who ruled from 1605 until he died in 1627. He was named after the Indian Sufi saint, Salim Chishti. Early life Prince Salim was the third son born to Akbar and his favourite Queen Consort, Mariam-uz-Zamani in Fatehpur Sikri on 30 August 1569. He had two elder brothers, Hassan Mirza and Hussain Mirza, born as twins to his parents in 1564, both of whom died in infancy. Since these children had died in infancy, Akbar sought the blessing of holy men for an heir-apparent to his empire. When Akbar was informed of the news that his chief Hindu wife was expecting a child, an order was passed for the establishment of a royal palace in Sikri near the lodgings of Shaikh Salim Chisti, where the Empress could enjoy the repose being in the vicinity of the revered saint. Mariam was shifted to the palace established there and during her pregnancy, Akba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dilip Kumar
Mohammed Yusuf Khan (; 11 December 1922 – 7 July 2021), better known by his stage name Dilip Kumar, was an Indian actor who worked in Hindi cinema. Credited with pioneering method acting in cinema, he dominated the Indian movie scene from late 1940s throughout 1960s, * * See Dilip Kumar section, * * being referred to as ''"Abhinay Samrat"'' (Hindi for "Emperor of Acting") by the audience. Kumar holds the record for most wins for the Filmfare Award for Best Actor (eight, which was later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He holds the best box-office record for a star (male or female) in Hindi cinema with over eighty-percent box-office successes."The best box office record for a star(male or female) in hindi films is held by the legendary Dilip Kumar." *"Based on purely box office record Dilip Kumar stands way ahead as his is by far the best box office record with 80% of his films being successes and nearly 50% outright hit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamal Amrohi
Syed Amir Haider Kamal Naqvi (17 January 1918 – 11 February 1993), popularly known as Kamal Amrohi, was an Indian film director and screenwriter. He was also an Urdu and Hindi poet. His Hindi films include '' Mahal'' (1949), ''Pakeezah'' (1972) and ''Razia Sultan'' (1983). He established Kamal Pictures (Mahal Films) in 1953 and Kamalistan Studio in Bombay in 1958. Early life Kamal Amrohi was born in Amroha, United Provinces in British India (present-day Uttar Pradesh) and later took on the name Kamal Amrohi (or Amrohvi). He was a first cousin to Pakistani writers Jaun Elia and Rais Amrohvi. Career In 1938, he left Amroha to study in Lahore, now part of Pakistan, where singer K. L. Saigal discovered him and took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietone film company, where he started his career working on films like ''Jailor'' (1938), ''Pukar'' (1939), ''Bharosa'' (1940), A. R. Kardar's film (Shahjehan 1946). He made his debut as a director in 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wajahat Mirza
Wajahat Hussain Mirza Changezi ( hi, वजाहत मिर्ज़ा; 20 April 1908 – 4 August 1990) was an Indian screenwriter and film director who penned the dialogues of some of the most successful films in India during the 1950s and 1960s, best known for ''Mughal-e-Azam'' (1960) and the Academy Award-nominee, ''Mother India'' (1957). Mirza won Filmfare Best Dialogue Award twice, in 1961 for ''Mughal-e-Azam'', and in 1962 for ''Ganga Jamuna''. He also won the Bengal Film Journalists' Association Awards for Ganga Jamuna. He was born in Sitapur, a small town 89 kilometers from Lucknow. While studying at Government Jubilee Inter College, Lucknow Mirza became acquainted with cinematographer Krishan Gopal of Calcutta, and worked as his assistant. He later co-produced with singer Midgan Kumar a movie called ''Anookhi Moohabat'' ("Crazy Lover") in Bombay. Mirza became a dialogue and screenplay writer and was also one of the first Indians to be nominated for an Oscar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigar Sultana (actress)
Nigar Sultana (21 June 1932 – 21 April 2000) was an Indian actress who worked in Hindi films. She appeared in '' Aag'' (1948), '' Patanga'' (1949), '' Sheesh Mahal'' (1950), '' Mirza Ghalib'' (1954), '' Yahudi'' (1958), ''Do Kaliyaan'' (1968), etc. but she is most notably remembered for playing the role of "Bahar begum" in the historical epic film '' Mughal-e-Azam'' (1960). She was the wife of filmmaker K. Asif. She died in May 2000, in Mumbai, India. Early life and education Nigar Sultana was born on 21 June 1932 in Hyderabad, India. She was the youngest daughter of a family of five. She has two brothers and two sisters. She spent her childhood in Hyderabad where her father held the rank of a Major in the Nizam’s State Army. She went to school for a while and later studied at home. She took part in a school drama on one occasion and ever after was keen on acting. Career The first film Nigar ever saw was '' Hum Tum Aur Woh'' (1938). She was so utterly thrilled by it that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhubala
Madhubala (born Mumtaz Jehan Begum Dehlavi; 14 February 1933 – 23 February 1969) was an Indian actress and producer who worked in Hindi-language films. She ranked as one of the highest-paid entertainers in India in the post-independence era, that coincided with the rise of Indian cinema on global levels. In a career spanning more than 20 years, Madhubala was predominantly active for only a decade but had appeared in over 60 films by the time of her death in 1969. Born and raised in Delhi, Madhubala relocated to Bombay with her family when she was 8 years old and shortly after appeared in minor roles in a number of films. She soon progressed to leading roles in the late 1940s, and earned success with the dramas '' Neel Kamal'' (1947) and ''Amar'' (1954), the horror film '' Mahal'' (1949), and the romantic films ''Badal'' (1951) and ''Tarana'' (1951). Following a brief setback, Madhubala rose to international prominence with her roles in the comedies '' Mr. & Mrs. '55'' (1955) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga Khote
