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Medusa
In Greek mythology, Medusa (; Ancient Greek: Μέδουσα "guardian, protectress"), also called Gorgo, was one of the three monstrous Gorgons, generally described as winged human females with living venomous snakes in place of hair. Those who gazed into her eyes would turn to stone. Most sources describe her as the daughter of Phorcys and Ceto, although the author Hyginus makes her the daughter of Gorgon and Ceto. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her shield. In classical antiquity, the image of the head of Medusa appeared in the evil-averting device known as the '' Gorgoneion''. According to Hesiod and Aeschylus, she lived and died on Sarpedon, somewhere near Cisthene. The 2nd-century BC novelist Dionysios Skytobrachion puts her somewhere in Libya, where Herodotus had said the Berbers originated her myth as part of ...
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Gorgon
A Gorgon ( /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the term most commonly refers to three sisters who are described as having hair made of living, venomous snakes and horrifying visages that turned those who beheld them to stone. Traditionally, two of the Gorgons, Stheno and Euryale, were immortal, but their sister Medusa was not and was slain by the demigod and hero Perseus. Etymology The name derives from the Ancient Greek word (), which means 'grim or dreadful', and appears to come from the same root as the Sanskrit word (), which means a guttural sound, similar to the growling of a beast, thus possibly originating as an onomatopoeia. Depictions Gorgons were a popular image in Greek mythology, appearing in the earliest of written records of Ancient Greek religious beliefs such as those ...
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Perseus
In Greek mythology, Perseus ( /ˈpɜːrsiəs, -sjuːs/; Greek: Περσεύς, translit. Perseús) is the legendary founder of Mycenae and of the Perseid dynasty. He was, alongside Cadmus and Bellerophon, the greatest Greek hero and slayer of monsters before the days of Heracles. He beheaded the Gorgon Medusa for Polydectes and saved Andromeda from the sea monster Cetus. He was the son of Zeus and the mortal Danaë, as well as the half-brother and great-grandfather of Heracles (as they were both children of Zeus, and Heracles' mother was descended from Perseus). Etymology Because of the obscurity of the name "Perseus" and the legendary character of its bearer, most etymologists presume that it might be pre-Greek; however, the name of Perseus's native city was Greek and so were the names of his wife and relatives. There is some idea that it descended into Greek from the Proto-Indo-European language. In that regard Robert Graves has proposed the only Greek derivation avai ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from '' polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft an ...
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Petrifaction In Mythology And Fiction
Petrifaction, or petrification, defined as turning people to stone, is a common theme in folklore and mythology, as well as in some works of modern literature. Amos Brown noted that "Fossils are to be found all over the world, a clear evidence to human beings from earliest times that living beings can indeed turn into stone (...) Previous to the modern scientific accounts of how fossils are formed, the idea of magicians or gods turning living creatures into stone seemed completely plausible in terms of these cultures". Historical Petrification is associated with the legends of Medusa, the basilisk, the Svartálfar and the cockatrice, among others. In fairy tales, characters who fail in a quest may be turned to stone until they are rescued by the successful hero, as in the tales such as The Giant Who Had No Heart in His Body, The Water of Life and The Dancing Water, the Singing Apple, and the Speaking Bird, as well as many troll tales. In Cornish folklore, petrifaction stories a ...
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Gorgoneion
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims that many primitive cultures use similar ritual masks in order to scare the owner ...
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Gorgoneion
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims that many primitive cultures use similar ritual masks in order to scare the owner ...
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Pegasus
Pegasus ( grc-gre, Πήγασος, Pḗgasos; la, Pegasus, Pegasos) is one of the best known creatures in Greek mythology. He is a winged divine stallion usually depicted as pure white in color. He was sired by Poseidon, in his role as horse-god, and foaled by the Gorgon Medusa. He was the brother of Chrysaor, born at a single birthing when his mother was decapitated by Perseus. Greco-Roman poets wrote about his ascent to heaven after his birth and his obeisance to Zeus, king of the gods, who instructed him to bring lightning and thunder from Olympus (mythology), Olympus. Pegasus is the creator of Hippocrene, the fountain on Mount Helicon. He was captured by the Greek hero Bellerophon, near the fountain Pirene (fountain), Peirene, with the help of Athena and Poseidon. Pegasus allowed Bellerophon to ride him in order to defeat the monster Chimera (mythology), Chimera, which led to many more exploits. Bellerophon later fell from Pegasus's back while trying to reach Mount Olym ...
