Melodramma
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Melodramma
''Melodramma'' (plural: ''melodrammi'') is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th century, it was used in a much narrower sense by English writers to discuss developments in the early Italian libretto, e.g., ''Rigoletto'' and ''Un ballo in maschera''. Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus. It should not be confused with Melodrama (spelt with a single rather than a double m) in the sense either of Victorian stage melodrama (drama of exaggerated intensity) or of spoken declamation accompanied by background music (in Italian, ''melologo'').Budden, Julian: ''Melodramma'' in 'The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, t ...
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