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Mazurka
The mazurka ( Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill ...
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Mazurka Dance Pattern
The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic '' kujawiak'', * fast ''oberek''. The ''mazurka'' is always found to have either a triplet, trill, dott ...
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Mazurkas (Chopin)
Over the years 1825–1849, Frédéric Chopin wrote at least 59 Mazurkas for piano, based on the traditional Polish dance: * 58 have been published ** 45 during Chopin's lifetime, of which 41 have opus numbers (with the remaining four works being two early mazurkas from 1826 and the famous "Notre Temps" and "Émile Gaillard" mazurkas that were published individually in 1841) ** 13 posthumously, of which 8 have posthumous opus numbers (specifically, Opp. 67 & 68) * 11 further mazurkas are known whose manuscripts are either in private hands (2) or untraced (at least 9). The serial numbering of the 58 published mazurkas normally goes only up to 51. The remaining 7 are referred to by their key or catalogue number. Chopin's composition of these mazurkas signaled new ideas of nationalism. Origins Chopin based his mazurkas on the traditional Polish folk dance, also called the mazurka (or "mazur" in Polish). However, while he used the traditional mazurka as his model, he was able to t ...
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Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a ...
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Oberek
The oberek, also called ''obertas'' or ''ober'', is a lively Polish dance. Its name is derived from the Polish ''obracać się'' ("to spin"). It consists of many dance lifts and jumps. It is performed at a much quicker pace than the Polish waltz and is one of the national dances of Poland. It the second-most popular dance in Polish-American music, after the polka. Polish Oberek (Folk) The Oberek, in its original form, is a Polish folk dance and is the fastest of the Five National Dances of Poland. The Five National Dances are: Polonez (Polonaise), Mazur (Mazurka), Kujawiak, Krakowiak and Oberek. The Oberek consists of quick steps and constant turns. The beauty of the oberek depends on each individual dancer's talent of spinning at the fast tempo of the Oberek, which shares some steps with the Mazur. The music for the oberek was typically performed by a small village band, kapela, dominated by the violin in central Polan Polish-American Oberek (Social) The "Polish-American ...
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Henryk Wieniawski
Henryk Wieniawski (; 10 July 183531 March 1880) was a Polish virtuoso violinist, composer and pedagogue who is regarded amongst the greatest violinists in history. His younger brother Józef Wieniawski and nephew Adam Tadeusz Wieniawski were also accomplished musicians, as was his daughter Régine, who became a naturalised British subject upon marrying into the peerage and wrote music under the name Poldowski. Life Henryk Wieniawski was born in Lublin, Poland. His father, Tobiasz Pietruszka né Wolf Helman, was the son of a Jewish barber named Herschel Meyer Helman, from Lublin's Jewish neighborhood of Wieniawa. Wolf Helman later changed his name to Tadeusz Wieniawski, taking on the name of his neighborhood to blend into the Polish environment. Prior to obtaining his medical degree, he had converted to Catholicism. He married Regina Wolff, the daughter of a noted Jewish physician from Warsaw, and out of this marriage, Henryk was born. Henryk's talent for playing the violin w ...
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Kujawiak
The Kujawiak is a Polish folk dance from the region of Kujawy in central Poland.Don Michael Randel. ''The Harvard Dictionary of Music''. Harvard University Press. 2003. p. 449. It is one of the five national dances of Poland, the others being the krakowiak, mazur, oberek, and polonaise. The music is in triple meter, and is characterized by its rubato tempo and calm, lyrical nature. The dance typically involves couples walking gracefully in a quarter-note rhythm, on slightly bended knees, with relaxed turns, around a circle. History The name "kujawiak", as a reference to the dance, first appeared in 1827, in T.F. Jaskólski's composition ''Pasterze na Bachorzy. Sielanki Kujawskie''. It is argued that the dance was developed from the mazur between 1750 and 1830. In 1841, Leon Zienkowicz described the kujawiak as a "regional variety of the mazurka relying on the domination of the minor key". The majority of the composers in the years following, including Ignacy Dobrz ...
