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Metatheatre
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device. Metatheatrical devices may include: direct address to the audience (especially in soliloquies, asides, prologues, and epilogues); expression of an awareness of the presence of the audience (whether they are addressed directly or not); an acknowledgement of the fact that the people performing are actors (and not actually the characters they are playing); an element whose meaning depends on the difference between the represented time and place of the drama (the fictional world) and the time and place of its theatrical presentation (the reality of the theatre event); plays-within-plays (or masques, spectacles, or other forms of performance within the drama); references to acting, theatre, dramatic writing, spectatorship, and the fre ...
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Metareference
Meta-reference is a special type of self-reference that can occur in all media or media artifacts, for instance literature, film, painting, TV series, comic strips, or video games. It includes all references to, or comments on, a specific medium, medial artifact, or the media in general. These references and comments originate from a logically higher level (a "meta-level") within any given artifact, and draw attention to—or invite reflection about—media-related issues (e.g. the production, performance, or reception) of said artifact, specific other artifacts (as in parody), or to parts, or the entirety, of the medial system. It is, therefore, the recipient's awareness of an artifact's medial quality that distinguishes meta-reference from more general forms of self-reference. Thus, meta-reference triggers media-awareness within the recipient, who, in turn "becomes conscious of both the medial (or "fictional" in the sense of artificial and, sometimes in addition, "invented") statu ...
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Play (theatre)
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance. Comedy Comedies are plays which are designed to be humorous. Comedies are often fille ...
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Theatre Of Ancient Greece
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word " tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδε ...
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Brutus
Marcus Junius Brutus (; ; 85 BC – 23 October 42 BC), often referred to simply as Brutus, was a Roman politician, orator, and the most famous of the assassins of Julius Caesar. After being adopted by a relative, he used the name Quintus Servilius Caepio Brutus, which was retained as his legal name. Early in his political career, Brutus opposed Pompey, who was responsible for Brutus' father's death. He also was close to Caesar. However, Caesar's attempts to evade accountability in the law courts put him at greater odds with his opponents in the Roman elite and the senate. Brutus eventually came to oppose Caesar and sided with Pompey against Caesar's forces during the ensuing civil war (49–45 BC). Pompey was defeated at the Battle of Pharsalus in 48, after which Brutus surrendered to Caesar, who granted him amnesty. With Caesar's increasingly monarchical and autocratic behaviour after the civil war, several senators who later called themselves ''liberatores'' (Liberators), ...
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Julius Caesar (play)
''The Tragedy of Julius Caesar ''( First Folio title: ''The Tragedie of Ivlivs Cæsar'') is a history play and tragedy by William Shakespeare first performed in 1599. In the play, Brutus joins a conspiracy led by Cassius to assassinate Julius Caesar, to prevent him from becoming a tyrant. Caesar's right-hand man Antony stirs up hostility against the conspirators and Rome becomes embroiled in a dramatic civil war. Characters * Julius Caesar '' Triumvirs after Caesar's death'' * Octavius Caesar * Mark Antony * Lepidus ''Conspirators against Caesar'' * Marcus Brutus (Brutus) * Cassius * Casca * Decius Brutus * Cinna * Metellus Cimber * Trebonius * Caius Ligarius ''Tribunes'' * Flavius * Marullus ''Roman Senate Senators'' * Cicero * Publius * Popilius Lena ''Citizens'' * Calpurnia – Caesar's wife * Portia – Brutus' wife * Soothsayer – a person supposed to be able to foresee the future * Artemidorus – sophist from Knidos * Cinna – poet * ...
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Polonius
Polonius is a character in William Shakespeare's play ''Hamlet''. He is chief counsellor of the play's ultimate villain, Claudius, and the father of Laertes and Ophelia. Generally regarded as wrong in every judgment he makes over the course of the play, Polonius is described by William Hazlitt as a "sincere" father, but also "a busy-body, hois accordingly officious, garrulous, and impertinent". In Act II, Hamlet refers to Polonius as a "tedious old fool" and taunts him as a latter day "Jephtha". Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet. Character Father of Ophelia and Laertes, and counsellor to King Claudius, he is described as a windbag by some and a rambler of wisdom by others. It has also been suggested that he only acts like a "foolish prating knave" to keep his position and pop ...
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Prince Hamlet
A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The female equivalent is a princess. The English word derives, via the French word ''prince'', from the Latin noun , from (first) and (head), meaning "the first, foremost, the chief, most distinguished, noble ruler, prince". Historical background The Latin word (older Latin *prīsmo-kaps, literally "the one who takes the first lace/position), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the ''princeps senatus''. Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, ...
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Antony And Cleopatra
''Antony and Cleopatra'' ( First Folio title: ''The Tragedie of Anthonie, and Cleopatra'') is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623. The plot is based on Thomas North's 1579 English translation of Plutarch '' Lives'' (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the War of Actium. The main antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome. Many consider Shakespeare's Cleopat ...
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Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys.   Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th century ...
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Cleopatra
Cleopatra VII Philopator ( grc-gre, Κλεοπάτρα Φιλοπάτωρ}, "Cleopatra the father-beloved"; 69 BC10 August 30 BC) was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler.She was also a diplomat, naval commander, linguist, and medical author; see and . A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. writes about Ptolemy I Soter: "The Ptolemaic dynasty, of which Cleopatra was the last representative, was founded at the end of the fourth century BC. The Ptolemies were not of Egyptian extraction, but stemmed from Ptolemy Soter, a Macedonian Greek in the entourage of Alexander the Great."For additional sources that describe the Ptolemaic dynasty as " Macedonian Greek", please see , , , and . Alternatively, describes them as a "Macedonian, Greek-speaking" dynasty. Other sources such as and describe the Ptolemies a ...
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Medieval Theatre
Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as ''Everyman''. One of the first surviving secular plays in English is '' The Interlude of the Student and the Girl'' (c. 1300). Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, ...
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Theatre Studies
Theatre studies (sometimes referred to as theatrology or dramatics) is the study of theatrical performance in relation to its literary, physical, psychobiological, sociological, and historical contexts. It is an interdisciplinary field which also encompasses the study of theatrical aesthetics and semiotics. A late-20th-century development in the area has been the ethnographic theory of theatre, pioneered by the Russian scholar Larisa Ivleva who studied the influence of folk culture on the development of Russian theatre. List of theatrologists Because of the interdisciplinary nature of the field, those who have been described as theatrologists can vary widely in terms of the primary focus of their activities. *Emil František Burianwriter, singer, actor, musician, composer, playwright and director * Jovan Ćirilovphilosopher, dramaturge, and writer *François Delsarteteacher of acting and singing *Joseph Gregortheatre historian and opera librettist * John Heilperntheatre critic and ...
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