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Meyer–Wempe
Meyer–Wempe romanization was the system used by two Roman Catholic missionaries in Hong Kong, Bernard F. Meyer and Theodore F. Wempe, for romanizing Cantonese in their ''Student's Cantonese English Dictionary'' published in 1935. Provenance Although some attribute development of the system to them, there was nothing new in it as their entire schema followed the system devised in the last decade of the 19th century known as Standard Romanization (SR), which, in turn, was almost identical to John Chalmers' system of 1870. Chalmers' system was significant in that it was the first system to virtually do away with diacritics entirely, the sole survivor being his final ö, which is eu in the Standard Romanization while being in this one oeh. Initials The distinction between the alveolar sibilants (, , and ) and alveolo-palatal In phonetics, alveolo-palatal (or alveopalatal) consonants, sometimes synonymous with pre-palatal consonants, are intermediate in articulation b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanization
Romanization or romanisation, in linguistics, is the conversion of text from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanization include transliteration, for representing written text, and transcription, for representing the spoken word, and combinations of both. Transcription methods can be subdivided into ''phonemic transcription'', which records the phonemes or units of semantic meaning in speech, and more strict '' phonetic transcription'', which records speech sounds with precision. Methods There are many consistent or standardized romanization systems. They can be classified by their characteristics. A particular system’s characteristics may make it better-suited for various, sometimes contradictory applications, including document retrieval, linguistic analysis, easy readability, faithful representation of pronunciation. * Source, or donor language – A system may be tailored to romanize text from a particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantonese Phonology
The standard pronunciation of Cantonese is that of Guangzhou, also known as Canton, the capital of Guangdong Province. Hong Kong Cantonese is related to the Guangzhou dialect, and the two diverge only slightly. Yue dialects in other parts of Guangdong and Guangxi provinces, such as Taishanese, may be considered divergent to a greater degree. Syllables A syllable generally corresponds to a word or a character. Most syllables are etymologically associated with either standard Chinese characters or colloquial Cantonese characters. Modern linguists have discovered that about 1,760 syllables are used in Cantonese and cover the pronunciations of more than 10,000 Chinese characters. Therefore, there is an average of six homophonous characters per syllable. Phonetically, a Cantonese syllable has only two parts: the sound and the tone. Sounds A Cantonese syllable usually consists of an initial (onset) and a final ( rime/rhyme). There are about 630 syllables in the Cantonese syllabary. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantonese
Cantonese ( zh, t=廣東話, s=广东话, first=t, cy=Gwóngdūng wá) is a language within the Chinese (Sinitic) branch of the Sino-Tibetan languages originating from the city of Guangzhou (historically known as Canton) and its surrounding area in Southeastern China. It is the traditional prestige variety of the Yue Chinese dialect group, which has over 80 million native speakers. While the term ''Cantonese'' specifically refers to the prestige variety, it is often used to refer to the entire Yue subgroup of Chinese, including related but largely mutually unintelligible languages and dialects such as Taishanese. Cantonese is viewed as a vital and inseparable part of the cultural identity for its native speakers across large swaths of Southeastern China, Hong Kong and Macau, as well as in overseas communities. In mainland China, it is the '' lingua franca'' of the province of Guangdong (being the majority language of the Pearl River Delta) and neighbouring areas such as Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantonese Phonology
The standard pronunciation of Cantonese is that of Guangzhou, also known as Canton, the capital of Guangdong Province. Hong Kong Cantonese is related to the Guangzhou dialect, and the two diverge only slightly. Yue dialects in other parts of Guangdong and Guangxi provinces, such as Taishanese, may be considered divergent to a greater degree. Syllables A syllable generally corresponds to a word or a character. Most syllables are etymologically associated with either standard Chinese characters or colloquial Cantonese characters. Modern linguists have discovered that about 1,760 syllables are used in Cantonese and cover the pronunciations of more than 10,000 Chinese characters. Therefore, there is an average of six homophonous characters per syllable. Phonetically, a Cantonese syllable has only two parts: the sound and the tone. Sounds A Cantonese syllable usually consists of an initial (onset) and a final ( rime/rhyme). There are about 630 syllables in the Cantonese syllabary. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macron (diacritic)
A macron () is a diacritical mark: it is a straight bar placed above a letter, usually a vowel. Its name derives from Ancient Greek (''makrón'') "long", since it was originally used to mark long or heavy syllables in Greco-Roman metrics. It now more often marks a long vowel. In the International Phonetic Alphabet, the macron is used to indicate a mid-tone; the sign for a long vowel is instead a modified triangular colon . The opposite is the breve , which marks a short or light syllable or a short vowel. Uses Syllable weight In Greco-Roman metrics and in the description of the metrics of other literatures, the macron was introduced and is still widely used in dictionaries and educational materials to mark a long (heavy) syllable. Even relatively recent classical Greek and Latin dictionaries are still concerned with indicating only the length (weight) of syllables; that is why most still do not indicate the length of vowels in syllables that are otherwise metrically d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breve