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Maria Agata Szymanowska
Maria Szymanowska (Polish pronunciation: ; born Marianna Agata Wołowska; Warsaw, 14 December 1789 – 25 July 1831, St. Petersburg, Russia) was a Polish composer and one of the first professional virtuoso pianists of the 19th century. She toured extensively throughout Europe, especially in the 1820s, before settling permanently in St. Petersburg. In the Russian imperial capital, she composed for the court, gave concerts, taught music, and ran an influential salon. Her compositions—largely piano pieces, songs, and other small chamber works, as well as the first piano concert etudes and nocturnes in Poland—typify the ' of the era preceding Frédéric Chopin. She was the mother of Celina Szymanowska, who married the Polish Romantic poet Adam Mickiewicz. Biography Marianna Agata Wołowska was born in Warsaw, Poland on 14 December 1789 into a prosperous Polish family with Frankist Jewish roots, one of her ancestors being Salomon Ben Elijah (or Jacob ben Judah Leib/Jacob ...
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Alexander Scriabin
Alexander Nikolayevich Scriabin (; russian: Александр Николаевич Скрябин ; – ) was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic tones of his scale, while his colour-coded circle of fifths was also inspired by theosophy. He is often considered the main Russian Symbolist composer and a major representative of the Russian Silver Age. Scriabin was an innovator as well as one of the most controversial composer-pianists of the early 20th cent ...
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Karol Szymanowski
Karol Maciej Szymanowski (; 6 October 188229 March 1937) was a Polish composer and pianist. He was a member of the modernist Young Poland movement that flourished in the late 19th and early 20th century. Szymanowski's early works show the influence of the late Romantic German school as well as the early works of Alexander Scriabin, as exemplified by his Étude Op. 4 No. 3 and his first two symphonies. Later, he developed an impressionistic and partially atonal style, represented by such works as the Third Symphony and his Violin Concerto No. 1. His third period was influenced by the folk music of the Polish Górale people, including the ballet ''Harnasie'', the Fourth Symphony, and his sets of Mazurkas for piano. '' King Roger,'' composed between 1918 and 1924, remains Szymanowski's most popular opera. His other significant works include ''Hagith'', Symphony No. 2, '' The Love Songs of Hafiz'', and '' Stabat Mater''. Szymanowski was awarded the highest national honors, ...
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Mazur (dance)
Mazur is a traditional Polish national dance, one of the five Polish national dances]Don Michael Randel. ''The Harvard Dictionary of Music''. Harvard University Press. 2003. p. 495. in vivid tempo and triple metres of 3/4 or 3/8. Characterised by its tendency to accent the second or third beat and a rhythmic figure of a 4-syllable group, consisting of two quavers (eighth notes) and two crotchets (quarter notes). It is a joyful, dynamic dance, oftentimes danced at the nobles' szlachta's courts. The man leading the mazur is a wodzirej. Mazur's popularity among European ballrooms' dances rose in the 18th/19th century. See also *Mazurka The mazurka (Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character de ... References Polish dances {{Poland-stub ...
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Ballroom Dance
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. * The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance CouncilWDC and the World DanceSport FederationWDSF, is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, International Slow ...
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Mazurek (cake)
Mazurek is a variety of cake baked in Poland for Easter. It has a flat shape and is very sweet. According to Polish gastronomy coursebooks, typical ''mazurek'' is a cake that can be made of one or two sheets of short (or half-short) pastry or one sheet of short (or half-short) pastry covered with a sheet of butter sponge cake. The two sheets are fixed together with a help of a layer of marmalade. In case of one-sheet version, marmalade is skipped or goes on top, under the layer of icing. The top of ''mazurek'' is covered with a layer of icing (i.e. sugar icing or fudge caramel cream) or jelly. It is also decorated with nut-based icing or almond-based icing and candied fruits. Traditionally, home-baked ''mazurek'' cakes are often decorated with dried fruits and nuts. In the one-sheet version, the cake includes the borders made of rolled half-short pastry. Sometimes the shortcrust base is crowned with a lattice made of half-short or macaroon pastry. Among other versions, of ...
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