Durga Khote (14 January 1905 − 22 September 1991) was an Indian actress, beginning as one of the foremost leading ladies of her times, she remained active in Hindi and Marathi cinema, as well as theatre, for over 50 years, starring in around 200 films and numerous theatre productions. In 2000, in a millennium issue, '' India Today'' named her among "100 People Who Shaped India", noting: "Durga Khote marks the pioneering phase for women in Indian Cinema", she was one of the first women from respectable families to enter the film industry, thus breaking a social taboo. She also ranks among the top ten actresses in mother roles in Hindi cinema, most notable among them were as Jodhabai in K. Asif's ''Mughal-e-Azam'' (1960); as Kaikeyi in Vijay Bhatt's classic ''Bharat Milap'' (1942); her other memorable roles as mother were in ''Charnon Ki Dasi'' (1941); ''Mirza Ghalib'' (1954); ''Bobby'' (1973) and '' Bidaai'' (1974). She has received the highest award in Indian cinema, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamshad Begum
Shamshad Begum (Hindi: शमशाद बेगम, IAST: ''Śamśād Bēgam''; 14 April 1919 – 23 April 2013) was an Indian singer who was one of the first playback singers in the Hindi film industry. Notable for her distinctive voice and range, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Gujarati, Tamil, and Punjabi languages, among which 1287 were Hindi film songs. She worked with renowned composers of the time, such as Naushad Ali and O. P. Nayyar, for whom she was one of their favorites. Her songs from the 1940s to the early 1970s remain popular and continue to be remixed. Personal life Shamshad Begum was born in Lahore, British India (present-day Pakistan) on 14 April 1919 the day after the Jallianwala Bagh massacre took place in nearby Amritsar. She was one of eight children, five sons and three daughters, born to a conservative Muslim family of limited means. Her father, Mian Hussain Baksh Maan, worked as a mechanic and her mother, Ghulam Fatima, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Cinema
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Highest-grossing Indian Films
This is a ranking of the highest grossing Indian films which includes films from various languages based on the conservative global box office estimates as reported by reputable sources. There is no official tracking of domestic box office figures within India, and Indian sites publishing data are frequently pressured to increase their domestic box office estimates. Indian films have been screened in markets around the world since the early 20th century.Burra, Rani Day & Rao, Maithili (2006), "Cinema", ''Encyclopedia of India (vol. 1)'', Thomson Gale, . As of 2003, there are markets in over 90 countries where films from India are screened.Khanna, Amit (2003), "The Future of Hindi Film Business", ''Encyclopaedia of Hindi Cinema: historical record, the business and its future, narrative forms, analysis of the medium, milestones, biographies'', Encyclopædia Britannica (India) Private Limited, . p 158 During the first decade of the 21st century, there was a steady rise in the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Awards
The National Film Awards is the most prominent film award ceremony in India. Established in 1954, it has been administered, along with the International Film Festival of India and the Indian Panorama, by the Indian government's Directorate of Film Festivals since 1973. Every year, a national panel appointed by the government selects the winning entry, and the award ceremony is held in New Delhi, where the President of India presents the awards. This is followed by the inauguration of the National Film Festival, where award-winning films are screened for the public. Declared for films produced in the previous year across the country, they hold the distinction of awarding merit to the best of Indian cinema overall, as well as presenting awards for the best films in each region and language of the country. History The Awards were first presented in 1954. The Government of India conceived the ceremony to honor films made across India, on a national scale, to encourage the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Colorization
Film colorization (American English; or colourisation [British English], or colourization [Canadian English and Oxford English]) is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color films. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing. Early techniques Hand colorization The first film colorization methods were hand done by individuals. For example, at least 4% of George Méliès' output, including some prints of ''A Trip to the Moon'' from 1902 and other major films such as ''The Kingdom of the Fairies'', '' The Impossible Voyage'', and ''The Barber of Seville'' were individually hand-colored by Elisabeth Thuillier's coloring lab in Paris. Thuillier, a former colorist of glass and celluloid products, directed a studio of two hundred peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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