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Sthenno
In Greek mythology, Stheno ( or ; Greek: Σθενώ, 'forceful') was the eldest of the Gorgons, vicious female monsters with brass hands, sharp fangs and "hair" made of living venomous snakes. Mythology The daughter of Phorcys and Ceto, Stheno was born in the caverns beneath Mount Olympus. She and her sister Euryale were both immortal, but the third sister, Medusa, was not.Wilk, Stephen R. "Mythological Evidence for Ancient Observations of Variable Stars." Journal of the American Association of Variable Star Observers 24 (1996): 129-133. Of the three Gorgons, she was known to be the most independent and ferocious, having killed more men than both of her sisters combined. In Roman mythology, she was transformed into a Gorgon for her relationship to her sister Medusa, a priestess of Minerva, who was raped by the sea god Neptune in her goddess's temple. Furious with Medusa for this act of desecration, Minerva changed her into a terrible monster, along with her sisters Stheno and Eur ...
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Euryale (Gorgon)
Euryale ( ; grc, Εὐρυάλη, lit=far-roaming), in Greek mythology, was the second eldest of the Gorgons, the three sisters that have the hair of living, venomous snakes. Family Euryale and her sisters were daughters of primordial sea god and goddess Phorcys and Ceto, who personified the dangers of the sea.Pindar, ''Pythian Ode'' 12.20Nonnus, ''Dionysiaca'' 25.58 According to Hyginus, the parents of the Gorgons were Gorgon and Ceto. In some variations of the myth of Orion, she is the hunter's mother by Poseidon, who lay with her following Medusa's death. Mythology Euryale and her sister Stheno were immortal, whereas Medusa was mortal. Euryale, like Stheno and Medusa, also had the ability to turn anyone to stone with her gaze. In many stories, Euryale is noted for her bellowing cries, particularly in the tale of Medusa's death at Perseus' hands, in which her anguished howls could make stone crumble to sand. See also * Cultural depictions of Medusa and Gorgons No ...
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The Graea
In Greek mythology the Graeae ( grc, Γραῖαι; ; English translation: "old women", "grey ones", or "grey witches"; alternatively spelled Graiai and Graiae) were three sisters who had gray hair from their birth and shared one eye and one tooth among them. They were also called the Grey Sisters and the Phorcides ("daughters of Phorcys") (not to be confused with the three Gorgons, who were also daughters of Phorcys and were also called Phorcides). Names Their names were: # Deino (or Dino) (Δεινώ) # Enyo (Ἐνυώ) # Pemphredo (Πεμφρηδώ) or Pephredo (Πεφρηδώ) Etymology The word Graeae is probably derived from the adjective "old woman", derived from the Proto-Indo-European root , "to grow old" via grk-x-proto, gera-/grau-iu. Mythology The Graeae were daughters of the sea-deities Ceto and Phorcys (from which their name the Phorcydes derived) and sisters to the Gorgons.Harris, Stephen L., and Gloria Platzner. ''Classical Mythology: Images and Insights ...
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Chrysaor
In Greek mythology, Chrysaor ( el, Χρυσάωρ, ''Chrysáor'', ''gen''.: Χρυσάορος, ''Chrysáoros''; English translation: "he who has a golden sword" rom χρυσός, "golden" and ἄορ, "sword", was the brother of the winged horse Pegasus, often depicted as a young man, the son of Poseidon and Medusa, born when Perseus decapitated the gorgon. Mythology In Greek mythology, Medusa was one of the Gorgons, three monstrous siblings. Medusa, unlike her sisters Stheno and Euryale, was mortal, and was beheaded by Perseus. Chrysaor and Pegasus sprang from the blood of her decapitated body. In art, Chrysaor's earliest appearance seems to be on the great pediment of the early 6th century BC Doric Temple of Artemis at Corfu, where he is shown beside his mother, Medusa. Offspring Chrysaor, married to Callirrhoe, daughter of glorious Oceanus, was father to the triple-headed Geryon, but Geryon was killed by the great strength of Heracles at sea-circled Erytheis beside ...
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Theogony
The ''Theogony'' (, , , i.e. "the genealogy or birth of the gods") is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed . It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the au ...
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