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Morisot
Berthe Marie Pauline Morisot (; January 14, 1841 – March 2, 1895) was a French painter and a member of the circle of painters in Paris who became known as the Impressionists. In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government and judged by Academicians, the Salon was the official, annual exhibition of the Académie des beaux-arts in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the ''"rejected"'' Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar. Morisot went on to participate in all but one of the following eight impressionist exhibitions, between 1874 and 1886. Morisot was married to Eugène Manet, the brother of her friend and colleague Édouard Manet. She was described by art critic ...
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Impressionists
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that bec ...
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Summer's Day
''Summer's Day'' (or ''Jour d'eté'') is an oil on canvas painting by the French Impressionist painter Berthe Morisot, created in 1879. The painting depicts two women seated in a row boat, and was painted in the Bois de Boulogne. It is held at the National Gallery, in London. History During the winter of 1878-1879, Morisot had her first child, Julie. The following summer, she walked every day with Julie and her nurse in the Bois de Boulogne. After a long period spent indoors, it gave her the wish to start painting outdoors again. However, she did not wanted to leave her child alone with her nanny for long periods of time. Finally, she found a balance between her maternal duty and her wish to resume her painting, by bringing her models to the park, so she could work there and be with Julie at the same time. Morisot exhibited ''Summer's Day'' during the Fifth Great Impressionist Exhibition, in 1880, along with several other works she produced during the summer of 1879. In fact, for ...
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Eugène Manet
Eugène Manet (21 November 1833 – 13 April 1892) was a French painter. He did not achieve the high reputation of his older brother Édouard Manet or his wife Berthe Morisot, and devoted much of his efforts to supporting his wife's career. Manet was the middle of the three sons of Auguste Manet, an official at the French Ministry of Justice. He was born in Paris, 22 months after his older brother Édouard in January 1832, and 16 months before his younger brother Gustave in March 1835. He was named after his mother Eugénie-Désirée (née Fournier). The brothers Édouard and Eugène took piano lessons from Suzanne Leenhoff from 1849; she eventually married Édouard in 1863. Eugéne served in the French Army, and then studied law, but did not follow his father into a legal career. He travelled to Italy with Édouard in 1853 to study Old Master paintings in Florence, Venice, and Rome. Berthe Morisot developed a close relationship with Édouard Manet from 1868, but they cou ...
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Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in ...
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Marie Bracquemond
Marie Bracquemond (1 December 1840 – 17 January 1916) was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-1895), and Eva Gonzales (1847-1883). Bracquemond studied drawing as a child and began showing her work at the Paris Salon when she was still an adolescent. She never underwent formal art training, but she received limited instruction from Jean-Auguste-Dominique Ingres (1780–1867) and advice from Paul Gauguin (1848–1903) which contributed to her stylistic approach. She married noted printmaker Félix Bracquemond (1833–1914), who helped popularize Japanese art in France. Together, they produced ceramic art for Haviland & Co., a manufacturer of Limoges porcelain. Marie's frequent omission from books on artists is sometimes attributed to the efforts of her husband. Although Félix participated with the Impressionist exhibitions, he notably disapproved of the ...
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Mary Cassatt
Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children. She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot. In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense. Early life Cassatt was born in Allegheny City, Pennsylvania, which is now part of Pittsburgh. She was born into an upper-middle-class family: Her father, Robert Simpson Cassat (later Cassatt), was a successful stockbroker and land speculator. The ancestral ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionism, Impressionist style. As a celebrator of beauty and especially femininity, feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Peter Paul Rubens, Rubens to Antoine Watteau, Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had ...
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Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to '' plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to hi ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionism, Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, Printmaking, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a Realist visual arts, realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb Drawing, draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female Nude (art), nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning ...
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Bourges
Bourges () is a commune in central France on the river Yèvre. It is the capital of the department of Cher, and also was the capital city of the former province of Berry. History The name of the commune derives either from the Bituriges, the name of the original inhabitants, or from the Germanic word '' Burg'' (French: ''bourg''; Spanish: ''burgo''; English, others: '' burgh'', ''berg'', or '' borough''), for "hill" or "village". The Celts called it ''Avaricon''; Latin-speakers: ''Avaricum''. In the fourth century BC, as in the time of Caesar, the area around it was the center of a Gallic (Celtic) confederacy. In 52 BC, the sixth year of the Gallic Wars, while the Gauls implemented a scorched-earth policy to try to deny Caesar's forces supplies, the inhabitants of Avaricum begged not to have their town burned. It was temporarily spared due to its good defences provided by the surrounding marshes, by a river that nearly encircled it, and by a strong southern wall. Jul ...
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Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and cl ...
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