A breve (, less often , neuter form of the Latin "short, brief") is the diacritic mark ˘, shaped like the bottom half of a circle. As used in Ancient Greek, it is also called , . It resembles the caron (the wedge or in Czech, in Slovak) but is rounded, in contrast to the angular tip of the caron. In many forms of Latin, ˘ is used for a shorter, softer variant of a vowel, such as "Ĭ", where the sound is nearly identical to the English /i/. (See: Latin IPA) Length The breve sign indicates a short vowel, as opposed to the macron ¯, which indicates long vowels, in academic transcription. It is often used that way in dictionaries and textbooks of Latin, Ancient Greek, Tuareg and other languages. However, there is a frequent convention of indicating only the long vowels. It is then understood that a vowel with no macron is short. If the vowel length is unknown, a breve as well as a macron are used in historical linguistics (Ā̆ ā̆ Ē̆ ē̆ Ī̆ ī̆ Ō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circumflex
The circumflex () is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from la, circumflexus "bent around"a translation of the el, περισπωμένη (). The circumflex in the Latin script is chevron-shaped (), while the Greek circumflex may be displayed either like a tilde () or like an inverted breve (). For the most commonly encountered uses of the accent in the Latin alphabet, precomposed characters are available. In English, the circumflex, like other diacritics, is sometimes retained on loanwords that used it in the original language (for example, '' crème brûlée''). In mathematics and statistics, the circumflex diacritic is sometimes used to denote a function and is called a '' hat operator''. A free-standing version of the circumflex symbol, , has become known as '' caret'' and has acquired special uses, particularly in co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grave Accent
The grave accent () ( or ) is a diacritical mark used to varying degrees in French, Dutch, Portuguese, Italian and many other western European languages, as well as for a few unusual uses in English. It is also used in other languages using the Latin alphabet, such as Mohawk and Yoruba, and with non-Latin writing systems such as the Greek and Cyrillic alphabets and the Bopomofo or Zhuyin Fuhao semi-syllabary. It has no single meaning, but can indicate pitch, stress, or other features. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available. For less-used and compound diacritics, a combining character facility is available. A free-standing version of the symbol, commonly called a backtick, also exists and has acquired other uses. Uses Pitch The grave accent first appeared in the polytonic orthography of Ancient Greek to mark a lower pitch than the high pitch of the acute accent. In modern practice, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acute Accent
The acute accent (), , is a diacritic used in many modern written languages with alphabets based on the Latin, Cyrillic, and Greek scripts. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available. Uses History An early precursor of the acute accent was the apex, used in Latin inscriptions to mark long vowels. Pitch Ancient Greek The acute accent was first used in the polytonic orthography of Ancient Greek, where it indicated a syllable with a high pitch. In Modern Greek, a stress accent has replaced the pitch accent, and the acute marks the stressed syllable of a word. The Greek name of the accented syllable was and is (''oxeîa'', Modern Greek ''oxía'') "sharp" or "high", which was calqued (loan-translated) into Latin as "sharpened". Stress The acute accent marks the stressed vowel of a word in several languages: *Blackfoot uses acute accents to show the place of stress in a word: soyóp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Contour
A tone contour, or contour tone, is a tone in a tonal language which shifts from one pitch to another over the course of the syllable or word. Tone contours are especially common in East, Southeast Asia, West Africa, Nilo-Saharan languages, Khoisan languages, Oto-Manguean languages and some languages of South America. Contours When the pitch descends, the contour is called a ''falling tone;'' when it ascends, a ''rising tone;'' when it descends and then returns, a ''dipping'' or ''falling-rising tone;'' and when it ascends and then returns, it is called a ''peaking'' or ''rising-falling tone.'' A tone in a contour-tone language which remains at approximately an even pitch is called a ''level tone.'' Tones which are too short to exhibit much of a contour, typically because of a final plosive consonant, may be called '' checked, abrupt, clipped,'' or ''stopped tones.'' It has been theorized that the relative timing of a contour tone is not distinctive. That is, in some accents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nasal Stop
In phonetics, a nasal, also called a nasal occlusive or nasal stop in contrast with an oral stop or nasalized consonant, is an occlusive consonant produced with a lowered velum, allowing air to escape freely through the nose. The vast majority of consonants are oral consonants. Examples of nasals in English are , and , in words such as ''nose'', ''bring'' and ''mouth''. Nasal occlusives are nearly universal in human languages. There are also other kinds of nasal consonants in some languages. Definition Nearly all nasal consonants are nasal occlusives, in which air escapes through the nose but not through the mouth, as it is blocked (occluded) by the lips or tongue. The oral cavity still acts as a resonance chamber for the sound. Rarely, non-occlusive consonants may be nasalized. Most nasals are voiced, and in fact, the nasal sounds and are among the most common sounds cross-linguistically. Voiceless nasals occur in a few languages such as Burmese, Welsh, Icelandic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alveolo-palatal
In phonetics, alveolo-palatal (or alveopalatal) consonants, sometimes synonymous with pre-palatal consonants, are intermediate in articulation between the coronal and dorsal consonants, or which have simultaneous alveolar and palatal articulation. In the official IPA chart, alveolo-palatals would appear between the retroflex and palatal consonants but for "lack of space".John Esling, 2010, "Phonetic Notation". In Hardcastle, Laver, & Gibbon, eds, ''The Handbook of Phonetic Sciences'', p 693 Ladefoged and Maddieson characterize the alveolo-palatals as palatalized postalveolars ( palato-alveolars), articulated with the blade of the tongue behind the alveolar ridge and the body of the tongue raised toward the palate, whereas Esling describes them as advanced palatals (pre-palatals), the furthest front of the dorsal consonants, articulated with the body of the tongue approaching the alveolar ridge. These descriptions are essentially equivalent, since the contact includes bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
