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Monologue
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media ( plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices. Similar literary devices Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monologues
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media ( plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices. Similar literary devices Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Monologue
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the ''dramatic monologue'' as it applies to poetry: Types of dramatic monologue One of the most important influences on the development of the dramatic monologue is romantic poetry. However, the long, personal lyrics typical of the Romantic period are not dramatic monologues, in the sense that they do not, for the most part, imply a concentrated narrative. Poems such as William Wordsworth's ''Tintern Abbey'' and Percy Bysshe Shelley's ''Mont Blanc'', to name two famous examples, offered a model of close psychological observation and philosophical or pseudo-philosophical inquiry described in a specific setting. The conversation poems of Samuel Taylor Coleridge are perhaps a better precedent. The genre was also developed by Felicia Hemans and Letitia Elizabeth Landon, beginning in the latter's case with her long poem ''The Improvi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Monologue
Intrapersonal communication is the process by which an individual communicates within themselves, acting as both sender and receiver of messages, and encompasses the use of unspoken words to consciously engage in self-talk and inner speech. Intrapersonal communication, also referred to as internal monologue, autocommunication, self-talk, inner speech, or internal discourse, is a person's inner voice which provides a running monologue of thoughts while they are conscious. It is usually tied to a person's sense of self. It is particularly important in planning, problem solving, self-reflection, self-image, critical thinking, emotions, and subvocalization (reading in one's head). As a result, it is relevant to a number of mental disorders, such as depression (mood), depression, and treatments like cognitive behavioral therapy which seek to alleviate symptoms by providing strategies to regulate cognitive behaviour. It may reflect both conscious and subconscious beliefs. Intraperson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diseuse
A monologist (), or interchangeably monologuist (), is a solo artist who recites or gives dramatic readings from a monologue, soliloquy, poetry, or work of literature, for the entertainment of an audience. The term can also refer to a person who monopolizes a conversation; and, in an obsolete sense, could describe a bird with an unchanging, repetitive song. Dramatic monologist A dramatic monologist is a term sometimes applied to an actor performing in a monodrama often with accompaniment of music. In a monodrama the lone player relays a story through the eyes of a central character, though at times may take on additional roles. In the modern era the more successful practitioners of this art have been actresses frequently referred to by the French term “diseuse”.Pittsburgh Post-Gazette - the December 21, 1935 p. 11 Diseuse Diseuse (, ) French for "teller", also called talkers, storytellers, dramatic-singers or dramatic-talkers is a term, at least as used on the English-spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-person Show
A solo performance, sometimes referred to as a one-man show or one-woman show, features a single person telling a story for an audience, typically for the purpose of entertainment. This type of performance comes in many varieties, including autobiographical creations, comedy acts, novel adaptations, vaudeville, poetry, music and dance. In 1996, Rob Becker's '' Defending the Caveman'' became the longest running solo (one man) play in the history of Broadway. Traits of solo performance Solo performance is used to encompass the broad term of a single person performing for an audience. Some key traits of solo performance can include the lack of the fourth wall and audience participation or involvement. Solo performance does not need to be written, performed and produced by a single person—a solo performance production may use directors, writers, designers and composers to bring the piece to life on a stage. An example of this collaboration is Eric Bogosian in the published version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asides
An aside is a dramatic device in which a character speaks to the audience. By convention, the audience is to realize that the character's speech is unheard by the other characters on stage. It may be addressed to the audience expressly (in character or out) or represent an unspoken thought. An aside is usually a brief comment, rather than a speech, such as a monologue or soliloquy. Unlike a public announcement, it occurs within the context of the play. An aside is, by convention, a true statement of a character's thought; a character may be mistaken in an aside, but may not be dishonest. Examples This technique is used by many playwrights, including William Shakespeare. For instance, in the play ''Macbeth'', Macbeth has the following aside: Another example is found in ''Hamlet'': This technique has frequently been used in film comedy, for example in the Bob Hope "Road" comedies, Woody Allen comedies and in ''Ferris Bueller's Day Off''. The Jean-Luc Godard film '' Breathless'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soliloquy
A soliloquy (, from Latin ''solo'' "to oneself" + ''loquor'' "I talk", plural ''soliloquies'') is a monologue addressed to oneself, thoughts spoken out loud without addressing another. Soliloquies are used as a device in drama to let a character make their thoughts known to the audience, address it directly or take it into their confidence. But sometimes that confidence may be partial--when characters share only part of their thoughts to the audience. English Renaissance theatre, English Renaissance drama used soliloquies to great effect, such as in the soliloquy "To be, or not to be", the centerpiece of William Shakespeare, Shakespeare's ''Hamlet''. See also *Aside *Backstory *Exposition (narrative) *Internal monologue *List of narrative techniques *Narration References [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Style (fiction)
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as ''rules'', ''elements'', ''essentials'', ''mechanics'', or ''handbook''; the latter are re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoken Word
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound. History Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to commit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction-writing Mode
A fiction-writing mode is a manner of writing with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions. Currently, there is no consensus within the writing community regarding the number and composition of fiction-writing modes and their uses. Some writing modes suggested include action, dialogue, thoughts, summary, scene, description, background, exposition and transition. Overview The concept goes back at least as far as Aristotle who, in ''Poetics'', referred to narration and action as different modes or manner of representing something. For many years, fiction writing was described as having two types: narration and dialogue. Evan Marshall, in ''The Marshall Plan for Novel Writing'' (1998) noted that writers should know what they are doing at all times. He described w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stand-up Comedy
Stand-up comedy is a comedic performance to a live audience in which the performer addresses the audience directly from the stage. The performer is known as a comedian, a comic or a stand-up. Stand-up comedy consists of one-liners, stories, observations or a shtick that may incorporate props, music, magic tricks or ventriloquism. It can be performed almost anywhere, including comedy clubs, comedy festivals, bars, nightclubs, colleges or theatres. History Stand-up as a Western art form has its roots in the stump speech of American minstrel shows, which featured an actor in blackface delivering nonsensical monologue to the audience. While the intention of stump speeches was to mock African-Americans, they also occasionally contained political and social satire. The minstrel show would later influence theatrical traditions of the late 19th and early 20th centuries, such as vaudeville and burlesque. The first documented use of "stand-up" as a term was in '' The Stag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
